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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Page"/1) | (@(roleclean,performerclean) "Mr Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6131 results for: Keyword - Mr Page
We found 4330 matches on Event Comments, 1580 matches on Performance Comments, 528 matches on Performance Title, 67 matches on Roles/Actors, and 18 matches on Author.

1376
01 March 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Alonzo

Afterpiece Title: Miss in Her Teens

1377
19 November 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Wedding Ring

1378
26 December 1677 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

1379
November 1693 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

1380
07 December 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Anne Page Actor: Miss Holliday
Role: Page Actor: Berry
Role: Mrs Page Actor: Mrs Butler

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

1381
19 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmask'd

Dance: TThe German Hunters, as17580916

1382
17 December 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deuce Is in Him

Dance: End: Reviv'd The Prussian Camp-Grimaldi, Aldridge, Lauchery, Miss Baker

1383
31 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

1384
05 October 1768 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

1385
13 January 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: The Jubilee

1386
05 February 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Blackamoor

1387
08 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

1388
15 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Who's the Dupe

Song: In course of Entertainment: his favourite Planxty [descriptive of Ireland-Johnstone (in the character of Murtough Delany) [see The Irishman in London, cg, 21 Apr.]

1389
November 1659 @ Middle Temple

Event Comment: On 23 Nov. 1659 John Page, the Treasurer of the Middle Temple, entered in his records: Music, four nights at 30s., and acting The Clown four nights at 10s. (See A Calendar of the Middle Temple Records, ed. Hopwood, p. 167. See also Bentley, Jacobean and Caroline Stage, V, 1314.

Performances

Mainpiece Title: The Countryman Or Clown

1390
26 May 1662 @ The Red Bull Theatre

Event Comment: Hotson (Commonwealth and Restoration Stage, pp. 178-79) believes that this was Jolly's organization. See also the list of Sir Edward Browne's attendance at plays in the introduction to this season. An edition of this play appeared in 1663, but the title page does not state at what theatre the play was given. Pepys, Diary: Thence to taken my wife to the redd bull, where we saw Doctor Faustus, but so wretchedly and poorly done, that we were sick of it, and the worse because by a former resolution it is to be the last play we are to see till Michaelmas

Performances

Mainpiece Title: Doctor Faustus

1391
04 March 1671 @ no theater listed

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

1392
16 March 1671 @ no theater listed

Event Comment: Lady Mary Bertie to Katherine Noel, 16 March 1670@1: I have sent you the songs that were in the ballet (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

1393
August 1671 @ The (first) Drury Lane Theatre

Event Comment: This play was reprinted in 1672, being entered in the Term Catalogues, 20 Nov. 1671. It probably was acted in the late summer of 1671. The title page states that it was acted at the Theatre Royal, Bridges Street

Performances

Mainpiece Title: Vittoria Corombona; Or, The White Devil

1394
December 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

1395
March 1674 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

1396
March 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. As the play was entered in the Term Catalogues, May 1681, it was probably first acted not later than March 1681. The title page states: Revis'd with Alterations

Performances

Mainpiece Title: The History Of King Lear

1397
04 May 1682 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: On this date the officers of the Duke's Company and the King's Company entered into agreements to merge the two companies. For details, see Hotson, Commonwealth and Restoration Stage, p. 271; Fitzgerald, A New History, I, 154-58; and Nicoll, Restoration Drama, pp. 296-97. See also Langhans, New Restoration Theatre Accounts, p. 122, for evidence that the union had been effectively made by 13 May 1682. See page 123 for evidence that the company probably acted continuously to 7 August 1682, then closed until early October. But see 10 August 1682

Performances

Mainpiece Title: Omment

1398
29 October 1685 @ Whitehall or St. James's

Event Comment: The United Company. This performance, which is out of the chronological order, is on L. C. list, 5@147, p. 68; the list does not indicate which Part of this play was given. See also Nicoll, Restoration Drama, p. 350, and page 380, for an order (L. C. 5@147, p. 1) for rehabilitation of the seats in the theatre

Performances

Mainpiece Title: The Rover

1399
25 April 1687 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361. See also Nicoll, Restoration Drama, p. 351. The date of the first performance of this revision is not known. As it is somewhat unlikely that a play would have its premiere at court, the first production possibly appeared earlier in the month. See 6 Nov. 1668 for an earlier revision of this work. The title-page of the edition of 1687 states: As it is Acted at the Theatre-Royal. Reviv'd with Alterations

Performances

Mainpiece Title: The Island Princess

1400
December 1691 @ Dorset Garden Theatre

Event Comment: The United Company. The Gentleman's Journal, January 1691@2, page 5, implies that King Arthur was revived in December 1691: And the last Opera called King Arthur, which hath been plaid several times the last Month. [Since the Gentleman's Journal was often published in the month following the date of an issue, it is possible that this revival occurred in January 1691@2, for there was a certain performance on 7 Jan. 1691@2.

Performances

Mainpiece Title: King Arthur