SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Mills Sen"/1) | (@(roleclean,performerclean) "Mr Mills Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3584 matches on Performance Comments, 821 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maids the Mistress

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece, as17830422; End of mainpiece, as17821231

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: Wits Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Event Comment: Benefit for Brett. Public Advertiser, 27 Apr.: Tickets to be had of Brett, No. 7, Catherine-street, Strand. [In mainpiece the playbill retains Booth as Peachum, but "Moody in the absence of Wilson [sic] played Peachum" (Public Advertiser, 3 May).] Receipts: #248 13s. (148/12; tickets: 100/1) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Ill Tell You What

Afterpiece Title: The Author

Event Comment: Benefit for Mr and Mrs Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 21 Apr.: Tickets to be had of Mr and Mrs Brereton, No. io, Charles-street, Covent Garden. Receipts: #317 6s. 6d. (121/17/0; 7/11/6; 1/6/0; tickets: 186/12/0) (charge: #106 2s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Whos the Dupe

Song: As17860223

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Phillimore

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Song: II: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Heiress

Afterpiece Title: End of Act I of mainpiece Jewish Education

Afterpiece Title: Tis an Ill Wind Blows Nobody Good or The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin Midi et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner or Quality Binding

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Sword Of Peace Or A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Election

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The Minor

Dance: End 2nd piece: The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Chrononhotonthologos

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Arthur and Emmeline

Song: In II: song in character-Mrs Crouch [who sang it in all subsequent performances]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Feast of Anacreon

Afterpiece Title: The Intriguing Chambermaid

Entertainment: Monologue. End IV: A Comic Description of the Curiosities in the Tower of London-Edwin