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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Page"/1) | (@(roleclean,performerclean) "Mr Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4330 matches on Event Comments, 1580 matches on Performance Comments, 528 matches on Performance Title, 67 matches on Roles/Actors, and 18 matches on Author.

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Archer; Count Floreski-Kelly; Baron Lovinski-Raymond; Varbel-Suett; Adolphus-Maddocks; Gustavus-Surmont; Pages-Master Chatterley, Master Heather; Princess Lodoiska-Miss DeCamp; Captives-Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Gawdry, Ms Butler, Ms Chippendale, Ms Saunders, Ms Jacobs; Tartars Kera Khan-C. Kemble; Ithorak-Clarke; Khor-Sedgwick; Japhis-Cory; Tamuri-Whitmell; Camazin-Grimaldi; The Horde-Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.
Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock-tempest; Or, The Enchanted Castle

Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance; Or, An Alderman's Bargain

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Event Comment: Rich's Company. The date of the first performance of this revision is uncertain. Although the play was not entered in the Term Catalogues until June 1696, the edition is date 1695. The production was certainly before May 1696, when Horden died, but the only fact which suggests a performance as early as December is the date on the title page. When the play was revived at Drury Lane on 13 Oct. 1711, the bill bore the heading: Not Acted these Fifteen Years

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Event Comment: Benefit Miss Robinson, the Dancer, and Miss Robinson Jr, the Page in The Orphan. At the particular Desire of Persons of Quality. Written by Mr Congreve

Performances

Mainpiece Title: Love For Love

Dance: I: Passacaille-Miss Robinson; II: Peirette-Mrs Brett; III: Polonese-Miss Robinson, Rainton; IV: Harlequin-Rainton; V: Spanish Entry-Miss Robinson

Music: II: Serenade on Violin-Roger , to his Mistress in the Character of Pierot

Event Comment: Benefit Mrs Saunders, many years a Comedian, by Command of his Royal Highness the Duke. Tickets to be had of Mrs Saunders at her house, No 7, in Duke's Court, in the Great Almonry, Westminster, of Mr Morrison, at the Two Golden Balls in Long Acre; and of Mr Page at the stage door of the theatre. N.B.: Mrs Saunders humbly hopes those Gentlemen and Ladies who intend to favour her of their company, will excuse her not waiting on them, she not having been able to go out of her House these eighteen months

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Devil to Pay

Song: By Desire, Bumper Squire Jones-Beard; Mary Scot-Mrs Clive

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for boxes to be had of Mr Page at the Stage door. To begin at 6 o'clock. [Usual notice not to be repeated.] Rec'd from Mr Delamain for balance of his acct: #30; Commenced with a deficit brought over from Day Book I: #212 13s. 6d. Paid Nightly charges; #54 11s. 2d. Bridgewater in part of his bond: #50. Rich on Acct. #5 5s. (Account Book). [The income reduced the initial deficit to #124 10s. 2d. Day Book No. I, referr'd to seems not now to be extant. See note of solvency 9 Feb. 1750]. Receipts: #167 19s. 6d. (Source for all cg receipts is Account Book. Covent Garden, British Museum Egerton 2269.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for Cross, and Burton. Rec'd cash #36 15s., plus #116 6s. from tickets. Total #153 1s.; Paid Norton 6 Chorus #1 10s.; Paid Mr Dolmain (Embroiderer) #3 (Treasurer's Book). Tickets to be had of Mr Page at the Stage Door. Tickets deliver'd out by Grandchamps will be taken. Publish'd this day, the third edn. of Colley Cibber's Apology for his Life at 6s. With an Historical view of the stage during his own time, to which is now added A short account of the Rise and Progress of English Stage: also a dialogue on old plays and old players. Printed for R. Dodsley (General Advertiser). Receipts: #154 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Miss in Her Teens

Music: II: Concerto on Violincello-Cervetti

Dance: I: Black Joke, as17500420 II: Comic Dance-Grandchamps; III: L'Entree de Flore, as17491024; V: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Othello

Performance Comment: As17640414 but Iago-Havard; Roderigo-King; Desdemona-Mrs Yates; Montano-Fox; End of Play, a New Epilogue-Miss Hopkins, the Fairy Page.

Afterpiece Title: The Witches

Dance: II: Double Hornpipe-Mas. Cape, Miss Rogers; IV: The Carpenters and the Fruit Dealers, as17640523

Event Comment: Benefit for Beard. Afterpiece: A Masque of Music, reviv'd, in two Interludes, preform'd at the end of the 3rd and 5th Acts. Written by Colley Cibber. Servants will be allow'd to keep Places on the stage, which (for the better accommodation of the Ladies) will be form'd into an Amphitheatre, illuminated and enclos'd, as at an Oratorio. Tickets for Boxes and Stage to be had of Beard at his house in Red Lyon Square, and of Page at the Stage Door. Ladies desired to send servants to keep Places by three o'clock (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17480112, but Falstaff-Bridgwater; Page-Anderson; Anne Page-Miss Haughton.
Cast
Role: Page Actor: Anderson
Role: Anne Page Actor: Miss Haughton.
Role: Mrs Page Actor: Mrs Hale

Afterpiece Title: Venus and Adonis

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.
Cast
Role: Haste thee nymph Actor: Page, Chorus

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Event Comment: Benefit for Stede, Hatchet, Miss Morrison, and Page (Housekeeper). Tickets deliver'd by Rawlings, the Widow Dupre, &c. will be taken

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: As17490329 but Townley's Page-Bennet; Pert-Miss Morrison.
Cast
Role: Townley's Page Actor: Bennet
Role: Fopling's Page Actor: Miss Mullart

Afterpiece Title: The King and Miller

Dance: As17490329

Event Comment: Mainpiece: By Desire. Paid salary list 3 days at #71 2s. 5d. per diem #213 7s. 3d.; Paid Billstickers #4 1s.; Handbills 8s.; Candlemen #1 13s.; Mantua Maker #3 17s.; Page 18s.; Chorus singers 1 night #2 5s. 6d. (Drury Lane Treasurer's Book) [The first five items were constants (weekly) during the season amounting to a total outlay as follows. No further itemization of them will be made]: @Item Weekly Average Season Total@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Candlemen #4 #148@Mantua Maker #2 #78@Page 18s. #33 6s.@ Receipts: #142 9s. 6d

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-Holland; Castilio-Powell; Polydore-Bensley; Acasto-Bransby; Chaplain-Love; Serina-Miss Plym; Ernesto-Castle; Page-Miss Rogers; Florella-Mrs Bennet; Monimia-Mrs Palmer; . .
Cast
Role: Page Actor: Miss Rogers

Afterpiece Title: The Hermit

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: See17870917, but Slender-Bernard; Mrs Page-Mrs Bernard.
Cast
Role: Mrs Page Actor: Mrs Bernard.

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: As17331012, but Westmoreland, Mowbray, Humphrey, Hastings, Shadow, Wart, Mouldy, Bullcalf, Falstaff's Page omitted .

Dance: V: Mock Minuet, as17331027

Song: II: O Care Parollette by Miss Arne. IV: Vorei Poterti Amar by Miss Arne

Event Comment: Mainpiece: Written by Shakespear. Never acted there before. With all the decorations proper to the play. By Command of their Royal Highnesses, the Prince and Princess of Wales. Tickets and places for the Boxes to be taken of Mr Page, Housekeeper, at the stage door of the theatre. [This last announcement becomes a customary note on subsequent bills.

Performances

Mainpiece Title: The Winter's Tale

Dance: Dubisson, Mlle Bonneval, being the 1st time of their appearing since their arrival from Paris

Event Comment: Benefit Mrs Porter. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be allowed to keep places on the Stage, which (for the better accommodation of the Ladies) will be enclosed, and formed into an amphitheatre. Ladies are desired to send their servants by 3 o'clock. Tickets to be had and places to be taken of Mr Page at the stage door; none to be admitted Without printed Tickets. Part of the Pit will be rail'd in and added to the Frodt Boxes

Performances

Mainpiece Title: The Unhappy Favourite; Or, Earl Of Essex

Dance: TThe Peasants, as17420210; Chacone, as17411230; La Provencale, as17420212

Event Comment: Benefit for a Gentlewoman under Misfortunes. None to be admitted without Ticket, which may be had, and places taken of Mr Page at the stage door. And for the better accommodation of the Ladies, the Stage will be enclos'd and form'd into an amphitheatre, where servants will be allow'd to keep places. Ladies send servants by three o'clock

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Old Man Taught Wisdom

Event Comment: [L$Leveridge's rhymed advertisement of 14 March repeated but with last two lines of Verse II as follows]: Which I with acknowledgment full of Delight Will gratefully sing on my Benefit Night,...which will be Tuesday April 17th, with The Miser. Tickets at Leveridge's Lodgings in Hanover St., the third door on the right hand from Long Acre, and of Mr Page at the Stage Door.--General Advertiser

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Royal Chace