SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by George Duke of Buckingham. Mainpiece: Not acted these 5 years [see 29 March 1742]. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the play. Also the Additional reinforcement of Mr Bayes's new Rais'd Troops

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Knights

Performance Comment: As17540209, but New Prologue-Foote.
Cast
Role: New Prologue Actor: Foote.

Performances

Mainpiece Title: Constantine

Performance Comment: As17540223, but with a New Epilogue-.
Cast
Role: with a New Epilogue Actor: .
Event Comment: The Musick composed by Mr Handel. New Decorations

Performances

Mainpiece Title: Admeto

Event Comment: By Authority. Not acted there before. Tickets delivered out by Miss Barton will be taken. Also an additional Reinforcement of Mr Bayes's new raised Troops

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; others-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Ackman, Atkins, Marr, Vaughan, Raftor, Johnston, Rooker, Mrs Abington, Mrs Hippisley, Miss Mills, Miss Simson, Moody, Gray; With an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.

Afterpiece Title: Britannia's Triumph

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; Others-Yates, Packer, Philips, Blakes, Moody, Clough, Parsons, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Castle, Rooker, Watkins, Miss Pearse, Mrs Hippisley, Miss Mills, Miss Rogers; Songs-; Dances-; and an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: High Life below Stairs

Dance: HHearts of Oak, as17620925

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Prince Volscius-Davies; Gentleman Usher-Weston; Tom Thimble-Quin; Thunder-Johnson; Smith-Lewis; Prettyman-Death; The Sun-Blakey; Amaryllis-Mrs Osborne; Chloris-Miss Platt; two Kings of Brentford-Hayes, Jackson; Parthenope, Moon-Mrs Daly; Bayes-Wilkinson (with a variety of imitations); Johnson-Kennedy; with an additional Reinforcement of Mr Bayes's new rais'd Troops-.

Afterpiece Title: The Mayor of Garratt

Dance: II: A Serious Dance-Miss Street (scholar to Ghendi); V: The Venetian Gardeners-Master Rogier, Miss Street

Performances

Mainpiece Title: The Wonder

Performance Comment: As17641020, but Isabella-Miss Hallam; Old Soldier-_; New Occasional Prologue-Smith.

Afterpiece Title: The Upholsterer

Dance: III: Blind Man's Buff, as17641003; End: The Jealous Woodcutter, as17641101

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Foppling Flutter

Afterpiece Title: The Old Maid

Performance Comment: As17660107, but Old Maid (New Dress'd)-Woodward (Being the first and, he believes, the last time of his appearing in that character). [But see17660401] .But see17660401] .

Dance: End: The Village Romps, as17651019

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Musical Lady

Performance Comment: As17660404 but a New Italian Song-_.
Cast
Role: a New Italian Song Actor: Miss Pope

Entertainment: End: Baddeley, By Particular Desire, will present Bucks Have at ye All-Baddeley

Dance: End I Farce: Hearts of Oak, as17660207

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; Others-Yates, Packer, Weston, Hurst, Parsons, Moody, Castle, Bransby, Fox, Marr, Ackman, Kear, Keen, Johnston, Strange, Rooker, Watkins, Miss Pearce, Mrs Hippisley, Miss Mills, Miss Rogers; With an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: Polly Honeycomb

Music: I: A Concerto on the Harpsichord, as17661203

Dance: II: The Jealous Peasant, as17661111; End: The Vintage, as17661011

Performances

Mainpiece Title: The Taylors

Performance Comment: As17670702, with New Prologue-Foote.%.
Cast
Role: with New Prologue Actor: Foote.%.
Role: Higgleston Actor: Newton

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17690331 but Sir Harry Sycamore-Baddeley; Theodosia-Miss Valois (1st time, from Covent Garden); New Occasional Prologue-_.

Afterpiece Title: Harlequin's Invasion

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot (with the Address to the Town)-Woodward; Sir George-Mattocks; Charles-Wroughton; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-Hamilton; Scentwell-Miss Pearce; Isabinda-Miss Valois; Patch-Mrs Pitt; Miranda-Mrs Baker; With a New Occasional Prologue (Never spoken before)-Woodward (playbill); Miranda-Miss Macklin (Public Advertiser).

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The School For Wives

Performance Comment: As17740205, but with "Two New Scenes." The Principal Characters listed now as-King, Reddish, Moody, W. Palmer, Ackman, Griffiths, Brereton, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Bransby, Wright, Miss Young, Baddeley, Miss Platt, Mrs Millidge, Mrs Abington.

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Clack-Parsons; Scentwell-Griffith; Meriel-Mrs Hunt; Rachel-Mrs Wrighten, first time; Hilliard-Davies; Vincent-Fawcett; Beggars-Wright, Waldron, Kear, Messink, Courtney, Jones, Mrs Love, Mrs Smith; A New Song-; will be introduced and In Act I, the Crutch Dance-.
Cast
Role: A New Song Actor:

Song: II: Rise Glory-Mrs Wrighten

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .

Afterpiece Title: Three Weeks after Marriage

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.

Afterpiece Title: The Sharper's Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Cubitt; Isaac-Quick; Jerome-Wilson; Antonio-Palmer (1st appearance at this theatre); Lopez-Wewitzer; Father Paul-Booth; Carlos-Meadows (1st appearance on this stage); The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister .

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Event Comment: Afterpiece: A new

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Britannia; or, The Royal Lovers

Entertainment: [Author unknown.] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performance Comment: ] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d .