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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

9726
02 December 1751 @ Drury Lane Theatre

Event Comment: KKing there--but not in ye Bills sent Word at 3 o'clock--Play went off well (Cross). We hear there are two more plays reviving at Drury Lane, which are intended to be played alternately, and that a new Pantomime Entertainment call'd Harlequin Ranger is preparing for the holydays. Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

9727
06 December 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17511129, but new Occasional Prologue-_.

Afterpiece Title: The Devil to Pay

9728
14 December 1751 @ Covent Garden

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Modely-Dyer; Heartwell-Gibson; Freehold-Bridgwater; Sir John English-Arthur; Lurcher-Anderson; Carbuncle-Marten; Sneak-Paddick; Timothy-Collins; Longbottom-Bencraft; Double Jugg-Dunstall; Vulture-Cushing; Flora-Mrs Dyer; Aura-Mrs Vincent; Country Dance- incident to the play; the Original Sheep Shearing Song (New set by Arne)-Mrs Chambers.

Afterpiece Title: Perseus and Andromeda

9729
26 December 1751 @ New Wells, London Spa, Clerkenwell

Event Comment: At the New Wells, Clerkenwell For One Night Only. A Concert, &c. A ball and Country Dancing afterwards. Boxes 3s. Pit 2s. 6d. Gallery 1s. 6d. Upper Gallery 1s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lying Valet

9730
10 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17511209, but new Occasional Prologue-_.

Afterpiece Title: Harlequin Ranger

9731
08 February 1752 @ Covent Garden

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace; or, Merlin's Cave

9732
26 February 1752 @ Covent Garden

Event Comment: t the Temple of Taste this evening the entertainment consisted of 1), an overture from Samson, 2), a Poetica address to the audience, 3), a concert on the harpsichord by a young Lady eight years old, 4), a Dissertation on Dress, 5), a Hautboy concerto, 6), an Essay toward a new-invented Astronomy, adapted to the Ladies, 7), a solo on the German Flute, and a general debate on the following propositions: Is Affectation more prevalent in Man than Woman?" 'Is not a good-natured illiterate man more beneficial to society than an illnatured philosopher" (General Advertiser).

Performances

Mainpiece Title: Jeptha

9733
28 February 1752 @ Covent Garden

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

9734
20 March 1752 @ Covent Garden

Event Comment: MMrs Cibber's New Entertainment call'd the Oracle, which was acted last Tuesday for her benefit, met with the most general applause; and she is thought to excel in the character of Cinthia, as much as any she ever performed

Performances

Mainpiece Title: Judas Macchabaeus

9735
23 March 1752 @ Covent Garden

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Oracle

Performance Comment: As17520317 but parts first specified here: Fairy Queen-Mrs Elmy; Oberon-Dyer; Cinthia-Mrs Cibber; New Prologue-_.

9736
24 March 1752 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I New Overture by Giardini-; Airs: Caro sposo (Alberti)-Sga Frasi; Through the Land so Lovely Blooming (Handel)-Beard; Honour and Arms (Handel)-Wass; Vo solcando (Vinci)-Sga Galli; Concerto-Pasqualino; Part II Concerto-Giardini; Airs: Father in Heaven (Handel)-Galli; Revenge Timotheus cries (Handel)-Wass; See Hercules how smiles yon myrtle plain (Handel)-Sga Frasi; The Trumpets loud Clangor (Handel)-Beard; Duetto-Sga Frasi, Sga Galli; Concerto-Miller; Part III Concerto-Vincent; Airs: Love in her eyes sits playing (Handel)-Beard; Pastorella (Ciampi)-Sga Galli; Se perde l'usignolo (Jomelli)-Sga Frasi; Trio, The Flocks shall leave the Mountain (Handel)-Sga Frasi, Beard, Wass; Grand Concerto of Handel's-.

9737
26 October 1752 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 15 years. Written by Ben Johnson. The characters New Dress'd after the Manner of the Times. Receipts: #14O (Cross)

Performances

Mainpiece Title: Epicaene; Or, The Silent Woman

Dance: Devisse, Mlle Auretti, Ferrere, Piettro, Miss Rayner

9738
16 November 1752 @ New Wells, Lemon Street

Event Comment: At the New Wells, Lemon St., A Concert, etc. Benefit for Hallam. Boxes 2s. 6d. Pit and First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil in a Wood; or Harlequin Skeleton

9739
20 November 1752 @ New Wells, Lemon Street

Event Comment: By particular Desire. A Concert, &c., Benefit for Hallam at the New Wells, Lemon St., now open only upon this occasion. Boxes 2s. 6d. Pit and First gallery 2s. Upper Gallery 1s. [Prices repeated.

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmasked

Entertainment: Singing-

9740
21 November 1752 @ Drury Lane Theatre

Event Comment: All quiet, only one blast of a Catcall (Cross). N.B. There is a New Passage open'd into Bridges Street for the conveniency of Ladies coming in coaches. [This notice appears on the three subsequent Bills.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Queen Mab

Dance: As17521106

9741
15 January 1753 @ Covent Garden

Event Comment: Ladies are desired to send servants by 3 o'clock. On Saturday Night last a New Scene, representing a fountain, was introduced in the Entertainment of Harlequin Sorcerer, at Covent Garden, which for elegance of Design, Beauty of Paintings, and ingenious invention in the Mechanism, was received by the numerous Spectators with universal applause (Public Advertiser)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

9742
17 February 1753 @ Covent Garden

Event Comment: On Tuesday Next a New Tragedy, call'd the Earl of Essex

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Sorcerer

9743
20 February 1753 @ Covent Garden

Event Comment: Tomorrow the New Tragedy The Earl of Essex

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore, as17521219

9744
25 April 1753 @ Drury Lane Theatre

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Harlequin Inchanted

Performance Comment: Parts-Atkins, Blakes, Shuter, Mlle Mariet, Clough, Miss Poplin, Walker, Simson, Master Simson; The Dances-Ferrere, Mlle August; With New Music-; Machines. Machines.
Cast
Role: With New Music Actor:

Dance: III: Country Amusements, as17530412

9745
15 December 1753 @ Drury Lane Theatre

Event Comment: [G+Gray's Inn Journal contains a puff' for Macklin's coming benefit (see 20 Dec.), deplores his dismissal from Covent Garden, and hopes for a good audience to help set him up in his new venture.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

9746
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

9747
10 January 1754 @ Covent Garden

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Dance: GGipsey Tambourine, as17531012

9748
15 January 1754 @ Covent Garden

Event Comment: Tomorrow Gli Amanti Gelosi and on Friday a New Comic Opera called Lo Studente a la Moda

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Dance: As17531030

9749
23 January 1754 @ Drury Lane Theatre

Event Comment: MMr Garrick being hoarse went not so well as expected (Cross). Mainpiece: Not acted these ten years. An Historical Play written by Shakespeare. The Characters New Dress'd. Receipts: #180 (Cross)

Performances

Mainpiece Title: King John

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

9750
28 January 1754 @ Covent Garden

Event Comment: Benefit for Signora Nicolina Giordani [By Command of] the Duke and Princess Amelia (Cross). The Manager of Covent Garden being under a necessity of interrupting the run of the new Tragedy of Philoclea by a Command, and a Benefit for Sga Nicolina Giordini (which was settled before the coming out of that play) has been so obliging as to give the Author the choice of a day for his second benefit; and many of his friends having taken places for Tuesday, as that would have been his sixth night in course, the Author, lest they should be disappointed, has chosen Tuesday for his second benefit

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217