SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Love"/1) | (@(roleclean,performerclean) "Mr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4465 matches on Event Comments, 3294 matches on Performance Title, 2078 matches on Performance Comments, 117 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Event Comment: The Duke's Company. Evelyn, Diary: I was so idle as to go see a play, cald Love and honor

Performances

Mainpiece Title: Love And Honour

Event Comment: The King's Company. Pepys, Diary: We by coach to the Theatre and saw Love in a Maze. The play hath little in it but Lacy's part of a country fellow, which he did to admiration

Performances

Mainpiece Title: Love In A Maze

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: This play, which was licensed on 22 April 1664, was a revision of Flecknoe's Love's Dominion, 1654. There is no indication, other than the date of licensing, which points to a specific time when it was acted. The Duke's Company

Performances

Mainpiece Title: Love's Kingdom

Event Comment: The Duke's Company. Evelyn, Diary: Saw a facecious Comedy Cald Love in a Tub

Performances

Mainpiece Title: Love In A Tub

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, all alone, and saw Love's Maistresse. Some pretty things and good variety in it, but no or little fancy in it

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, and there saw Love Trickes, or the School of Compliments; a silly play, only Miss Davis?'s dancing in a shepherd's clothes did please us mightily

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Love's Mistresse revived, the thing pretty good, but full of variety of divertisement

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Masque

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw Cupid's Revenge, under the new name of Love Despised, that hath something very good in it, though I like not the whole body of it. This day the first time acted here

Performances

Mainpiece Title: Love Despised

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and ffower in the Box at Loves last Shift #1

Performances

Mainpiece Title: Love's Last Shift

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: See17181006, but First Interlude given end Act II of Love Makes a Man-; Second Interlude end III-.

Afterpiece Title: Venus and Adonis

Dance: As17181024

Event Comment: The Orphan announced, but by special Command Love Makes a Man was played. His Majesty present

Performances

Mainpiece Title: Love Makes A Man

Event Comment: Receipts: #180 (Cross). [Cross suggests The Tutor as afterpiece, but Public Advertiser and playbill list Love a-la-Mode.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Love a-la-Mode

Event Comment: Being positively the last time for the afterpiece this season. [In June was published A Scotsman's Remarks on the Farce Love-a-la-Mode (Gentleman's Magazine, p. 339), scene by scene.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Love a-la-Mode

Dance: I: The last new Comic Dance-Sg and Sga Giorgi; II: The Cow Keepers, as17600313 but Mrs _Vernon, Mrs Preston

Song: III: By Desire, The Sailor's Song-Champnes, and a Dance in character by the Sailor

Event Comment: Mainpiece: By Particular Desire. N.B. Love in a Village will not be acted after this evening, for a considerable time, on account of a new Musical Comedy which will be performed some Day this week. [See 6 Dec., The Summer's Tale.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17651115

Event Comment: [W+Winston MS 10 notes that O. Smith suggests Miss Spencer. Winston suggests Mrs Greville. The Town and Country Magazine (From Theatre No XIII): "Mrs Gladeau...has appeared as Rosetta in Love in a Village." Comments that she does not know much about music but "has a pleasing voice and an agreeable figure and will probably be a valuable acquisition to the stage. Received with applause."] Receipts: #217 16s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: II: Dutch Dance, as17691111

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: [The playbill announces The Duenna, with The Duenna (1st time)-Mrs Pitt [see 25 May]. In the Account-Book this is deleted, and Love in a Village substituted.] Receipts: #122 11s. (121.14; 0.17)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: Benefit for Mrs Kennedy. Tickets delivered for Love Finds the Way will be taken. Public Advertiser, 20 Mar.: Tickets to be had at the late Dr Arne's, No. 5, Bow-street, Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Love in a Village

Afterpiece Title: The Touchstone