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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lock"/1) | (@(roleclean,performerclean) "Mr Lock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5708 results for: Keyword - Mr Lock
We found 4253 matches on Event Comments, 1138 matches on Performance Comments, 588 matches on Performance Title, 18 matches on Author, and 2 matches on Roles/Actors.

101
03 March 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: Eliza

Music: I: By Particular Desire, a Concerto on the Violin-Mr Hay

102
20 April 1758 @ Covent Garden

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

103
29 April 1763 @ Covent Garden

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Old Maid

Dance: LLa Petite Bergere-Miss Lalauze; a Hornpipe, 1st time-Miss Lalauze (Music by Dr Arne); A Ball Dance, call'd the Louvre, ending with a Minuet-a Young scholar of Mr Lalauze, Miss Lalauze. Being the last time of their appearing on the stage. These Dances By Particular Desire

104
05 August 1763 @ Haymarket Theatre

Performances

Mainpiece Title: The Englishman Return'd From Paris

Afterpiece Title: The Mayor of Garratt

Dance: I: The Venetian Gardeners-Rogier, Miss Street; II: The Provincial Dance-Master Clayton, Miss Street (Apprentices to Mr Gerhardi)

105
03 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

106
27 September 1770 @ Haymarket Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

107
15 February 1771 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Johnston, at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Upper Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

108
04 November 1771 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

109
19 September 1774 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. [See 31 Dec. 1772.] Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. The Doors to be open'd at half an hour past 5 o'clock. To Begin half an Hour past 6. Vivant Rex & Regina. [Customary footnote for all succeeding bills this season, not to be repeated here. Woodward seems to have spoken an Occasional Prologue on the opening of the theatre. See request for its repetition on bill for 21 Sept. This Prologue is Larpent MS 377. It suggests the policy of offerings and competitions for the season--some old plays, some new, some foreign, some pantomimes, some Shakespeare, &c.

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

110
03 March 1775 @ Drury Lane Theatre

Event Comment: Tickets to be had and places for Boxes to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

111
22 May 1677 @ Whitehall or St. James's

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

112
04 November 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

113
03 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

114
04 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

115
05 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

116
06 February 1796 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lock and Key

117
09 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

118
11 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

119
13 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

120
15 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

121
16 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

122
18 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

123
20 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

124
22 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

125
23 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key