SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Page"/1) | (@(roleclean,performerclean) "Mr Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4330 matches on Event Comments, 1580 matches on Performance Comments, 528 matches on Performance Title, 67 matches on Roles/Actors, and 18 matches on Author.
Event Comment: Benefit Cooke. Mainpiece: At the Particular Desire of several Ladies of Quality. Tickets of Page at the stage door of the theatre in Bow St.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Serious Dance-Cooke; II: Cooke, LaLauze, Picq; III: Le Gondalier-Cooke; V: a Ball Dance call'd the Louvre-; concluding with: a Minuet-Cooke, Mrs Delagarde

Song: IV: Beard

Event Comment: Benefit Page, Verhuyck, Palmer, Emmet, Mason, Cooper

Performances

Mainpiece Title: The City Wives' Confederacy

Afterpiece Title: The Schoolboy

Dance: LLe Gondalier-Cooke; Scotch Dance, as17450507

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

Event Comment: Benefit Mason and Cooper [Box Keepers], Page [Housekeeper]. Tickets deliver'd out by Verhuycke, Emmet, Palmer, and Bianchini will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: What D'ye Call It

Event Comment: Benefit Woodward. [Receipts: #81 3s. 6d., plus #59 9s. from tickets. Charges #63.] Paid Servandoni #10 10s. Paid Price a bill for carpenter's work at Lincoln's Inn Fields Theatre last week #2 19s. 9d. Tickets to be had of Woodward at his lodgings in King St. (near the Churchyard Gate) Covent Garden; at the Bedford Coffee House; at the Salutation Tavern in Nicholas Lane; and of Page at the stage door. Tomorrow The Distress'd Mother and Miss in her Teens, the part of Fribble by Garrick.--General Advertiser. Daily Advertiser: By Particular Desire of several Persons of Quality. [On 13 April Woodward published a letter of thanks to the former schoolfellow who sent him this speech, promised to present it, and assured him that no copy would be made. See Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: Orpheus and Eurydice

Entertainment: Between Play and Afterpiece: An Alarm to Britons-the Spirit of King Henry V (After the manner of Shakespeare's Chorus) usher'd in with Trumpets, Kettle Drums and other Warlike Instruments

Event Comment: Benefit on basis of half value of tickets for 7. Benefit Gwinn, Vanhuyck, Singleton, Driscol, Page [housekeeper]; tickets deliver'd by Palmer and Emmet will be taken. Receipts at door: #10 10s. /For Box Pit Gallery Value Half-Value/Page 63 70 ... #26 5s. #13 2s. 6d./Singleton 9 19 29 #8 #4/Driscol 2 54 60 #14 12s. #7 6s./Gwinn 4 42 56 #12 18s. #6 9s./Verhuyck 1 71 48 #15 14s. #7 17s./Palmer 2 123 105 #29 9s. #14 14s. 6d./Emmett .. 52 44 #12 4s. #6 2s./Totals 81 431 342 #119 2s. #59 11s.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Phebe

Event Comment: Benefit for Bridgwater. Tickets and places to be had of Page at the stage door, and of Bridgwater at his wharf near Whitefriars. [His notice of hopeful acknowledgement (3 Feb.) repeated.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Cibber. Tickets of Page at the Stage Door. [The entertainments and mixed afterpieces formed the most elaborate night's performance this season.

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Author's Farce

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips

Event Comment: Benefit for Bencraft and Mrs Hale. Mainpiece: Not acted these 9 years. [See 4 Dec. 1740.] N.B.: A parcel of tickets having been lost, none sold at the doors of the theatre will be admitted. Tickets to be had and places taken of Page at the Stage Door of the Theatre. [Inserted in the General Advertiser this day is Buskin's Apology]: @Enur'd to ills of various kinds,@By ancestors undone;@The Author has severely paid@For failings not his own.@From Disappointments Buskin writes,@Confesses 'tis for gain@Yet scorns all profits which arise@From giving others pain.@No private character he sneers,@No venom taints his mind;@His sole ambition is to please,@Not satyrise Mankind.@ On Wednesday last the Tragedy of Othello was acted at Covent Garden towards the relief of the unhappy sufferers by the late Fire; and on Saturday the sum of #218 12s. 4d. was paid into the hands of Messrs Ironside and Belchier; the company of comedians and the band of musick having generously given their performances (General Advertiser)

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for Miss Faulkner. Mainpiece: At the Particular Desire of Several Ladies of Quality. Afterpiece: By Desire. Miss Faulkner playing Polly "for the 1st time." Tickets of Page at the stage door in Bow St., Covent Garden; and of Miss Faulkner at her house in Leicester Fields

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17480128, but Polly-Miss Faulkner (by Particular Desire); Twitcher-Paget; Drawer-Paddick; Dolly Trull-Miss Stevens; Molly Brazen-Miss Morrison; Hornpipe-Oates.
Cast
Role: Twitcher Actor: Paget

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Condell and Singleton (Boxkeepers), Page (Housekeeper), and Miss Mattocks. Tickets deliver'd by Verhuyck, Emmet, and Palmer (Pit Doorkeepers) and Driscoll will be taken

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Miss in Her Teens

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Performances

Mainpiece Title: The Spanish Fryar

Cast
Role: Alphonso Actor: Paget

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Event Comment: [Receipts missing from Treasurer's Book. Expenditure page present.] Paid Blandford (Tallow Chandler) #11 13s. 5d.; Paid to Frank going to Chiswick by order 5s.; Paid Fryar (Hosier) #3 19s.; Norton 3 chorus 15s. (Treasurer's Book). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Chaplet

Dance: AAcis and Galatea, as17491130

Event Comment: Benefit for Lowe. Charges #60. Deficiency to Lowe #11 16s. covered by #104 9s. from tickets. [Afterpiece appears under the Shakespearian title in the Account Book. Actually it was James Worsdale's Cure for a Scold taken from Shakespeare's play.] Mainpiece: By particular desire. Tickets to be had of Lowe at his lodgings the corner of Southampton St., Covent Garden, and of Page at the Stage door of the Theatre. Receipts: #48 4s

Performances

Mainpiece Title: Comus

Afterpiece Title: A Cure for a Scold; or, The Taming of a Shrew

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Chaplet

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Benefit for Froment, Gardner, Page (Housekeeper) and Mad Cointrie. Tickets deliver'd by Goodall, Rawlins, Goodwin, and the Widow Dupre will be taken

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The King and Miller

Dance: I: La Paisane, as17510426 III: Scotch Dance-Froment, Mlle Heutte; End of Play: Louvre and Minuet-Froment, Mlle Heutte

Event Comment: Benefit for Roberts, Holtham, Page (Housekeeper) and Miss Morrison. Tickets deliver'd by Rawlins, Miss Allen, Miss Davis and Mrs Griffiths will be taken

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Damon and Phillida

Dance: DDrunken Peasant-Phillips with Clown, Bennet

Event Comment: [This month was publish'd another pamphlet in the Woodward-Hill controversy, A Lick at Them All, or the Moderator, (16 pages) "being a candid consideration of the present controversy between the Inspector and his opposers" (Gentleman's Magazine).] Receipts: #200 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Genii

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: Afterpiece By Particular Desire. [In this year was published a twenty-two-page pamphlet, An Address to the Ladies on the Indecency of appearing at Immodest Plays. A plea for boycotting.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Genii

Event Comment: This is ye same farce that was play'd for Woodward's Benefit last Years, & call'd Ye Modern fine Gent: (Cross). Receipts: #200 (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for comment on Male Coquette: 'On the whole the beauties of this little comedy exceed the faults in number and importance." The reviewer gives a nine-page review, cannot guess who wrote the piece, suggests Murphy.

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Male Coquette, or 1757

Performances

Mainpiece Title: The Gamesters

Performance Comment: See17571222, but this day's notice in the Public Advertiser for the first time lists the cast, including mention of a Proper Song for Beard as Careless, but Dwindle, Page, Boxkeeper, Drawer, Servant omitted.

Afterpiece Title: Queen Mab

Event Comment: Benefit for Palmer (Pit-door-keeper). Tickets deliver'd by Denny, Humphrey, Page, Spilsbury, and Roberts will be taken. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Dance: III: A Hornpipe-Walker

Entertainment: % New Magic Scene, as17580428