SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pen"/1) | (@(roleclean,performerclean) "Mr Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4258 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. King of Denmark. Richard-Mr Garrick (Cross Diary). For the King of Denmark.--Richard by Mr Garrick, for the first time these six years-Beyond discription fine, -his voice clear to the last (Hopkins Diary). No money taken at stage door. None returned after curtain is up. The doors (by particular desire) will be opened at half an Hour after Five. To Begin at Seven. Neville MS Diary: Hearing about 7 o'clock that Garrick did Richard III, one of his very capital characters which he has not done these 7 or 8 years, resolved (if I could get in to see him) to bear the abhorred sight of that woman-like painted puppy, the King of Denmark. After one unsuccessful attempt got into the Pit with the greatest difficulty after the third act. Garrick is inimitably great in Richard & very different from the other Richards I have seen; his expression of the dying agony of that wretch is beyond description. Some actors speak with as strong & loud voice in that scene as if they had received no wound & were not dying. One Lloyd, who waits on Garrick sometimes, observed that he himself says he never acted better in his life, modestly observing that something must be allowed to the improvement of his judgment. During the dance (for there was no farce) I was within a yard of the Danish tyrant

Performances

Mainpiece Title: King Richard Iii

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Event Comment: Doors opened at 6 o'clock. To Begin (By Particular Desire) exactly at Seven. Mainpiece: By Particular Desire. King of Denmark. Lusignan-Mr Garrick (Cross Diary). For the King of Denmark.--At a Quarter after seven, an Apology was made by Mr Holland--viz.--"The King, being detained longer than he expected, sent word to desire the play might begin as he would not by any means make the publick wait, and he would come as soon as he possibly could,--and he [Holland] desired to know the audience's pleasure whether it should begin before he came."--A great clap and cry'd "No,"--not begin till he comes"--At thirty-five minutes after seven he came, and the play began (Hopkins Diary)

Performances

Mainpiece Title: Zara

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lottery

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lottery

Dance: II: The Wake, as17680929; End: Double Hornpipe-Walker, Miss Ward

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Apprentice

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Register Office

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: Dagueville, Sga Vidini

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Dance: II: The Rabbit Sellers, as17691228

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Devil to Pay

Dance: End: The Merry Sailors, as17691018

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Chaplet

Entertainment: III: A Minuet-Hussey, Miss Madden; End: A Hornpipe-Miss Stede (scholar to Fishar)

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Author

Dance: TThe Pedlar, as17700516

Performances

Mainpiece Title: The Lame Lover

Afterpiece Title: The Virgin Unmasked

Dance: TThe Cowkeeper, as17700521

Performances

Mainpiece Title: The Noble Pedlar

Music: In the course of the concert Catches and Glees: 1st Violin and new solo concerto-Barthelemon; New Concerto on Organ-Carter (composed by Barthelemon); New French Horn and Trumpet Concerto (also Barthelemon's composition) by Mas. Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Jubilee