SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Nat Lee"/1) | (@(roleclean,performerclean) "Mr Nat Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1895 matches on Performance Comments, 626 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Music: As17660214

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: The Register Office

Dance: End: Double Hornpipe-Walker, Miss Tetley

Entertainment: BBucks Have at Ye All-J. Palmer

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance-Hamoir, Miss Hamoir (their 1st appearance this stage); III: The Piedmontese Mountaineer, as17681103

Event Comment: By Command K. & Q. Ode, Mr Garrick (Cross Diary). Waited on Mr & Mrs Barry to know if it would be agreeable to them to go in the Pageant [The Jubilee] on Saturday--They both agreed they would & Mr Barry said he could be able to walk in the Pageant if he could not play. A rehearsal of As You Like It was call'd by Mrs Barry's desire at Ten. She sent word to have the Rehearsal put off for half an hour. The Performers staid for her till past Eleven, but she not coming they went away (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Ode

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland

Event Comment: Mainpiece: A Tragedy [by Hugh Kelly] never perform'd. The performance of Mrs Yates alone could have counteracted, for nine nights, its natural tendency towards damnation....A gentleman being asked, after one of the representations of this play, if he did not hiss it, replied "How could I? A Man can't hiss and yawn at the same time." (Biographia Dramatica.) [The advertisement to the 1771 edition thanks Mrs Yates, Bensley, Wroughton, "for their great good nature in undertaking their respective characters at the short notice of a week, when Mr Ross unexpectedly returned the part of Anselmo, which had been in his possession above a fortnight." This circumstance, continues the advertisement oblig'd Mr Bensley, cast for Palermo to undertake Mr Savigny's part, orginally Granville, Savigny taking Anselmo, and Wroughton Palermo." The play was brought on anonymously to avoid political repercussions associated with the name of the author.

Performances

Mainpiece Title: Clementina

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Elopement

Dance: I: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Timon Of Athens

Cast
Role: Senators Actor: J. Aickin, Inchbald, Keen

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: Lallegro Ed Il Penseroso With Handels te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lottery