SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lun junior"/1) | (@(roleclean,performerclean) "Mr Lun junior")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4229 matches on Event Comments, 1305 matches on Performance Comments, 635 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Irishman in London

Afterpiece Title: The Liar

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Event Comment: [2nd piece in place of The Orphan; 3rd piece of Blunders at Brighton [i.e. The Irish Mimic], both advertised on playbill of 9 Oct.] "Where [Lewis] absolutely exceeded all expectation, even from spirits like his own, was in the first scene of the fifth act, where he meets with Cacafogo, who has been Cozened, too, and by a woman also (indeed the same woman); the convulsive joy of his laugh, frequently renewed, and invariably compelling the whole audience to a really painful sympathy, was one of the most brilliant exploits of the comedian...[Lewis] had one peculiarity, which was the richest in effect that could be imagined, and was always an addition to the character springing from himself. It might be called an attempt to take advantage of the lingering sparks of gallantry in the aunt, or the mother of sixty, or the ancient maiden whom he had to win, to carry the purposes of those for whom he was interested. He seemed to throw the lady by degrees off her guard, until at length his whole artillery of assault was applied to storm the struggling resistance; and the Mattockses and the Davenports of his attentions sometimes complained of the perpetual motion of his chair, which compelled them to a ludicrous retreat, and kept the spectator in a roar of laughter. In short, whether sitting or standing, he was never for a moment at rest--his figure continued to exhibit a series of undulating lines, which indicated a self-complacency that never tired, and the sparkling humour of his countenance was a signal hung out for enjoyment" (Boaden, Siddons, II, 364-66). Receipts: #365 4s. 6d. (357.6.6; 7.18.0)

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Chimney Corner

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Wedding Day

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Irishman in London

Song: As17980705

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Irishman in London

Event Comment: Pepys, Diary: We met with Mr Salisbury, who took Mr Creed and me to the cockpitt to see The Moore of Venice, which was well done. Burt acted the Moore; by the same token, a very pretty lady that sat by me, called out, to see Desdemona smothered. Possibly Clun acted Iago. Pepys (6 Feb. 1668@9) refers to his playing that role, and a reference to Clun as Iago appears in A Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31. See also entry of 14 Aug. 1660

Performances

Mainpiece Title: The Moore Of Venice

Performance Comment: Othello-Burt; Iago-Clun.

Performances

Mainpiece Title: The Cheats

Performance Comment: Cast in MS (Library of Worcester College, Oxford): Bilboe-Shottrell; Titere Tu-Clunn; Dilligence-Loueday; Mrs Dilligence-Mrs Marshall; Jolly-Hart; Afterwit-Burt; Mrs Margt Rutter? [Hughes, in edition, edited by Nahm, p. 145] [Rutter, in J. H. Wilson, All the King's Ladies, p. 185]; [Edition of 1664 Prologue- [Edition of 1693 adds: Whitebroth-Cartwright; Runter-$Wintersal; Scruple-$Lacy; Mopus-$Mohun; Mrs Whitebroth-$Mrs Covey [$Corey].Corey].

Performances

Mainpiece Title: The Step-mother

Performances

Mainpiece Title: Flora's Vagaries

Performances

Mainpiece Title: The Step Mother