SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nevil Pain"/1) | (@(roleclean,performerclean) "Mr Nevil Pain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4243 matches on Event Comments, 1152 matches on Performance Comments, 535 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Coronation

Dance: II: A New Tambourine-Mas. Blurton, as17670427 III: by Desire, A Serious Dance-Miss Capon, as17670427

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Event Comment: NNeville MS Diary: Read their parts before ye play began....When the curtain was drawn up, ye Gods and even some in the pit (where I was) called for ye occasional prologue, which was not advertised. A fellow who played Gregory answered insolently The Prologue will not be played tonight." This provoked them more and an excuse sent by Davis not being admitted, Mr Foote was obliged to appear and promised that if they would wait till between ye play and ye farce, ye Prologue should be given....All this was not over till past 11 p.m

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

Performance Comment: As17670604 but Melissa-Miss Ogilvie (Neville).
Event Comment: NNeville MS Diary: At 6 took my place in ye Pit. I expected ye Taylors would have been damned; but with certain alterations and additions it went off better than it did last night. It is a sort of burlesque tragedy. If there is any wit in it, it is very low and unlike that in Mr Foote's other pieces. The Prologue, spoken by him, is more diverting than any part of ye play. Some Masters and leading Journeymen are taken off. [Cast listed.] The Citizen was vilely performed, except Old Philpot by Weston. Palmer is not equal to ye young one. They went off without concluding it. We had ye Builders Prologue before ye farce, by ye same means we had it last night. Foote wished for ye Builder, as ye person who supplied his place did his part vilely

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Citizen

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Daphne and Amintor

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A new dance call'd The Merry Sailors-Aldridge

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Event Comment: At 5 went into the Pit...Mrs Yates is the Callista Mr Rowe drew; Powell did Scioto well, nor is Bensley a bad Horatio. A new Comic Dance by LaRiviere and Miss Vallois in wooden shoes, with Harlequin Skeleton to which is now added a new scene (Neville MS Diary). Receipts: #123 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Royal Chace

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: A Peep behind the Curtain

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Event Comment: Farce not acted in 5 years. [See 28 Sept. 1762.] Brownsmith's Dramatic Time-Piece publish'd at 1s. The 3rd Theatrical Monitor appeared. Went into the Pit to see Garrick do Kitely again. Before the Curtain drew up finished reading the play with alterations by Mr Garrick...We had a foolish farce called the Double Disappointment (Neville MS Diary)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Performances

Mainpiece Title: Philaster

Afterpiece Title: Midas

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: A New Comic Dance, as17671126

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.