SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills jun"/1) | (@(roleclean,performerclean) "Mr Mills jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4819 matches on Performance Comments, 4503 matches on Event Comments, 883 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Cobler

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Rival Candidates

Dance: In: The Grand Provencalle Dance, as17741213, but view of Genoa is specified "at Sun Rising"

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: Medea

Afterpiece Title: A Peep behind the Curtain

Song: The Azure God, composed by Giordani, sung-Mrs Smith

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: The Irish Fair, as17740917

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: A Peep behind the Curtain

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Harlequin's Jacket

Dance: Slingsby, Sga Hidou. [Title unspecified.

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: III: The Pirates, as17750422

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Event Comment: Archer by Mr King. Cherry first time Miss Jarratt pretty well. Sga Pacini danc'd for the first time. She is a small figure, not much Elegance but was very well received (Hopkins Diary). Agreement with Sga Paccini, 20 June 1775: "I do agree for my partner, Mr Willoughby Lacy, and myself, to engage Signora Paccini as first dancer at our Theatre, the ensuing season, which commences the first week in September 1775, and finishes the end of May 1776; for which the said Signora shall receive from us, by weekly or monthly payments as she pleases, the sum of three hundred and twenty-five pounds sterling, and she is likewise to have a benefit in course of salary, and at the best time of the year, for which she is to dance whenever she is called upon, to the best of her power and abilities. This engagement the managers of the Theatre Royal in Drury Lane engage to fulfill on their part, under the penalty of five-hundred pounds sterling. Witness my hand this nineteenth day of June 1775." (Signed.) David Garrick for Willoughby Lacy and himself (Boaden, Private Correspondence of Garrick, II, 63). The Comedy of The School for Lovers oblig'd to be deferr'd. Receipts: #153 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020