SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills and Wife"/1) | (@(roleclean,performerclean) "Mr Mills and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4651 matches on Event Comments, 3789 matches on Performance Comments, 3082 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Event Comment: By Command of their Majesties. Rec'd Stoppages #1 1s. (Treasurer's Book)

Performances

Mainpiece Title: Samson; Alexander's Feast, And The Coronation Anthems

Performance Comment: As17760301 but Principal singers-Mr Dine. +Samson-; +Manoa-; +Micah-; +Israelite Officer-; +Dalila-; +Harapha-; +Chorus of Philistine Women and Priests of Dagon-; +Chorus of Israelites- (+Larpent MS).

Music: I: Concerto on Organ-Stanley

Event Comment: Benefit for Dodd. N.B. Mr King still continuing lame with the Gout is incapable of performing both in Play and Farce. Mr Baddeley, therefore has kindly undertaken, at short notice, to perform the character of Old Groveby, and humbly hopes for the indulgence of the public. Paid Machin, Chorus, 9 nights #2 5s. Receipts: #131 10s. Charges: #70 7s. Profits to Dodd: #61 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Event Comment: Benefit Mrs Wrighten. This Farce wrote by Mr Vaughan pretty well receiv'd (Hopkins Diary). [The Westminster Magazine for April damned the afterpiece as to plot and characters. Allowed it passible only as a beneift piece.] Paid 2 extra flutes 10s. Receipts: #90 5s. Charges: #66 9s. Profits to Mr and Mrs Wrighten: #23 16s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Performance Comment: Parts by King, Packer, Davies, Everard, Vernon, Mrs Siddons and Mrs Wrighten. Young Dormer-King; Moody-Vernon; Sir John Murray-Packer; Col. Murrary-Davies; Maria-Mrs Siddons; Feather-Mrs Wrighten (Genest, V, 494); Prologue-King; a Cantata Epilogue-Vernon, Mrs Wrighten.

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Event Comment: House (Hopkins Diary). Afterpiece: For the last time this season. [Public Advertiser, 20 April: The following Accident happened at Drury Lane on Thursday in the Entertainment of the Jubilee. As Mr Hurst and Mr Palmer were representing the characters of Posthumus and Iachimo in the Fighting Scene where they were engag'd with extreme violence, the former narrowly escaped losing his eye from a severe wound in the temple."] Paid Richard Barnard for detecting a pickpocket 10s. 3 extra trumpets #1 2s. 6d. Receipts: #121 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Event Comment: House Mr Baddeley's Night Bought by Managers (Hopkins Diary). Treasurer paid Mr Baddeley in lieu of Benefit #60. Rec'd Baddeley on acct #20. Paid salary list #621 16s. 6d. (Treasurer's Book). On Monday Cymbeline. Before the Play the Musical Prelude call'd The Theatrical Candidates; to which will be added The Rival Candidates. Receipts: #297 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: May Day

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Eldred-Jackson; Elidure-Lewis; Brennus-Aickin; Locrine-Hull; Eliud-Young; Morgan-Thompson; Eliza-Miss Ambrose; Edwena-Mrs Jackson; the Original Prologue, Epilogue-Mr and Mrs Jackson.
Cast
Role: Epilogue Actor: Mr and Mrs Jackson.

Afterpiece Title: The Two Misers

Dance: End: Mirth and Jollity, as17760102

Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Event Comment: Afterpiece: By Desire. Benefit for Fawcett, Mr Legg, and Mr Kear. Rec'd Stopages #12 14s.; From Sinking Fund #496. Paid Building and Watch rate for Covent Garden Parish #2 11s. 8d. Receipts: #30 15s. Charges: #67 9s. 6d. Deficit to Fawcett, Legg, and Kear: #36 14s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Reddish
Role: and a Song Actor: Mrs Scott.

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Event Comment: Benefit for Mortimer, Tomlinson, Carlton, Sen, and Mr Walton. Rec'd Stopages #11 13s. 6d. Paid salary list #621 16s. 6d.; Extra trumpet, flute and hautboy #1 7s. 6d. (Treasurer's Book).Tickets deliver'd by Page and Silvester will be taken. Receipts: #4314s. 6d. Charges: #84. Deficit to Mortimer, Tomilson, Carlton senr, and Mr Walton: #40 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Performance Comment: Sebastian-Farren; Boatswain-Carpenter; Prospero-Packer; Caliban-Wright; Gonzalo-Aickin; Stephano-Moody; Trincalo-Baddeley; Francisco-Norris; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda (with Song)-Mrs Smith; Alonzo-Bransby; Antonio-Hurst; Sebastian-Farren; Master of Ship-Wrighten; Ferdinand (with songs)-Vernon; With a Grand Dance of Fantastic Spirits-; The other Dances-Como, Giorgi, Sga Crespi.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Event Comment: Mrs Abington's First appearance in Clarinda . She was very easy and like the Character. Mr G. as Usual play'd finely (Hopkins Diary). Rec'd of Mr Parker in full of note #30. Receipts: #279 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick, first time these 2 years; Strictland-Jefferson; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Ranger's Servant-Everard; Tester-Burton; Jacintha-Miss Younge; Mrs Strictland-Mrs Siddons; Lucetta-Mrs Davies; Milliner-Miss Jarratt; Landlady-Mrs Bradshaw; Clarinda-Mrs Abington , first time; to conclude with a Country Dance-the characters of the Piece.
Cast
Role: Strictland Actor: Jefferson
Role: Mrs Strictland Actor: Mrs Siddons
Role: Landlady Actor: Mrs Bradshaw

Afterpiece Title: The Deserter

Dance: I: The Gardeners, as17760116

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.
Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Performance Comment: Duke of Braganza-Reddish; Almada-Aickin; Ribiro-Palmer; Mendoza-Brereton; Lemos-Farren; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarbo-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Velasquez-Smith; Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.
Cast
Role: Ferdinand Actor: Griffiths

Afterpiece Title: The Rival Candidates

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Dance: As17761015

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith; Myrtle-Jefferson; Sir John Bevil-Bransby; Mr Sealand-Aickin; Cimberton-Waldron; Humphrey-Chaplin; Daniel-Burton; Tom-King; Phillis-Miss Pope; Lucinda-Miss Hopkins; Mrs Sealand-Mrs Johnston; Isabella-Miss Platt; Indiana-Miss Younge.
Cast
Role: Mr Sealand Actor: Aickin
Role: Mrs Sealand Actor: Mrs Johnston

Afterpiece Title: A ChristmasTale

Song: II: Mrs Scott

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Event Comment: Selima and Azor [announced on playbill of 13 Jan.] is obliged to be deferred on Account of Dodd's Illness. Paid Prompter's Bill #23 17s. 6d. Receipts: #233 13s. (210.2; 22.8; 1.3)

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Waldron

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Jubilee

Dance: As17770215

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Bon Ton

Cast
Role: Orlando Actor: Reddish

Dance: As17761128

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell