SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pen"/1) | (@(roleclean,performerclean) "Mr Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4258 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Citizen

Entertainment: Monologue. End: Liberty, as17900813

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: I'll Tell You What

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Spoil'd Child

Song: In II: song-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Dramatist

Afterpiece Title: The Provocation

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Performance Comment: [Principal Characters-Lewis, Quick, Holman, Farren, Blanchard, Davies, Macready, C.] Powell, Mrs Mattocks, Mrs Wells, Miss Chapman, Mrs Harlowe, Mrs Davenett, Mrs Pope. [Cast from European Magazine, May 1791, p. 389, and Larpent MS: Sir Paul Flippant-Lewis; Mr Tudor-Quick; Egerton-Holman; Frank Tudor-Farren; William-Blanchard; Marquis Luzan-Davies; Sir Frederick O'Neil-Macready; Henry Tudor-[C.] Powell; Florizet-Mrs Mattocks; Miss Clerimont-Mrs Wells; Lucy Tudor-Miss Chapman; Emma Tudor-Mrs Harlowe; Madame Detour-Mrs Davenett; Harriet Clerimont-Mrs Pope; [New Prologue-Harley.

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Robin Hood

Dance: As17910507

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Footman Actor: Spencer

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Minor

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).
Cast
Role: Alderman Pentweazel Actor: Well
Role: Lady Pentweazel Actor: Mr Berry

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Waterman

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Virtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Davis; Characters in the Burletta: Orpheus-Davies; Shepherds-Powel, Follett, Linton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes; Old Shepherd-Munden; Rhodope-Mrs Martyr.
Cast
Role: Carpenter Actor: Rock

Afterpiece Title: Robin Hood

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125