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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Matthew Lock"/1) | (@(roleclean,performerclean) "Mr Matthew Lock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6078 results for: Keyword - Mr Matthew Lock
We found 4287 matches on Event Comments, 1270 matches on Performance Comments, 763 matches on Performance Title, 108 matches on Author, and 0 matches on Roles/Actors.

251
18 September 1798 @ Drury Lane Theatre

Event Comment: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley? Sen.. Receipts: #319 4s. (250.16.0; 67.4.6; 1.3.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-Russell; Woodly-Sedgwick; Gossip-Suett; Soufrance-Wewitzer; Charlotte-Miss Wentworth; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Song: In: Chorus of Witches and Spirits-Sedgwick, Dignum, Miss Leak, Miss DeCamp, Miss Arne, Miss Wentworth

252
03 July 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

253
03 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

254
04 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

255
05 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

256
06 February 1796 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lock and Key

257
09 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

258
11 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

259
13 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

260
15 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

261
16 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

262
18 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

263
20 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

264
22 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

265
23 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

266
25 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

267
27 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

268
29 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

269
01 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

270
03 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

271
05 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

272
07 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

273
08 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

274
10 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

275
12 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key