SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pen"/1) | (@(roleclean,performerclean) "Mr Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4258 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Chaplet

Dance: LLes Charboniers, as17601215

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: Love a la Mode

Song: Champnes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor or The Dumb Lady Curd

Event Comment: The Winston Theatrical Record suggests the following initial outlay for the season, which on 26 Nov. was subtracted from the total receipts to leave the company solvent at #715 9s., when Beard took over: @50 Performers' salary #210 0s. 10d.@50 Servants' salary #16 16s.@Music expenses #52 16s. 7d.@#279 13s. 5d.@To Mr Rich on account #1000@Habadasher's Bill for Coronation #4 16s. 4d.@Ribbons for Coronation #2 16s. 5d.@Window Curtain for Mrs Bellamy's Room #1 4s. 8d.@Printing #3 8s. 6d.@#1291 19s. 4d.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Rehearsal

Event Comment: Balance brought over #419 7s. Of the receipts #11 came from the Boxes. Rec'd of Mr Laluze for 5 days salary to the 18th inst., he being discharged of the of the company,-#3. Expenses in addition to the regular ones: Chorus singers #3 1s.; License for the Lyar #2 2s. Receipts: #89 8s. (Winston Theatrical Record)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: Lethe

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Income from Boxes #17 17s. Expenses #41 2s. 5d. Bought a figured velvet suit lac'd for #16 16s.; a Pursuivant's coat for #3 3s.; Extras in Romeo: 2 Trumpets 10s.; Two Flutes 10s.; one Kettle Drum 5s.; and Mr Vincent 5s. Receipts: #110 9s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Fair

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performances

Mainpiece Title: The Miser

Afterpiece Title: Thomasand Sally

Dance: WWooden Shoe Dance-Sg Maranesi, Miss Wilford, Miss Valois; and a New Comic Pantomime Ballet, call'd The French Country Gentleman or the Female Metamorphoses-Sodi, Sga Manesiere (Being her first appearance on the English stage), Miss Wilford

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Coronation

Performances

Mainpiece Title: Alexanders Feast

Music: As17620226; Handel's Coronation Anthem-

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Performances

Mainpiece Title: Judith

Performance Comment: Ozias-; Charmis-; Holofernes-; Judith-; Abia-; Chorus of Israelites-; Chorus of Assyrians-(Larpent MS 187).

Music: "W"With Concertos"

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Musical Lady

Entertainment: IV: The Brass Prophecy, as17620330