SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Park"/1) | (@(roleclean,performerclean) "Mr Park")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4265 matches on Event Comments, 1149 matches on Performance Comments, 582 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for Wilson. 1st piece [1st time; F 1, author unknown. Larpent MS 944; not published]. 3rd piece: Not acted these 15 years. In Act II a Grand Review of Bayes's Troops, with a Sham Battle of Horse and Foot [for which see dl, 13 Dec. 1777]. 4th piece [1st time; M. INT 1, author unknown. Larpent MS 946; not published]: With a New Overture. Morning Herald, 6 Aug.: Tickets to be had of Wilson, Park-lane, Church-lane, Chelsea

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood or Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Paid Mr Park 12 nights in Chorus #3; half year Land & Window tax St Martin's #38 14s. 1d. Receipts: #233 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Register Office

Event Comment: Paid Mr Park's boy 5 nights in Jubilee #1 17s. 6d. Receipts: #283 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Padlock

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Wycherly, with Alterations [from Love in a Wood; or, St. James's Park]. Not acted these 100 years [acted at DL, 15 Aug. 1718. Author of Prologue unknown]. Afterpiece: Taken from Mrs Centlivre's play of the same title. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: A Adventure In St

Performance Comment: James's Park. Alderman Gripe-Barrett; Dapperwit-Higgins; Ranger-Wilkinson; Vincent-Jellico; Valentine-Hedges; James-Lynch; Sir Simon Addlepot-Swords; Lady Flippant-Miss Carne; Lydia-Miss Holton; Isabella-Mrs Read; Leonora-Miss Blaney; Martha-Miss Williams; Lucy-Miss Dawson; Christiana-Miss Brook; Mrs Crossbite-Miss Green; Mrs Joyner-Mrs Heyborn. An Occasional Prologue spoken by Davis .

Afterpiece Title: The Beaux Duel or A Soldier for the Ladies

Dance: End of Act I of afterpiece a Hornpipe by Lepulley. interlude. End of mainpiece a Scotch Pastoral Interlude, The Caledonian Villagers (Written by Allen Ramsay), by Natives of Scotland, who are to speak the Dialect of that Country

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Marriage hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated Or A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher