SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Mrs Greville (of DL); Colonel Standard-Brinsley; Young Clincher-Swords (from the Theatre Royal, Dublin); Vizard-Cotton; Alderman Smuggler-Barrett; Tom Errand-Forrest; Beau Clincher-A Gentleman (1st appearance on any stage [unidentified]); Wife-Mr Pressley; Angelica-Miss Read; Parley-Miss Plain; Lady Darling-Mrs Fowler; Lady Lurewell-Mrs Child .

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Injur'd General; Or, The Blind Beggar Of Bednal-green; With The Comical Humours Of Squire Sousecrown And His Man Gudgeon

Song: Mrs Willis

Dance: Mrs Willis

Performances

Mainpiece Title: The Spanish Wives

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Event Comment: Benefit for Mr Havard. With a new Ode (written by Havard & set by Dr Boyce) to ye memory of Shakespear (Cross). Ode deliver'd gratis at the Theatre. Receipts: #265 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Song: new Anniversary Ode in Commemoration of Shakespeare written by Havard set to music by Dr Boyce-Beard, Champness

Performances

Mainpiece Title: Julius Caesar (one Scene)

Afterpiece Title: Sir Courtly Nice

Entertainment: Rope/Dancing after the French, Italian, and Bohemian Manner-; also a Stiff Rope, Vaulting the Slack Rope beyond Imagination-little Girl of 4 Years of Age

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Benefit Roger, the Pierot. Afterpiece: The Characters all new Dressed

Performances

Mainpiece Title: Arlequin Cru Prince Par Magie

Afterpiece Title: Pierot Grand Vizier: With The Turkish Ceremony of the Bourgeois Gentilhomme

Dance:

Music: new sonata on violin of Mr Roger's composing-Mr Roger (himself)

Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.
Cast
Role: With a New Prologue Actor:

Dance:

Event Comment: By Command of Their Majesties. No Gentlemen can possibly be admitted into the Orchestra, or behind the scenes except those who attend the Royal Family. The Ladies and Gentlemen who have taken places for this evening, are desired to be at the Theatre by Five o'clock at the farthest, or their places cannot be secur'd

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; Others-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Castle, Rooker, Watkins, Mrs Bennet, Mrs Hippisley, Miss Mills, Miss Rogers; With proper Dances-; Songs-; an Additional Reinforcement of Mr Bayes's New Raised Troops-; The whole to conclude with a Dance-Master Roger, Miss Capitani (Scholars to Gallini).
Event Comment: Mainpiece: Not acted these 7 years. Written by George Duke of Buckingham. With Songs, Dances, New Scenes, Machines, Habits and other proper decorations. The Music New-compos'd by Mr Arne. No After Money will be taken. To prevent any interruption in the movement of the machines, 'tis hoped no Persons will take it ill that they cannot be admitted behind the scenes. Receipts: #90

Performances

Mainpiece Title: Rehearsal

Performance Comment: Bayes-Cibber Jr; Smith-Delane; Johnson-Mills; Other Characters-Johnson, Macklin, Neale, Havard, Ridout, Taswell, Arthur, Turbutt, Winstone, Leigh, Green, Wright, Ray, Woodburn, Miss Woodman, Mrs Cross, Miss Story, Miss Cole; Vocal Parts-Beard, Lowe, Johnson, Ray, Raftor; Particularly the Representation of a Battle of the Two Operatical Generals-Per gli Signori Giovanni and Tomasino detti Beard, Lowe; With the Additional reinforcement of Mr Bayes's New Rais'd Troops-.

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Event Comment: Benefit Galliard. Pit and Boxes put together at 5s. Gallery 3s. Upper Gallery 2s. Special Care will be taken to have the Theatre well aired. [Last performance known at this theatre.

Performances

Mainpiece Title: Love And Folly

Afterpiece Title: Serenata

Music: New concerto grosso-; 24 Bassoons-; accompanied- violincello-Caporale

Event Comment: Prices first mentioned in news notices: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. [These are new and increased rates.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Bridges; Johnson-Cross; Other-Yates, Havard, Taswell, Blakes, Turbutt, Phillips, Neale, Leigh, Winstone, Green, Woodburn, Ray, Usher, Wright, Mrs Ridout, Mrs Cross, Miss Cole, Miss Wright; With the Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: The Amorous Goddess

Event Comment: A New Serious Opera. Music by Cocchi

Performances

Mainpiece Title: Tito Manlio

Dance: New dances-Gerhardi (Ballet Master);Mlle Asselin, Giorgi Benety, Sga Anna Benety, Miss Capitani, Mr Tariot

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-McDonald; Roger-Burnat; Symon-Middlemist; Glaud (with the Cries of Edinburgh)-Boyack; Bauldy-Walker; Peggy-The Lady who performed it with universal Applause last February [Mrs Moss]; Jenny-Miss Ross; Madge, Elspa-Mr Wilson; Mause-Mr Hamilton; New Prologue-Walker.
Cast
Role: New Prologue Actor: Walker.

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: See17391031, but Bayes-Cibber; Johnson-Ryan; Smith-Bridgwater; other parts-Hippisley, Rosco, Hallam, Hale, Gibson, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Brunette; With the Original Prologue-; With an Additional Re-inforcement of Mr Bayes's new rais'd Troops-; Vocals-Leveridge, Salway, Bencraft, Mrs Lampe, Miss Young.

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Performance Comment: Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; others-Yates, Lacey, Havard, Taswell, Blakes, Shuter; Scrase, W. Vaughan, Wilder, Marr, Simson, Vaughan, Raftor, Mozeen, Clough, Rooker, Gray, Miss Minors, Mrs Simson, Miss Mills, Miss Simson; With an additional reinforcement of Mr Bayes' New Rais'd Troops-.

Afterpiece Title: The Genii

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: 2nd piece [1st time; CO 3, by John Scawen]: The Music, with a new Overture, by Dr Arnold. The Scenery designed and painted by Rooker. The Dances by Byrn. Books of the Songs [T. Cadell, 1790] to be had at the Theatre. Diary, 27 Aug. 1790: This Day is published New Spain (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain; or, Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

Event Comment: Benefit Nivelon. Mainpiece: Written by the late Mr Congreve. Afterpiece: Containing Variety of New Songs, to old Ballad-Tunes [By John Hippisley]. Receipts: money #84 2s. 6d.; tickets #53 8s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Sequel to the Opera of Flora; or, Hob's Wedding

Dance: new Wooden Shoe Dance by Nivelon-Nivelon, Mrs Laguerre; Afterpiece:A new Dance-Nivelon for the Afterpiece