SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lun junior"/1) | (@(roleclean,performerclean) "Mr Lun junior")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4229 matches on Event Comments, 1305 matches on Performance Comments, 635 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: The Poor Sailor

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Deserter

Entertainment: Vaudeville In II afterpiece: Military Manoeuvres-; [the Dead March-; [the Ceremony used in Shooting a Deserter-. [These were included in all subsequent performances.

Performances

Mainpiece Title: Love And Honour

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: Amboyna

Performances

Mainpiece Title: The Mock-tempest; Or, The Enchanted Castle

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Performances

Mainpiece Title: Trick For Trick; Or, The Debauch'd Hypocrite

Performances

Mainpiece Title: Oedipus

Performances

Mainpiece Title: The Ambitious Statesman; Or, The Loyal Favourite

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performances

Mainpiece Title: Venice Preserved

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances