SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Books of the Songs, with Miss Harper's Additional Airs, to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Son-in-Law

Dance: End of mainpiece, as17820606

Event Comment: [2nd piece in place of The Spanish Barber; 3rd piece of The Son-in-Law, both announced on playbill of 15 June.] Public Advertiser, 18 June: The Spanish Barber will be repeated as soon as Miss Harper is sufficiently recovered to return to the Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: As17820605 but Macheath-Miss Kirby (from the Theatre Royal, Edinburgh; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Medea and Jason

Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Twelfth Night

Afterpiece Title: The Tobacco Box

Afterpiece Title: The Maid of the Oaks

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

Event Comment: Mainpiece: Not acted these 3 years. [This was Mrs Bulkley's 1st appearance as a member of the DL company. As from CG, she had acted at this theatre on 9 Apr. 1778, and on other occasions.] Receipts: #144 11s. (109/3/0; 35/5/6; 0/2/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Robinson Crusoe

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

Monologue: 1782 09 21 As 17 Sept

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Clarke; Lothario-Lewis; Altamont-Whitfield; Rossano-Davies; Horatio-Aickin; Lavinia-Miss Cleland; Lucilla-Mrs Poussin; Calista-A Gentlewoman (1st appearance at this theatre and 3rd on any stage [Mrs Wheatley]) .Mrs Wheatley]) .

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Wishes

Event Comment: Mainpiece: Not acted these 2 years. "There was, in my early days, such a permanent property as a stage-door in our theatres, and the proscenium beyond it; so that when [Jane] Shore was pushed from the door, she was turned round and staggered till supported by the firm projection behind her. Here was a terrific picture full in the eye of the pit, and this most picturesque of women knew the amazing value of it" (Boaden, Siddons, I, 326). Receipts: #232 (209/8; 21/18; 0/14)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Who's the Dupe

Dance: As17820917

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

Event Comment: [Miss Kemble was from the York theatre.] Receipts: #277 11s. 6d. (271/4/0; 5/17/6; 0/10/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Sga Sestini (1st appearance in Serious Opera [at this theatre; see17821102]); Artabanes-Reinhold; Rimines-Davies; Artaxerxes-Mrs Kennedy; Semira-Mrs Morton; Mandane-Miss Harper (1st appearance in that character) .

Afterpiece Title: Lord Mayor's Day

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Mills was from the Edinburgh theatre.] Receipts: #173 6s. 6d. (140/13/0; 32/11/0; 0/0/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

Event Comment: By Command of Their Majesties. Miss Linley still continuing so ill [see 7 Mar.] as not to be able to perform this Evening, Mrs Bannister has been so kind as to undertake to supply her Place. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Music: End of Part II of oratorio concerto on the organ by Stanley

Event Comment: Paid Lee Lewes in lieu of a Benefit #105. Afterpiece: Never acted at this Theatre. Receipts: #157 1s. 6d. (153/19/0; 3/2/6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Maid of the Oaks

Dance: In Act I of afterpiece a Dance by Harris, Miss Matthews, Miss Besford

Event Comment: usual Entertainments at this Place are cut off till further Notice: the Reason of which, together with the true State of the Theatre, will in a few Days be laid before the Public by the Proprietors

Performances

Mainpiece Title:

Event Comment: The last Time of the Company's performing this Season. [Mainpiece acted for the 22nd time this season. The playbill states, "for the 23rd Time"; on the Kemble playbill this has been corrected in MS to 22nd. Genest, VI, 262, says that this play was also acted on both 3 and 4 June. But on those nights the theatre was dark.] Receipts: #270 11s. (260/7; 10/4; after-money not listed). Account-Book, 5 June: Paid Mrs Siddons a Present from the Proprietors #100; 6 June: Paid 100 Renters #20 4s. apiece; 23 June: Received of Their Majesties #156

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Apprentice

Event Comment: The last Time of the Company's performing this Season. [On this night Wewitzer acted both at CG and the HAY.] Receipts: #135 3s. 6d. (132/14/6; 2/9/0). Account-Book, 7 June: Paid Harris for One Year's Superintendence #500, Garton [treasurer] in full of his Salary #238, Miss Younge in lieu of Cloaths this Season #200; 30 June: Paid Lewis in full for Salary as Acting Manager #200. Between 7 and 30 June various sums, a few of which are here specified, were entered in the Account-Book as being paid to the following tradesmen and others: perukemaker, fireworks maker, blacksmith [#277 6s.], basketmaker, scalemaker, haberdasher, sadler, bill-sticker, turner, harpsichord-tuner, silk-dyer, printer, sawyer, plumber, linen-draper, woollen-draper, brazier, coal merchant [#189 8s.], timber merchant [#500 8s.], stonemason, hosier, music copier, shoemaker, painter, tinman, oil merchant [#452 2s.], gunsmith, worsted laceman, book-binder, glazier, copper laceman [#127 15s.], silk mercer, tallow chandler, stationer, engine-maker, gold-beater, furrier, watch-maker, bookseller, victualler, rope-maker, embroiderer, bricklayer [#226 14s.], wax chandler [#501 2s.], upholsterer [#729]. Many of these disbursements had to do with the extensive rebuilding of the theatre

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Rosina

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Williamson (from the Theatre Royal, Edinburgh; 1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-R. Palmer; Ostrick-Riley (1st appearance in London); Marcellus-Booth; Grave Diggers-Parsons, Massey; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Wheatley. Prologue as17830531 .

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Afterpiece Title: Medea and Jason

Event Comment: [Miss Frodsham was from the Manchester theatre.]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

Event Comment: [Chalmers was from the York theatre.] Receipts: #217 16s. 6d. (214/18/0; 2/18/6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Rosina

Song: In Act II of mainpiece song by Brett

Event Comment: Received Norris's salary returned, having left the theatre, #4 15s. Receipts: #289 12s. (273/9/0; 14/0/6; 0/17/6; tickets not come in: 1/5/0)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece, as17831018

Event Comment: [Kemble's 1st appearance as King Richard was at Smock Alley Theatre, Dublin, 26 Apr. 1782.] Receipts: #130 10s. 6d. (99/15/0; 29/5/6; 0/10/0; tickets not come in: 1/0/0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

Event Comment: Mainpiece: With the Procession from the Abbey at the Coronation of Anne Bullen. Afterpiece: To end with a Representation of the Lord Mayor's Show on the Water. After which will be an Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. Books of the Songs, with an Explanation of the Procession, to be had at the Theatre. Receipts: #198 8s. 6d. (195/9/0; 2/19/6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland in an Air Balloon

Song: In Act III of mainpiece a song by Mrs Kennedy

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover