SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lock"/1) | (@(roleclean,performerclean) "Mr Lock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4253 matches on Event Comments, 1138 matches on Performance Comments, 588 matches on Performance Title, 18 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Cast
Role: King of Bokam Actor: Bullock

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performance Comment: Edition of 1700: Prologue by Mr Farquhar-Mr Powell; Epilogue-Will. Pinkethman; Sir John Winmore-Powel; Capt. Bellair-Wilks; Sir Anthony Addle-Norris; Dick Addle-Pinkethman; Freelove-Mills; Alderman Chollerick-Johnson; Ned Chollerick-Toms; Willie-Bullock; Scowrer-Fairbank; Flora-Mrs Rogers; Melintha-Mrs Moor; Decoy-Mrs Powel; Timandra-Mrs Temple; Lucy-Mrs Kent; Betty-Mrs Baker.
Cast
Role: Willie Actor: Bullock

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Event Comment: Benefit Penkethman. The Boxes and Pit 2s. 6d., the Boxes being laid open to the Pit. Note, No Subscribers' Tickets to pass this Day. To begin exactly at 5 of the Clock, by reason that the Gentlemen and Ladies that come from London may have time to return home before Night. Note, The Tide happens very luckily for Mr Penkethman's Friends in London: It Ebbs to Greenwich from 10 in the Morning till 6 at Night, flows from 6 in the Evening till 11, it being Moon-light

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin1st appearance for 6 years; Lorenzo-Moody; Portia-Mrs Clive; Songs-Mr Prentis1st appearance on this stage; Gratiano-Palmer; Antonio-Davies; Bassanio-Havard; Jessica-Miss Hippisley; Nerissa-Mrs Bennet; Launcelot-Vaughan; Duke-Bransby.

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: Oroonoko

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Performance Comment: Edition of 1696: Prologue by an unknown hand-Mr Powel; Epilogue-Mr Horden; Prince Frederick-Verbruggen; Sir Rowland Marteen-Johnson; George Marteen-Powel; Welborn-Horden; Sir Merlin Marteen-Pinkerman; Sir Morgan Blunder-Bullock; Mr Twang-Smeaton; Brittone-Kent; Mirtilla-Mrs Knight; Olivia-Mrs Verbrugen; Teresia-Mrs Temple; Lady Blunder-Mrs Powel; Mrs Menage-Mrs Willis; Lady Youthly-Mrs Harris.
Cast
Role: Sir Morgan Blunder Actor: Bullock

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performances

Mainpiece Title: Love's A Jest

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd