SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nix"/1) | (@(roleclean,performerclean) "Mr Nix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4244 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Loyal General

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: Tamerlane The Great

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performances

Mainpiece Title: The Royalist

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: Dame Dobson; Or, The Cunning Woman

Performances

Mainpiece Title: The Atheist; Or, The Second Part Of The Souldiers Fortune

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: Bury Fair

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Performances

Mainpiece Title: The Scowrers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performances

Mainpiece Title: Concert