SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Linley Jun"/1) | (@(roleclean,performerclean) "Mr Linley Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4429 matches on Event Comments, 2568 matches on Performance Comments, 639 matches on Performance Title, 241 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Music: I: Trumpet Concerto-Burk Thumoth; II: Concerto-Vivaldi; III: Solo on the German Flute-Thumoth; V: Sonata for the Harpsichord and Violin Harpsichord-Thumoth

Dance: II: Dutch Skipper-Jones Sr, Jones Jr; IV: Sailor's Dance-Jones

Performances

Mainpiece Title: The Beggar's Opera

Dance: SScotch Dance-Glover, Mrs Laguerre, Dupre, Mrs Pelling, Delagarde, Mrs Ogden

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: DDaily Post, 13 June: The Subscribers to the Opera in which Signior Senesino and Signora Cuzzoni are to perform [the Opera of the Nobility], are desired to meet at Mr Hickford's Great Room in Panton-street, on Friday next by Eleven o'Clock, in order to settle proper Methods for carrying on the Subscription

Performances

Event Comment: DDaily Advertiser, 22 June: On Monday last died Mr William Bullock, one of the Comedians of Goodman's-Fields, and Master of a Coffeehouse in that Neighborhood

Performances

Event Comment: See Daily Advertiser, 22 June, for a poem: To Mr Giffard, Master of the New Theatre in Goodman's-Fields, on closing the Season

Performances

Performances

Mainpiece Title: Cato

Music: Solo on the Violin-a Gentleman lately arrived from Italy

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title:

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: By Miss Robinson, Janny, Fisher Tench, Miss Mann

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Music: Select Pieces.

Dance: As17330926

Performances

Mainpiece Title: Preserv'd; Or, A Plot Discover'd

Performances

Mainpiece Title: The Way Of The World

Dance: Tambourine by Miss Rogers. Swedish Dal Karl by De la Garde and Mrs Ogden. Scottish Dance, as17331004

Song: By Leveridge

Performances

Mainpiece Title: The Old Batchelor

Dance: As17330925

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Drunken Peasant by Janno. II: Punches by F. Tench and Janno. III: Watteau by Miss Robinson. IV: Whim by F. Tench and Miss Mann. V: Les Bergeries, as17331006

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: II: Drunken Peasant by Janno. III: Punches by F. Tench and Janno. IV: Whim by F. Tench and Miss Mann. V: La Follette s'cest Ravisee by Nivelon and Miss Mann

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Mock Doctor

Dance: A new Grand Ballad called Les Amants Constants by Essex, Miss Robinson, Houghton, F. Tench, Janno, Holt, Miss Mann, Miss Oates, Miss Brett

Song: I: Quanto Dolce by Miss Arne. In III: Per le porte del tormento by Miss Arne and Master Arne

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Opera of Operas

Dance: V: Les Amants Constants, as17331025 In Afterpiece: Mock Minuet, as17331027

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Opera of Operas

Dance: As17331031

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

Performances

Mainpiece Title: The Opera Of Operas

Dance: