SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Magnuss Boy"/1) | (@(roleclean,performerclean) "Mr Magnuss Boy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4339 matches on Event Comments, 1413 matches on Performance Comments, 838 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By particular Desire. The Play of Othello is deferr'd till Tomorrow. The Beggar's Opera being desir'd by several Persons of Quality. [Othello and The School Boy had been announced on 6 Dec. for today.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: No Performance Passion Week (Cross). We hear that a new Tragedy call'd Creusa Queen of Athens, written by the author of the Roman Father is now in rehearsal at Drury Lane, in which Miss Macklin will play the part of a boy

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Barbarossa

Performance Comment: Parts-Garrick, Mossop, Havard, Davies, Usher, Mozeen, Walker, Miss Macklin, Miss Minors, Mrs Cibber. Achmet-Garrick; Barbarossa-Mossop; Othman-Havard; Sadi-Davies; Aladin-Usher; Officer-Mozeen; Slave-Walker; Irene-Miss Macklin; Slave-Miss Minors; Zaphira-Mrs Cibber; Music-adapted to the play; Prologue-Garrick in the Character of a Country Boy; Epilogue by Garrick-Woodward in the Character of a Fine Gentleman (Edition of 1755).
Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: Benefit for the Marine Society, for cloathing Men and Boys to go to Sea. Tickets 5s. at the Door. To begin at 7 p.m. Tea, Coffee are included. At Ranelagh House

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Blind Man's Buff, les Bergeres, les Paisans, a Dutch Dance, And a grand Comic Ballet called The Marine Boys marching to Portsmouth-Froment, Settree, Lasci, Master Settree, Master Cawley, Master Hussey, Miss Derham, Miss Vivier, Miss Twiste, several Lilliputians.

Afterpiece Title: Harlequin's Frolic; or, A Voyage to Prussia

Song: The Songs-Sga Peralta, others

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: For the Use of the Marine Society, Towards Clothing Men and Boys for Sea. Receipts: #80 12s. 6d. Charges: #84. Deficit to Marine Society, #3 7s. 6d., covered by income from tickets, #56 10s. (boxes 186; pit 28; gallery 58) (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: Concert

Performance Comment: Part I Overture-; Songs Hail Immortal Bacchus (from Judith Arne)-Champness; Di Nobil Alma (Ciampi)-Miss Frederick; Farewell ye Limpid Springs (from Jeptha, Handel)-Sga Frasi; Come Blooming Boy (from Choice of Hercules, Handel)-Miss Young; Concerto on violincello-Sig Cervetto; Anthem My Heart is Insisting-(Handel); Part II Concerto on Bassoon-Baumgarten; Songs, Nymphs and Shepherds (from Alfred, Arne)-Miss Brent; Happy Day (from Eliza, Arne)-Miss Young; Concerto on violin composed and performed-Dubourg; Anthem As pants the heart-(Handel); Part III Concerto on Hautboy-Vincent; Songs, Vain is Beauty's Gaudy Flow'r (from Judith, Arne)-Miss Brent; When Bacchus, Jolly God (Handel)-Beard; Verdi Prati (from Alcina, Handel)-Miss Frederick; Freely I to Heaven Resign (from Jeptha, Handel)-Sga Frasi; Anthem, The King Shall Rejoice-(Handel).

Performances

Mainpiece Title: Barbarossa , With Original prologue

Performance Comment: As17611121, but Prologue in the Character of a Country Boy-O'Brien.

Afterpiece Title: The Genii

Event Comment: [Prologue to the Perplexities and Epilogue publish'd in the Public Advertiser.] Saw the Comedy of the Perplexities. Beard spoke the Prologue....Mrs Mattocks spoke the Epilogue. We had a Dance and the new Masque of the Fairy Favour, which is perform'd by children only. The boy who does Puck played on the violin and danced a hornpipe, with great spirit. The scene which represents Kensington Gardens, the canal, &c. by moonlight is very pretty, the moon and stars are very natural (Neville MS Diary). Receipts: #192 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End of Play: The Gallant Peasants, as17670113

Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Performances

Mainpiece Title: Merlin; Or, The Enchanter Of Stonehenge

Event Comment: Mainpiece: Not acted these 3 years. [See 14 Jan. 1763.] Dined at Terry's. At Davies read the principal parts of As You Like It. Got into the Pit before the Play began. Stood all the time of the performance. Mrs Dancer played Rosalind with great propriety, looks very well in boys clothes...Caelia, with the Cockoo, a delightful song (not in the play) by Mrs Baddeley, being her 1st appearance in that character. This excellent comedy so well performed gave me great pleasure. End Act I, Hearts of Oak, a pretty dance by Mrs King, Giorgi, etc. The Entertainment was Harlequin's Invasion, with a prologue spoken by King. This triumph of Shakespeare over folly is one of the best and most magnificent Pantomimes and not mere dumb show (Neville MS Diary)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): William Boyce

Dance: I: Hearts of Oak-Giorgi, Mrs King

Event Comment: Paid Mrs Parks boy 4 nights #1 10s. Receipts: #276 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Election

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Russell; Freeman-Johnson; Philip-Lewis; Lord Duke-Comerford; Sir Harry-Smith; Robert-Dancer; Coachman-G. Smith; Tom-Kenny; Kingston (the Black Boy)-Master Russell; Kitty (with song)-Mrs Russell; Lady Charlotte-Miss Taylor; Lady Bab-Mrs Wilks; Cook-Mrs Newby.

Song: 2nd piece: With all the original Songs, Chorusses-

Entertainment: Imitations, as17760930

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: As17761007, but Sir William-Lewis; Patie (the Gentle Shepherd)-Mrs Moss (1st appearance in that character in England); Roger-M'Donald; Peggy-Miss Douglas (1st appearance on the English stage); Scots Prologue-Mrs Moss in the character of a Country Boy.

Afterpiece Title: Entertainments of Singing and Dancing

Dance: Conclude: reel-the characters

Song: End I: The Banks of the Tweed-Mrs Moss; End III: Rosilind Castle-Mrs Moss; End: The Banks of Invermay-Mrs Moss

Event Comment: London Chronicle, 12 Mar.: "The chorusses were more in character than we ever remember, from the circumstance of mixing women's voices with the boys'.

Performances

Mainpiece Title: Judas Maccabaeus; Acis And Galatea

Music: End Part I: concerto on the hautboy-Parke; End Part II: concerto on the violin, as17780306

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

Event Comment: The last Time of the Company's performing this Season. Account-Book, 8 June: Paid Boy counting Copper Tickets 185 nights #4 12s. 6d. Receipts: #168 14s. 6d. (134.19.0; 33.15.6; after-money not listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Monody

Afterpiece Title: Who's the Dupe

Dance: As17790417

Song: As17781006

Event Comment: Afterpiece: To conclude with a perspective representation of the Grand Camp at Cox-Heathv [see 15 Oct. 1778], from a view taken by DeLoutherbourg, and executed under his direction. [This notice is included in al subsequent performances.] Account-Book, 29 Feb. 1780: Paid Serjeant for teaching boys and volunteers the exercise [in The Camp] #10 10s. Receipts: #221 0s. 6d. (177.1.0; 43.10.6; 0.9.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Camp

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Lamash; Agreeable Companion [in a Post-Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Webb; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Hussey (1st appearance on any stage these 20 years); Head Boy [of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Attendant-Stevens; Irishman-Egan; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Wewitzer; Maid-Miss Wood; Chambermaid-Mrs W. Palmer; Goddess of Health, Genius of Nonsense-Mrs Cargill.

Dance: In afterpiece: Master and Miss Byrne.[This dance was included in all subsequent performances.