SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT I; author unknown. MS: Larpent 1022; not published; synopsis of plot in Morning Herald, 10 May]: Books of the Songs may be had at the Theatre. [In 4th piece Brown is identified in Thespian Magazine, June 1794, p. 226.] Morning Chronicle, 5 May: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #272 19s. (81/14; 5/12; tickets: 185/13)

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Performance Comment: Principal Characters by Lewis, Johnstone, Aickin, Farren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss Brunton, Mrs Mattocks. [Cast from text (G. G. J. and J. Robinson, 1791): Count Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren; Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thompson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs Wells; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; Prologue-Bernard [in the Character of a News-hawker]; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: The Fond Husband Or The Plotting Sisters

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: A variety of entertainments as17570902 as17570908 as17570912; An Address-Mr Cibber; Hooley and Fairley, A Scotch Song-Lauder; Blind Man's Buff-Lilliputians; A Concerto for French Horns-; The Comic Lectures-Mr Cibber; Music-; The Taylors-Master Settree, Miss Twist; An Auction-Mr Cibber; Italian Air-Signora Mimicotti; Bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Marine Boys Marching to Portsmouth-; +Hornpipe-Morris, Miss Durham; Handel's Water Music, Preamble on Kettle Drums-; Comic Epilogue-Miss Midnight; Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry; Kitty or the Female Phaeton-Miss Gaudry; Dialogue-Mr Gaudry, Miss Gaudry; The Lark Concerto-Mr Gaudry; Country Lass-Miss Valois; What's That to You?-Lauder; Oration-Miss Midnight; Cuckow Overture-; Singing-Sadler; Dutch Peasant-Miss Valois; Louvre, Minuet-Froment, Madam Dulisse; with the addition of La Bergere-Miss Vallois (scholar to Mr LaCointe); a new Scots Dance-Froment, Mlle Dulisse; an Epi@congee-Cibber; Alli Croker a comic dance-Miss Valois.

Afterpiece Title: Harlequins Frolic

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Performances

Mainpiece Title: Epicoene Or The Silent Woman

Performance Comment: Parts by: King, Bensley, Palmer, Parsons, Brereton, Baddeley, Davies, Yates, Mrs Hopkins, Miss Sherry, Mrs Davies, Miss Platt, Mrs Millidge, and Mrs Siddons. With a New Occasional Prologue-Palmer; Morose-Bensley; Truewit-Palmer; Sir Amorous-King; Capt. Otter-Yates; Sir John Daw-Parsons; Cutbeard-Baddeley; Dauphine-Brereton; Clerimont-Davies; Mrs Otter-Mrs Hopkins; Lady Haughty-Miss Sherry; Centaur-Mrs Davies; Mavis-Miss Platt; Trusty-Mrs Millidge; Epicoene-Mrs Siddons (Genest, V, 484).

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Concert

Music: New Bizzaria's on all the New Gusto's of Italy-Mr Corbett for all Instruments and; Pieces on the Viol d'Amore-; Pieces on the two new Instruments call'd, The Chamber@Horns- (never heard in Publick)

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: Benefit for the composer to the theatre. Words of the songs in the pastoral will be printed and given out Gratis at the theatre. Receipts: #160 13s. 6d. plus #33 8s. from tickets. Profits to Dr Arne #129 19s. 6d. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Florizel and Perdita

Performance Comment: Florizel-Mattocks (with a new song in character); Autolicus (with songs in character)-Shuter; King-Ridout; Shepherd-Sparks; Perdita-Miss Brent (with new songs in character); The Music by Dr Arne. With a New Rural Dance-Poitier Jr, Mlle Capdeville.

Dance: LLes Charboniers, as17601216

Event Comment: Benefit for Holland. [Farce is the first act of Taste (Foote) connected with a New additional act (never perform'd before) call'd Modern Tragedy written by Mr Foote, with a new character (Genest, IV, 661.] Holland's Bt. deferred till this date so that Mr Garrick may have time to be prepared in the Character of Mercutio" (Folger Bill). The new last act to Taste--great hissed--and almost d-d (Hopkins MS Notes)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Taste

Performance Comment: Lady Pentweazle-Foote; New Characters-Foote, King, Packer, Baddeley, Burton, Philips, Ackman, Three Performers who never appeared on any stage (pasteboard figures) (Genest, IV, 611). Parts listed in Larpent MS 194 are; Townly-; Manly-; Carmine-; Fustian-; Project-; Prompter-; Alderman Pentweazle-; Caleb-; Servant to Townly-; Boy to Carmine-.
Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

Event Comment: By His Royal Highness's Command. Weekly Journal or British Gazetteer, 30 Aug.: On Saturday when his Royal Highness the Prince was at Mr Penkethman's Theatre...he was plas'd to Enquire what Entertainments he and Mr Bullock had in Southwark Fair. In the meantime Mrs Leigh, Daughter of the late Mrs Minns, is preparing for Bartholomew-Fair; but not Bullock and Leigh as some People imagine

Performances

Mainpiece Title: The Committee

Afterpiece Title: Hob

Dance: As17180802

Performances

Mainpiece Title: The Rival Fools Or Wit At Several Weapons

Event Comment: DDaily Advertiser, 13 Nov., has a poem: To Mr Giffard, on the New Theatre in Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: TTambourine-Miss Wherrit; Scots Dance-Mrs Bullock; Sailor's Dance-Jones

Event Comment: See Daily Advertiser, 22 June, for a poem: To Mr Giffard, Master of the New Theatre in Goodman's-Fields, on closing the Season

Performances

Event Comment: A Concert of Musick, after which will be acted Gratis the Tragedy. The Character of Othello will be new dress'd after the Custom of his Country. No Money will be taken at the Doors, nor any Person admitted but by printed Tickets, which will be deliver'd by Mr Macklin, at his House in Bow St., Covent Garden. 6 p.m

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Iago-Macklin [see puff in Daily Advertiser, 23 Feb.]; Othello-a young Gentleman, first time any stage [Foote]; Montano-York [Hogan, Shakespeare in the Theatre, I, 367]; Lodovico-Hill [Genest, IV, 76].Genest, IV, 76].
Event Comment: Benefit for the Two Misses Scott. Pit and Boxes to be put together, 5s. Gallery 3s. To begin at half an hour after Six. No persons to be admitted but by printed tickets, which may be had of the two Misses Scott, at Mr Hind's, painter in Silver St., near Golden Square, and at the theatre where places may be taken. Several of the principal performers being engag'd for tomorrow night, the Misses Scott are oblig'd to take this night for their benefit, and humbly hope the Gentlemen and Ladies who intend them the honour of their company will excuse it, and the same tickets will be admitted. Note tickets deliver'd out for the Castle Tavern in Paternoster Row for the 14th of January will be taken

Performances

Mainpiece Title: A Concert

Performance Comment: Vocal parts-Sg Palma, Sullivan; The favorite songs in the last New Opera, call'd L'Incostanza Deluza-the two Misses Scott; The Instrumental parts-the best masters; particularly a solo on the Violin-Sg Pasquali; a concerto on the Violincello-Sg Pasquali Jr.
Event Comment: At the New Theatre, Bowling Green, Southwark. Benefit for Mr and Mrs Phillips. A Concert, etc. To begin at 6:30 p.m

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Virgin Unmasked

Dance: Phillips

Event Comment: At the New Theatre, at Mr Bradley's, Distiller, in Old Gravel Lane, Wapping. A Concert, etc. Prices: 2s., 1s. To begin at 6:30 p.m

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: An Old Man Taught Wisdom or The Virgin Unmasked

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bruodin; Duke-Platt; Anthonio-Reynolds; Ferdinand-Walker; Gonzalo-Hall; Ventoso-Smith; Stephano-Massey; Mustachio-Green; Caliban-Machen; Sycorax-Mrs Miller; Trincalo-Morgan; Miranda-Mrs Sandum; Ariel-Miss Platt; Hippolita-Mrs Morgan; Dorinda-Mrs Laguerre (Hogan), but Mrs Phillips from the Theatre Royal in Covent Garden (Daily Advertiser).

Afterpiece Title: The Harlots Progress

Event Comment: [Benefit] for a Gentlewoman under Misfortunes (Cross). Tickets to be had fo Mrs Powell, at the Golden Leg in Fleet St.; at the Turk's Head Coffee-House in New Bond St.; and of Mr Varney at the theatre, where places in the Boxes may be taken (Public Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Author

Dance: III: The Market, as17571126

Event Comment: By Command of Their Majesties. No Gentlemen can possibly be admitted into the Orchestra, or behind the scenes except those who attend the Royal Family. The Ladies and Gentlemen who have taken places for this evening, are desired to be at the Theatre by Five o'clock at the farthest, or their places cannot be secur'd

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; Others-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Castle, Rooker, Watkins, Mrs Bennet, Mrs Hippisley, Miss Mills, Miss Rogers; With proper Dances-; Songs-; an Additional Reinforcement of Mr Bayes's New Raised Troops-; The whole to conclude with a Dance-Master Roger, Miss Capitani (Scholars to Gallini).
Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performance Comment: As17611214, but the Songs of the Paganinis will be all new.
Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Performance Comment: Norfolk-Smith; Cecil-Walker; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy; New Occasional Prologue-Ross; Epilogue-Woodward, Shuter.
Cast
Role: New Occasional Prologue Actor: Ross

Afterpiece Title: Perseus and Andromeda

Event Comment: A new comedy of three acts. Places to be taken of Mr Jewell at the Theatre. No Admittance behind the Scenes. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money to be returned after the Curtain is drawn up. Pit and Galleries to be open at 5:30 p.m.; Boxes at 6 p.m. To begin exactly at seven. Vivant Rex et Regina. [Repeated in the bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi