SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills jun"/1) | (@(roleclean,performerclean) "Mr Mills jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4819 matches on Performance Comments, 4503 matches on Event Comments, 883 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Mills

Performances

Mainpiece Title: The Relapse

Dance: As17221015

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Wilks, Mills, Johnson, Wilks Jr, Norris, Harper, Penkethman, Mrs Thurmond, Mrs Younger, Mrs Heron, Mrs Baker, Miss Tenoe.

Afterpiece Title: Harlequin Doctor Faustus

Song: Singing in Italian and English-Mrs Hill, who never appear'd on this Stage before

Performances

Mainpiece Title: The Fair Penitent

Event Comment: At Miller-Mills-Oates' Booth

Performances

Mainpiece Title: The Banish'd General

Song: Singing-Mrs Roberts In the Character of Sally Sweetbread, the Butcher's Wife

Event Comment: On this day died Mrs William Mills

Performances

Event Comment: Benefit W. Mills. Written by Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Music: Select Pieces

Dance: I: La Follette s'cest Ravisee by Nivelon and Miss Mann. III: Drunken Peasant by Le Brun. V: Grand Dance in Stomas, as17340316

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Event Comment: MMr Wm. Mills dy'd (Cross). Receipts: #50 (Cross); #55 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: A Duke and no Duke

Dance: HHornpipe-Mathews

Ballet: SSavoyard Travellers. As17491110, but Principal Savoyards-Mrs _Addison

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Old Maid

Dance: II: A Tambourine, as17641015; End: La Femme Maitresse, as17641004

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Dance: II: Turkish Dance-Dagueville, Sga Vidini

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Dance: II: Comic Dance, as17711031

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Buxom Joan

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Buxom Joan

Dance: As17780623

Event Comment: Tickets delivered by Mills, Wewitzer, Ledger taken this night (Account-Book). Receipts: #179 8s. 6d. (66/13/0; 2/8/6; tickets: 110/7/0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Devil upon Two Sticks

Event Comment: Tickets delivered by Brigg, Pemberton, Bourk, Aberdein, Newbold, Smith, Miss Tidswell, Mrs Haskey, Mrs Heard [Account-Book adds: Mills] will be admitted. [The afterpiece was perhaps changed. On the Kemble playbill it is deleted, but no substitute play is given. The Account-Book lists The Lyar.] Receipts: #220 181. 6d. (43/4/0; 21/0/0; 0/2/6; tickets: 156/12/0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Lyar

Dance: End of Act II of mainpiece the Minuet de la Cow by Brigg and Miss Stageldoir; End of Act III Hornpipe by Bourk

Event Comment: Tickets delivered by Jones, Stageldoir, Newbold, Powell, Shaw, Pemberton, Dale, Smith [Account-Book adds: Mills], Miss Hale, Mrs Heard, Miss Tidswell will be admitted. Receipts: #229 17s. (18/11; 7/16; 0/15; tickets: 202/15)

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Charles Actor: Bannister Jun.

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece Minuet de la Cour and Allemande, as17860502; End of Act I of afterpiece a Highland Reel, as17860223