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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

10101
02 October 1775 @ Drury Lane Theatre

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Performances

Mainpiece Title: None

10102
02 October 1775 @ Covent Garden

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patrick's Day

10103
09 October 1775 @ Covent Garden

Event Comment: St Patrick's Day oblig'd to be deferr'd on account of Indisposition of Mrs Pitt. The Slip now converted into Boxes at 5s. Was only 2s. (Folger News Clipping, and Winston MS 11 note from the Morning Post of 9 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cross Purposes

10104
19 October 1775 @ Covent Garden

Event Comment: Mainpiece: Not acted there these 2 years. [See 29 April 1774.] The new Musical Entertainment call'd The Weathercock is deferr'd till Saturday

Performances

Mainpiece Title: Macbeth

Afterpiece Title: St Patrick's Day

10105
30 October 1775 @ Drury Lane Theatre

Event Comment: Parsons being taken last night suddenly ill, the New Musical Farce of May Day is oblig'd to be deferr'd till Wednesday. Receipts: #166 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

10106
20 November 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Jackson; Patie-M'Donald; Roger-Belingham (first appearance); Symon-Middlemist; Glaud-Boyack; Bauldy-Walker; Peggy-Young Lady , first appearance on any stage; Jenny-Mrs Walker; Madge, Elson-Wilson; Mause-Hamilton; a New Occasional Prologue-Walker; Epilogue-Lady who performs Peggy; in III will be introduced The Scots Measure-Fishar; to conclude with a Dance-the Characters of the Play.
Cast
Role: a New Occasional Prologue Actor: Walker

Song: I: Favourite Song of Terry Woo-M'Donald

Dance: II: Hornpipe-Mas. Mills; IV: Hornpipe-Rawlins

10107
14 December 1775 @ Drury Lane Theatre

Event Comment: Mainpiece. By Particular Desire. Paid half years Land and Window tax, #3 3s. 6d. Licensing Little Gipsey, City Manners, New Epilogue to Maid of the Oaks and Sultan #7 7s. Receipts: #198 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Sultan

10108
22 December 1775 @ Drury Lane Theatre

Event Comment: Benefit for Westminster New Lying In Hospital near the Bridge. Rec'd stopages #10 13s. Receipts: #82 9s.; Charges: #84; Deficit to Hospital: #1 11s. (Treasurer's Book)

Performances

Mainpiece Title: She Would And She Would Not

Afterpiece Title: A Trip to Scotland

10109
03 February 1776 @ Covent Garden

Event Comment: Street Ballad, The Duenna or the Double Elopement, a new song to an old Tune: @In the days of Gay, they sing and say,@The town was full of folly:@For all day long, its sole sing-song@Was pretty, pretty Polly.@So now-a-days, as it was in Gay's,@The world's run mad again-a@From morn to night its whole delight@To cry up the Duenna.@One half the town still talks of Brown@The other of Leoni,@While those sly curs, the managers,@Keep pocketing the money... [Brown was the original Clara in the opera. See 16 Dec. 1775 (Hampden, Journal).

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

10110
09 February 1776 @ Drury Lane Theatre

Event Comment: Rec'd stopages #11 18s.; Paid Daniel Maltoss [sic] Esq one year's rent due Xmas #31 10s. 10d. (Treasurer's Book). [Evidently Daniel Malthus. Although Victor was still Treasurer and Evans sub-treasurer this season, some new bookkeepers seem to be recording the financial transactions, for several different hands appear in the manuscript. The spelling by one of these bookkeepers is bad even by eighteenth-century standards. DeLoutherbourg's name is spelled a half-dozen different ways, including Lutenborgh, Lutterbourg, and Latherbourg.] Receipts: #266 2s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rival Candidates

Dance: V: The Irish Fair, as17751003

10111
09 February 1776 @ Covent Garden

Event Comment: Mainpiece: A New Comedy [by Hugh Kelly, not printed] never performed. [It was performed but once. The Biographia Dramatica suggests failure was partly due to Woodward's misconception of the main character. The Westminster Magazine for Feb. damns the play, for developing two confusing and parallel plots, for the acting, and for the language.

Performances

Mainpiece Title: The Man Of Reason

Afterpiece Title: Miss in Her Teens

Dance: End Comedy: Mirth and Jollity, as17760102

10112
22 February 1776 @ Haymarket Theatre

Event Comment: An Operetta of Two Acts. Music entirely New by Dr Arne. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Being desired by many persons of quality

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

10113
12 March 1776 @ King's Theatre

Event Comment: A new comic Opera. The Music by Sacchini

Performances

Mainpiece Title: L'isola D'amore

Dance: I: Diane et Endymion Endymion-Fierville, Diane Mlle Baccelli; Une Bergere-Mlle Sophie; II: La Fete du Village, as17760224

Ballet: End Opera: Astolphedans L'ile de Alcine. Astolphe-Fierville; Alcine-Mlle Baccelli; Helm; Mlle Sophie

10114
16 March 1776 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Comus

Performance Comment: Comus-Webster (with Songs in character and One New Composed by Dr Arne); Spirit-L'Estrange; Brothers-Thompson, Young; Bacchanals, Bacchants-Reinhold, Miss Dayes, DuBellamy, Baker, Miss Ambrose; The Song of Sweet Echo-Mrs Mattocks; Bacchant, Euphrosyne-Mrs Farrell (first appearance in that character); Pastoral Nymph, Sabrina-Miss Weller; Lady-Mrs Barry (first time).

10115
20 March 1776 @ Covent Garden

Event Comment: A Sacred Oratorio, never performed. The Music entirely new, composed by Hook. [The reviewer for the Westminster Magazine for March thought the Ascension would make but a poor figure at the Day of Judgement. [Hook] has, like many other votaries of Clio and Calliope, mistaken dullness for dignity...if there were no other objection to the Ascension than its extreme length and tediousness, that circumstance alone would prevent it from ranking among the pleasing Oratorios now in performance."

Performances

Mainpiece Title: The Ascension; Judas Maccabaeus

Music: Between the parts of the Oratorio: A Concerto on the Pedal Harp-Jones; concerto on the Violin-Lamotte[, as17760315

10116
28 March 1776 @ King's Theatre

Event Comment: A New Comic Opera. Music By Gazaniga, a Neopolitan Master. Benefit for Signora Sestini

Performances

Mainpiece Title: Alcina

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral-S. Vallouy, Mme Vallouy, Helm, Mlle Sophie; Pigmalion, as17760307

10117
09 April 1776 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Smith. The Farce was much hiss'd (Hopkins Diary). The overture and Songs in it entirely new, composed by Theodore Smith. The farce by Thomas Hull. Paid 1!2 years Poor's rate to Xmas last #32 9s. 6d. Receipts: #98 6s. Charges: #70 6s. Profits to Mrs Smith: #28 (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Spanish Lady

10118
20 April 1776 @ King's Theatre

Event Comment: A New serious opera. Music by Pacini. Under the direction of Vento

Performances

Mainpiece Title: Caio Mario

Dance: I: Grand Ballet, with Chaconne-Fierville, Mlle Baccelli; II: Ballet Pastoral, as17760328 End Opera: Diane et Endymion, as17760312

10119
03 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: As17751211, but in Act II, a New Dance called The Berger Galans-.
Cast
Role: a New Dance called The Berger Galans Actor: .

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

10120
19 August 1776 @ Haymarket Theatre

Event Comment: A new comedy (by Samuel Foote. This is A Trip to Calais reworked. See 4 and 18 Aug. 1775, Comment.

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Mock Doctor

Dance: The Venetian Regatta-

10121
18 October 1776 @ Drury Lane Theatre

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale

10122
21 November 1776 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel; or, The Double Valet

10123
21 November 1776 @ Covent Garden

Event Comment: Mainpiece: Never perform'd there. With New Dresses and Decorations. Receipts: #153 14s. 6d. (151.12.6; 2.2.0)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Seraglio

10124
25 November 1776 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Seraglio

Performance Comment: As17761118, but a new Obligato Song [by Dr Arne-Leoni; accompanied [on the violin]-Fisher.

Dance: I: the Banquet, with Dancing-Dumay, Miss Matthews

10125
02 December 1776 @ King's Theatre

Event Comment: In order to give Time to the Serious Singers to get ready in Trajetta's New Opera [Germondo (see 21 Jan. 1777)], La Fraschetana will be performed on Saturday, on which Account there will be no Opera To-morrow

Performances

Mainpiece Title: None