SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Not Acted [there] these Seven Years. With all New Habits. Receipts: #49 7s. 6d

Performances

Mainpiece Title: The Committee

Dance: TThe Grand Aga and his Sultana-Salle, Mrs Laguerre; The Baulk-Salle, Mrs Laguerre

Event Comment: With an entire new Set of Scenes, particularly a View of Stocks-Market

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Dance: II: Scotch Dance by Mrs Bullock. III: Friendly Lasses by Miss Wherrit and Miss Sandham. V: Pierrot and Pierraite by d'Vallois and J. De la Garde

Event Comment: Afterpiece: a New Comic Pantomime

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Chymical Counterfeits or Harlequin Worm Doctor

Music: As17341108

Dance: Scot's Dance, as17341202

Entertainment: [Author unknown. Apparently not published.] With new Machines and Decorations

Performance Comment: Apparently not published.] With new Machines and Decorations .
Event Comment: Afterpiece: A New Ballad-Opera. [By Abraham Langford. Airs set by Stanley.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

Event Comment: With new Scenes, Machines, and other Decorations. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Shipwreckd With the Loves of Paris and Oenone

Event Comment: Afterpiece: A Rehearsal of a New Ballad-Opera, burlesqued [By Richard Baker]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

Event Comment: Mainpiece: And proper Scenes, particularly a New View of St. Dunstan's Church, &c

Performances

Mainpiece Title: A Match In Newgate

Afterpiece Title: The Fall of Phaeton

Song: I: By Desire, As17391024

Dance: II: Scotch Dance-Master Matthews, Miss Wright

Event Comment: The King's Company. The date of the premiere is not known, but John Harold Wilson, Six Restoration Play-Dates, Notes and Queries, June 1962, p. 221, has argued, primarily on references in the Epilogue, that the play was probably produced before the opening of the new Theatre Royal in Drury Lane and following two unsuccessful plays: The Mall and The Amorous Old Woman. The Prologue is in New Songs and Poems a la Mode, 1677. Preface to the edition of 1675: This play was left in Mr Dryden's hands many years since. The Author of it was unknown to him, and return'd not to claim it

Performances

Mainpiece Title: The Mistaken Husband

Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Benefit Turbutt, Mich. Stoppelaer, Miss Oates. All the Songs will be printed, and delivered at the Theatre Gratis. Admission: 5s., 3s., 2s., 1s. 6:30 P.M

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Generous Free Mason

Performance Comment: Cast not listed. With a New Prologue in Praise of Masonry, suitable to the Occasion. And a new Epilogue addressed to the Town, to be spoke by Miss Oates .

Music: A Solo on the Violin by Master Oates, Scholar to Charke

Dance: II: Irish Trot by Master Oates. III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates

Performance Comment: III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates .
Event Comment: Benefit Page. 2s. 6d., 1s. 6d., 1s. Tickets at Mr Edward Pinchbeck's@Toyshop in Fleet Street. Places for the Boxes to be taken at the Lancashire Witch opposite the Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: Rosalind-Page; with a new Epilogue-Page.
Cast
Role: with a new Epilogue Actor: Page.
Event Comment: The New Theatre in the Haymarket will speedily be open'd with Shakespeare's Romeo and Juliet, by Permission, according to Act of Parliament. This Piece, it's said, has not been played these hundred years. The character of Juliet is to be acted by Miss Jenny Cibber, a young daughter of Mr Cibber, by his first wife....A new Comedy, call'd the Prodigal; or, Recruits for the Queen of Hungary, will soon after be brought on that Stage.-Daily Advertiser

Performances

Event Comment: By Desire, at his Auction Room, late the New Theatre in the Haymarket, Mr Foote will exhibit a Choice Collection of Pictures, all warranted Originals, with some entire new Lots. Places for boxes to be taken at the Auction Room. The Thirty-ninth Day. The auction to begin at exactly half an hour after six

Performances

Mainpiece Title: Auction Of Pictures

Music: A Piece of Musick-the Child between the parts of the Auction

Event Comment: At the New Theatre, Bowling Green. By Mr Phillips's Company of Comedians, will be presented a new Droll. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper Gallery 6d. To begin each day at 12 noon

Performances

Mainpiece Title: The Injurd Merchant Or The Extravagant Son

Afterpiece Title: The Jew in Distress or Harlequin turnd Sharper

Song: Phillips, Mrs Vaux, Mrs St.John

Dance: Phillips, Mrs Vaux, Mrs St.John

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17571114, but with a new Occasional Prologue-Smith.

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Performance Comment: Harlow-Davis; Capt. Cape-Dunstall; Young Clerimont-White; Mrs Harlow-Miss Elliot; Miss Harlow-Mrs Younger; with a New Occasional Prologue-Smith.
Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Belville-Cautherly; Harcourt-Palmer; Sparkish (With song)-Dodd; Alithea-Mrs Greville; Lucy-Miss Pope; Country Girl (with a song, and an Address to the Audience)-a Young Gentlewoman (who never appeared up on any stage before); A New Occasional Prologue-Palmer.

Afterpiece Title: The Deserter

Dance: III: The Sailors Revels, as17740920

Performances

Mainpiece Title: Oroonoko

Performance Comment: A New Vacation Epilogue-Mr Pinkeman.

Music: New Musick set to Flutes ; and to be perform'd-Mr Banister, Mr Banister's Son; and some of Mr Weldon's new Songs- perform'd in his last Consort

Dance: Mrs Campion; Vaulting on the Horse-

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: The United Company. Newdigate newsletters, 2 June 1683: The same day [31 May] their Royall highnesses... in ye afternoone Countenanced a new play with their presences (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). Wilson proposes that this play is Dame Dobson, as the separately Printed Prologue bears Luttrell's acquisition date of 1 June 1683 (Bindley Collection, William Andrews Clark@Jr@Library). The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 176-78

Performances

Mainpiece Title: Dame Dobson Or The Cunning Woman

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: Benefit Woodward. Mainpiece: An Historical Play, never acted there before [see 20 March 1738]. At the Particular Desire of several Persons of Quality. As written by Shakespear. Containing the wars of Cymbeline with the Romansr, in the reign of Augustus Caesar; the various distresses and Adventures of Imogen the King's Daughter; the noble repulse the Romans met with, on their invading Britain; their defeat, and many other historical passages. Ladies are desired to send their servants early to prevent mistakes. To be Lett, and enter'd upon on Monday next, the 7th instant Commodious Places in the Front and Upper Boxes...for the excellent reviv'd play of Shakespear... For further Particulars enquire of Mr Woodward, at his house near the theatre [in advance bills]

Performances

Mainpiece Title: Cymbeline King Of Britain

Performance Comment: Cymbeline-Cashell; Posthumus-Ryan; Jachimo-Hale; Bellarius-Johnson; Guiderius-Woodward; Arviragus (with the dirge set new by Mr Boyce)-Beard; Cloten-Chapman; Cornelius-Rosco; Pisanio-Bridgwater; Caius Lucius-Ridout; Philario-Anderson; Roman Captain-Bencraft; English Lord-Carr; French Gentleman-Hayman; Queen-Mrs James; Helena-Mrs Bland; Imogen-Mrs Pritchard.

Afterpiece Title: The Royal Chace

Dance: BBird Catchers-Cooke, Sga Campioni

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Yates; Antonio-Berry; Bassanio-Havard; Lorenzo-(with Songs) Beard; Launcelot-Shuter; Jessica-Miss Minors; Portia-Mrs Clive; Nerissa-Mrs Bennet; With a New Occasional Prologue-Garrick.

Afterpiece Title: The Virgin Unmaskd

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Afterpiece: A New Dramatic Proverb with Songs [1st time; mf 2, by Charles Dibdin, based on the unpublished L'Aveugle Pretendu, by Louis Francois Archambault, dit Dorvigny. MS: Larpent 594; not published; synopsis of plot in European Magazine, July 1782, p. 67]. The Music by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Wont See