Event Comment: Benefit for Mr Palmer. The Entertainment, a New Poetical Interlude (never perform'd there) Alter'd from Prior's Nut Brown Maid, by Mr Bates, With a New Air and Chorus. Music by Dr Arne. Receipts: #203 12s. Charges: #68 2s. 6d. Profits to Palmer: #13 9s. 6d. (Treasurer's Book)

Event Comment: Benefit for Johnston (Housekeeper and Box-book keeper). Rec'd from Sinking Fund (3rd) #73 10s.; From Mr Clutterbuck (1st) #500; from Stopages #11; Paid Salary list #564 16s.; J. French on acct #5 5s.; G. Garrick on acct #100. Receipts: #276 4s. 6d. Charges: #84. Profits to Mr A. Johnston: #192 4s. 6d. (Treasurer's Book)

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Event Comment: Archer by Mr King. Cherry first time Miss Jarratt pretty well. Sga Pacini danc'd for the first time. She is a small figure, not much Elegance but was very well received (Hopkins Diary). Agreement with Sga Paccini, 20 June 1775: "I do agree for my partner, Mr Willoughby Lacy, and myself, to engage Signora Paccini as first dancer at our Theatre, the ensuing season, which commences the first week in September 1775, and finishes the end of May 1776; for which the said Signora shall receive from us, by weekly or monthly payments as she pleases, the sum of three hundred and twenty-five pounds sterling, and she is likewise to have a benefit in course of salary, and at the best time of the year, for which she is to dance whenever she is called upon, to the best of her power and abilities. This engagement the managers of the Theatre Royal in Drury Lane engage to fulfill on their part, under the penalty of five-hundred pounds sterling. Witness my hand this nineteenth day of June 1775." (Signed.) David Garrick for Willoughby Lacy and himself (Boaden, Private Correspondence of Garrick, II, 63). The Comedy of The School for Lovers oblig'd to be deferr'd. Receipts: #153 19s. 6d. (Treasurer's Book)

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Paid half a years rent to Duke of Bedford to Mich. Last #164 2s. 10d.; Ditto to Mr Wegg to ditto #57; Mrs Scott (laceman) #99 7s.; Mrs Chitty for coals #92 10s.; Mrs Sutton for women's cloathes #12; Tabor and Pipe 7 nights #3 13s. 6d.; Two additional flutes #3. Receipts: #272 1s. 6d. (Treasurer's Book). At the Play Mr Garrick acted and the house was so full you could not have thrust your little finger in, not withstanding the plague sweeps us away by dozens (Cumberland's Letters; Hampden, Journal)

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Event Comment: Paid Mr Thos. Smith per order Mr D. G. #31 10s.; Barrow andCo for oil #52. Receipts: #149 5s

Event Comment: Mainpiece: Not acted these 3 years. [See 30 April 1773. See, for afterpiece, the Regatta attached to Queen Mab, 11 Nov.] Mr Moody very bad in Maj. Oldfox , &c. Mrs Greville not much better in Olivia (Hopkins Diary). Rec'd from the late Mrs Johnston for Old Women's Cloaths #10 10s.; By ditto from Mr Garrick for wax candles #1 12s. Receipts: #150 13s. 6d. (Treasurer's Book)

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Event Comment: Signor Martini danc'd for first time tolerable (Hopkins Diary). Paid Mr Park 1 boy 18 nights #6 15s.; Pryor (turner) #3 6d.; Mr Blanchard (tallow chandler) #43 17s. 2d. Receipts: #156 3s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. When Face ask'd Drugger if he had any Interest with the Players--Mr G. Answer'd I believe I had once but don't know if I have now or not--It It had a good Effect--his having Just Sold his Share of the Patent (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] On Wed. Night Jan. 18, 1776, Mr Garrick concluded his treaty for the sale of his share of the patent and property of Drury Lane Theatre to 4 gentlemen for #35,000 (Winston MS 11). Receipts: #256 9s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 12 years. [See 26 April 1763.] This Comedy is reviv'd for the Queen to See Mr G. in Sir Anthony Bramble which he perfkrmed inimitably--he wrote and spoke a New Address to the Ladies in the Character of Sr. Anto. which was receiv'd with very great Applause. The Play is long and heavy (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #624 6s. 6d.; Westminster Charity Subscription #5 5s.; Griffith 3 weeks 15s.; Mrs Greville for cloaths in Irish Widow, #5 9s. Receipts: #273 1s. (Treasurer's Book)

Event Comment: The New Comedy of The Runaway oblig'd to be deferr'd till Tuesday, on account of Mrs Hopkins' sudden illness. Paid Mr Machin, Chorus, 24 nights, #6; Tallow Chandler's Bill #49 6s. 8d.; additional flutes #1; Mr Landall for sashes #6 14s. Receipts: #195 18s. (Treasurer's Book)

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)