SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nath Lee"/1) | (@(roleclean,performerclean) "Mr Nath Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1893 matches on Performance Comments, 624 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Not Acted these Eighteen Years. Written by Mr Nath. Lee

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Related Works
Related Work: The Duke of Guise; or, The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Duke of Guise Author(s): Nathaniel Lee

Song: Turner, Mrs Bowman; The Genius-Turner

Event Comment: Mainpiece: Written by Mr Nath. Lee

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise; or, The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Duke of Guise Author(s): Nathaniel Lee

Afterpiece Title: The Stage Coach

Song: As17160809

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Performance Comment: Edition of 1679: Prologue-; Oedipus-Betterton; Adrastus-Smith; Creon-Samford; Tiresias-Harris; Haemon-Crosby; Alcander-Williams; Diocles-Norris; Pyracmon-Boman; Phorbas-Gillo; Ghost of Lajus-Williams; Jocasta-Mrs Betterton; Eurydice-Mrs Lee; Manto-Mrs Evans; Epilogue-.
Cast
Role: Eurydice Actor: Mrs Lee
Related Works
Related Work: Oedipus Author(s): Nathaniel Lee
Related Work: Oedipus, King of Thebes Author(s): Nathaniel Lee
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Performances

Mainpiece Title: Macbeth

Performance Comment: Edition of 1673: King of Scotland-Nath. Lee; Malcolm-Norris; Donalbain-Cademan; Lenox-Medburn; Macbeth-Betterton; Banquo-Smith; Macduff-Harris; Macbeth's Wife-Mrs Betterton; Macduff's Wife-Mrs Long; Hecate?-Sandford. See also 12 Aug. 1668.
Cast
Role: King of Scotland Actor: Nath. Lee

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Powell; Clytus-Love; Lysimachus-Jackson; Hephestion-Packer; Cassander-Havard; Aristander-Parsons; Statira-Mrs Palmer; Roxana-Mrs Pritchard; Sysigambis-Mrs Bennet; Polyperchon-Burton; Eumenes-J. Palmer; Meleager-Fox; Perdiccas-Lee; Philip-Ackman; Thessalus-Castle; Slave-Strange; Parisatis-Mrs Hippisley; In which will be introduc'd the Triumphal Entry of Alexander into Babylon-.
Cast
Role: Perdiccas Actor: Lee
Related Works
Related Work: The Rival Queens; or, The Death of Alexander the Great Author(s): Nathaniel Lee
Related Work: Alexander the Great Author(s): Nathaniel Lee
Related Work: Alexander Author(s): Nathaniel Lee

Afterpiece Title: The Deuce Is in Him

Event Comment: The Duke's Company. That this date is the premiere is conjectured from the order, dated 11 Dec. 1680, forbidding further acting of this play. See L. C. 5@144, p. 28, in Nicoll, Restoration Drama, p.1 on: Whereas I am informed that there is Acted by you a Play called Lucius Junius Brutus..wherein are very Scandalous Expressions & Reflections upon ye Government these are to require you Not to Act ye said Play again. In the Preface to Charles Gildon's The Patriot (1703) it is stated that Lee's play was banned after the third day's Acting, by the Lord Chamberlain Arlington as an anti-monarchical play." As the order is dated 11 Dec. 1680, the drama was probably presented on 8, 9, and 10 Dec. 1680.

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Related Works
Related Work: Lucius Junius Brutus, Father of His Country Author(s): Nathaniel Lee
Related Work: Junius Brutus Author(s): Nathaniel Lee
Related Work: The Patriot, or The Italian Conspiracy Author(s): Nathaniel Lee
Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Performances

Mainpiece Title: The New Peerage; Or, Our Eyes May Deceive Us

Related Works
Related Work: The New Peerage; or, Our Eyes may Deceive Us Author(s): Harriet Lee

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise; or, The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Duke of Guise Author(s): Nathaniel Lee

Performances

Mainpiece Title: Constantine The Great

Related Works
Related Work: Constantine the Great Author(s): Nathaniel Lee
Event Comment: Mainpiece: Written by Mr Nat. Lee

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Related Works
Related Work: The Duke of Guise; or, The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Duke of Guise Author(s): Nathaniel Lee

Afterpiece Title: The Stage Coach

Song: As17161022; The Genius-Turner

Event Comment: Benefit for Miss Plym, and Miss Ford. Tickets diliver'd by Mrs Lee will be taken

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17660409 but Eumenes-Keen; Sysigambis-Mrs Lee.
Cast
Role: Sysigambis Actor: Mrs Lee.
Role: Perdiccas Actor: Lee
Related Works
Related Work: The Rival Queens; or, The Death of Alexander the Great Author(s): Nathaniel Lee
Related Work: Alexander Author(s): Nathaniel Lee
Related Work: Alexander the Great Author(s): Nathaniel Lee

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Lee; Sparkish-Dodd, first time; Margery-Miss Plym, first time; Dorilant-Packer; Harcourt-Aickin; Alithea-Mrs Lee.
Cast
Role: Pinchwife Actor: Lee
Role: Alithea Actor: Mrs Lee.
Related Works
Related Work: The Country Wife Author(s): John Lee

Dance: I: A Comic Dance-Miss Ford; End: The Irish Milk Maids=, as17651209

Entertainment: End: A New Epilogue-Miss Ford

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Dr Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Phillimore; Simple-Burton; Bardolph-Wright; Pistol-Alfred; Nym-Wilson; Slender-Dodd; Falstaff-[Lee] Lewes (1st appearance in that character [in London]); Mrs Page-Miss Pope; Ann Page-Miss Wheeler; Mrs Quickly-Mrs Hopkins; Mrs Ford-Miss Farren(1st appearance in that character [at this theatre]) .at this theatre]) .

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: Mr Anthony

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224