SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17331105 With a new Prologue .

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Sham Pilgrims

Event Comment: A new Comedy. [By William Popple.] All the Characters new drest. Preface to edition of 1734: A Report having been maliciously raised, and industriously spread all over the Town, that the Play was a Party Play, and supported by the Court, and therefore to be opposed, Numbers of Persons came into the House with an Intent ... to damn it at all Events. . . . However, the Play having had a fair Hearing, went off with infinitely more Applause than Blame

Performances

Mainpiece Title: The Ladys Revenge Or The Rover Reclaimd

Dance: By Malter and Mlle Salle

Performances

Mainpiece Title: The Authors Farce

Performance Comment: Luckless-Mullart; Witmore-Richardson; Marplay Sr-Stoppelaer; Marplay Jr-Macklin; Bookweight-Jones; Quibble-Raftor; Blotpage-Giles; Dash-Hewson; Scarecrow-Norris; Index-Machen; Mrs Moneywood-Mrs Mullart; Harriet-Mrs Clive; Manager-Turbutt; Charon-Topham; Punch-Hicks; Tragedio-Norris; Opera-Stoppelaer; Sir Farcical-Giles; Mynheer van Treble-Snider; Orator-Jones; Sir John-Machen; Constable-Raftor; Mrs Novel-Mrs Clive; Goddess of Nonsense-Mrs Mullart; Joan-Hallam; Bantamite-Turbutt. With a new Prologue and Epilogue .

Afterpiece Title: The Harlots Progress

Performances

Mainpiece Title: The Authors Farce

Performance Comment: As17340119 And a new Prologue and Epilogue .

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Phebe

Performance Comment: As17340325 but Chaunter-Hulett; Phebe-Miss Gerrard. A new Epilogue, spoken by Miss Norman in Boy's Cloaths, the first time of her appearing in that Habit .

Dance: II: Friendly Lass by Miss Wherrit and Miss Sandham. III: Scots Dance by Vallois and Mrs Bullock. V: Milk Pail Dance

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Strollers

Performance Comment: Carbine-Miss Binks; Buskin-Aston; Sir Barnaby-Smith; Macahone-Morgan; Truncheon-Lacy; Spangle-Neale; Jeremy-James; Mrs Buskin-Mrs Cantrell; Betty Kimbow-Salway; Fidelia-Miss Norsa. A new Prologue to the Farce attempted by Mrs Cantrell .

Dance: II: A Single Dance by Mlle Salle. III: French Peasant by Malter. V: Pigmalion by Malter, Mlle Salle, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde. End Afterpiece: Bacchus and Ariadne: Bacchus-Malter; Ariadne-Mlle Salle

Performance Comment: III: French Peasant by Malter. V: Pigmalion by Malter, Mlle Salle, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde. End Afterpiece: Bacchus and Ariadne: Bacchus-Malter; Ariadne-Mlle Salle .
Event Comment: A New Opera.[Text by Paul Rolli; music by Nicholas Porpora.] The Characters are all new dress'd. N.B. The Tickets of such Subscribers who have not yet paid the last Call will not be admitted. 6:30 P.M

Performances

Mainpiece Title: Aeneas

Performances

Mainpiece Title: George Barnwell the London Merchant

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Master Norsa; Sir John-Master Green; Lady Loverule-Miss Hughes; Nell-Miss Norris. A new Epilogue to be spoken at the end of the Farce .

Song:

Dance:

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Randal; Axalla-Ward; Moneses-Morgan; Bajazet-Hatten; Prince-Noble; Omar-Batt; Dervise-Hillier; Haly-Cole; Stratocles-Floyd; Zama-Richardson; Arpasia-Mrs Williams; Selima-Miss Willis. A new Prologue to be spoke by Ward .

Afterpiece Title: The Disappointment

Performance Comment: Don Pedro-Ward. A new Prologue to the Farce, to be spoken by the Author .

Performances

Mainpiece Title: The Humorous Election

Performance Comment: Buffskin the Tanner, Bailiff of Gotham-Turbutt; Kitty-Mrs Roberts; Harry-Mrs Charke; John Generous, the Candidate-Aston; Plowshare, an Honest Freeholder-Woodburn; Robin-James; Sneak, Self-will, and Soaker, three Gotham Burgesses-Hallam, Jones, Woodward; Mrs Buffsk1n-Mrs Egerton; Mrs Sneak-Miss Jones; Mrs Soaker-Mrs Talbot. With a new Prologue to be spoke by the Author .

Afterpiece Title: The Lottery

Dance: By Davenport and Miss Brett

Song: Was ever Nymph like Rosamond by Miss Jones

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Royer. A new Prologue by Royer. And Cowley's Country-Mouse, by Way of Epilogue, by Royer .

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17340920, but Antonio-Mullart; Charino-Morgan. A new Prologue proper to the Occasion .

Dance: Tambourine by Miss Rogers. Richmond Maggot by Le Sac and Miss Rogers. Scotch Dance by Glover, Miss Rogers, De la Garde, Mrs Ogden, Le Sac, Miss Baston. Also by Mlle Salle

Performances

Mainpiece Title: La Fausse Coquette

Afterpiece Title: Le Francois a Londres

Performance Comment: Le Francois-a new Actor, just arrived from Paris, who never appeared in England before; but see17341209 . but see17341209 .

Dance:

Event Comment: With several new Additional Songs; likewise two new Concertos on the Organ

Performances

Mainpiece Title: Esther

Performances

Mainpiece Title: Athalia

Performance Comment: Cast not listed, but Deutsch, Handel, p. 385, constructs the cast: Athalia-Miss Young; Josabeth-Signora Strada; Joas-the Boy; Joad-Carestini; Mathan-Beard; Abner-Waltz. With a New Concerto on the Organ;..

Afterpiece Title: the first Concerto in the Oratorio of Esther and the last in Deborah

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Master Norsa; Polly-Miss Norsa; Lucy-Miss Burges. With a New Prologue and Epilogue. hathi.

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17350520, but Jobson-Harper. With a New Epilogue spoke by Master Green and Miss Cole .

Dance: I: Dutchman an J his Frow by Le Brun and Miss Brett. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: Mock Italian-English Ballad by Roberts

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: The Devil to Pay

Music: Preamble on Kettle Drums by Poitier

Dance: English Maggot by Villeneuve and Mrs Walter. A new Serious Dance by Mlle Roland. French Peasants by Poitier and Mlle Roland. Harlequin ami Harlequiness (new) by Poitier and Mlle Roland

Performance Comment: A new Serious Dance by Mlle Roland. French Peasants by Poitier and Mlle Roland. Harlequin ami Harlequiness (new) by Poitier and Mlle Roland .

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Mrs Charke; Morelove-Benson; Sir Charles-Cross; Lady Easy-Mrs Cross; Lady Betty-Miss Binks; Lady Graveairs-Mrs Egerton; Edging-Miss Brett. A New Epilogue addressed to the Town to be spoken by Mrs Charke in the Character of Lord Foppington .

Afterpiece Title: The Devil to Pay

Music: Select Pieces. I: A Minuet in Ariadne. III: Minuet by Geminiani

Dance: V: Minuet by Mrs Charke and Miss Brett. End of Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: II: Was ever Nymph like Rosamond. IV: Scacciato dal suo nido

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Mrs Charke; Charlotte-Miss Brett; Leander-Aston; Sir Jasper-Smith; Dorcas-Mrs Mullart. With a New Prologue addressed to the Town by Mrs Charke .

Dance: Black Joke by Mrs Charke and Miss Brett

Song: Roast Beef Song by Mullart

Event Comment: Thomas Gray to Horace Walpole, 3 Jan.: I went to King Arthur last night, which is exceeding fine; they have a new man to supply Delane's place, one Johnson, with ye finest person & face in the world to all appearance; but as awkward, as a Button-maker; in short, if he knew how to manage his Beauties to advantage, I should not wonder, if all the Women run mad for him: the inchanted part of the play, is not Machinery, but actual magick: the second scene is a British temple enough to make one go back a thousand years, & really be in ancient Britain: the Songs are all Church-musick, & in every one of ye Chorus's Mrs Chambers sung ye chief part, accompanied with Roarings, Squawlings & Squeakations dire. Mrs Giffard is by way of Emmeline, & should be blind, but, heaven knows! I would not wish to see better than she does, & seems to do; for when Philidel restores her to sight, her eyes are not at all better than before; she is led in at first, by a Creature, yet was more like a Devil by half, than Grimbald himself; she took herself for Madame la Confidente, but every body else took her to be in the Circumstances of Damnation: when Emmeline comes to her sight, she beholds this Mrs Matilda first, & cries out Are Women all like thee? such glorious Creatures! which set the people into such a laugh, as lasted the whole Act: the Frost Scene is excessive fine; the first Scene of it is only a Cascade, that seems frozen: with the Genius of Winter asleep & wrapt in furs, who upon the approach of Cupid, after much quivering, & shaKing sings the finest song in the Play: just after, the Scene opens, & shows a view of arched rocks covered with Ice & Snow to ye end of ye Stage; between the arches are upon pedestals of Snow eight Images of old men & women, that seem frozen into Statues, with Icicles hanging about them & almost hid in frost, & from ye end come Singers, viz: Mrs Chambers, &: & Dancers all rubbing their hands & chattering with cold with fur gowns & worsted gloves in abundance. Gray, Correspondence, I, 36-37

Performances

Mainpiece Title: Theodosius

Performance Comment: Athenais-Mrs Porter [who spoke a new Epilogue]; but see17351101 .who spoke a new Epilogue]; but see17351101 .

Dance: II: Harlequin by Mlle De L'Isle. III: French Peasants by Lalauze, Mlle D'Hervigni, Tench, Livier, Desse, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. IV: Tambourine by Glover and Miss Rogers. V: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Performances

Mainpiece Title: Busiris King Of Aegypt

Performance Comment: Memnon-Freeman. With a New Prologue .

Afterpiece Title: The Rival Milliners

Dance:

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Lothario-a Gentleman who never appeared on any stage before. With a New Occasional Prologue, spoken by Havard .

Afterpiece Title: Jupiter and Io