SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Light"/1) | (@(roleclean,performerclean) "Mr Light")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4296 matches on Event Comments, 1149 matches on Performance Comments, 531 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. Pepys, Diary: [After looking in at lif], and so to the King's house: and there, going in, met with Knepp, and she took us up into the tireing-rooms: and to the women's shift, where Nell was dressing herself, and was all unready, and is very Pretty, prettier than I thought. And so walked all up and down the house above, and then below into the scene-room, and there sat down, and she gave us fruit: and here I read the questions to Knepp, while she answered me, through all her part of Flora's Figary's which was acted to-day. But, Lord! to see how they were both painted would make a man mad, and did make me loath them; and what base company of men comes among them, and how lewdly they talk! and how poor the men are in clothes, and yet what a shew they make on the stage by candle-light, is very observable. But to see how Nell cursed, for having so few people in the pit, was pretty; the other house carrying away all the people at the new play, and is said, now-a-days, to have generally most company, as being better players. By and by into the pit, and there was the play, which is pretty good

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw The Impertinents, a play which pleases me wdll still; but it is with great trouble that I now see a play, because of my eyes, the light of the candles making it very troublesome to me

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Event Comment: The Travels of Cosmo the Third (Thursday 25 April 1669 NS; Thursday 15 April OS): After dinner, he recommenced his visits to the ladies; going towards evening to the King's Theatre, to hear the comedy, in his majesty's box. This theatre is nearly of a circular form, surrounded, in the inside, by boxes separated from each other, and divided into several rows of seats, for the greater accommodation of the ladies and gentlemen, who, in conformity with the freedom of the country, sit together indiscriminately; a large space being left on the ground-flobr for the rest of the audience. The scenery is very light, capable of a great many changes, and embellished with beautiful landscapes. Before the comedy begins, that the audience may not be tired with waiting, the most delightful symphonies are played; on which account many persons come early to enjoy this agreeable amusement. The comedies which are acted, are in prose; but their plots are confused, neither unity nor regularity being observed; the authors having in view, rather than any thing else, to describe accurately the passions of the mind, the virtues and the vices; and they succeed the better, the more the players themselves, who are excellent, assist them with action, and with the enunciation of their language, which is very adapted for the purpose, as being a variation, but very much confined and curtailed, of the Teutonic idiom; and enriched with many phrases and words of the most beautiful and expressive description, taken both from ancient and modern languages (London, 1821, pp. 190-91)

Performances

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Post Boy, No. 507, 2-4 Aug. 1698: In the Walks of the New Wells in Richmond, on Monday next, the 8th of August, will be Perform'd an Extraordinary Entertainment of Instrumental Music, with Trumpets, Kettle-Drums, Hautboys, Flutes and Violins, after the manner of the Entertainments lately perform'd in the Queen's Garden at Somerset-House; Price of coming in 1s. To begin before 7 a clock in the Evening because the Performance must end by Day-light. The Musick of the Wells will attend to play Dances

Performances

Mainpiece Title: Concert

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: DDaily Advertiser, 30 May: Some of the Patentees of [dl] having thought fit, at Midnight on Saturday last, to give a very extraordinary Instance of the Wisdom and Justice of their Conduct, and of their Capacity for the Management they had undertaken, did also in Justification of their Proceedings, publish and disperse on Monday last, a printed Paper, containing several unjust and false Suggestions and Misrepresentations almost in every Particular, of their own Conduct, and the Case and Intention of the present Company of Comedians, who, in humble Duty...do intend very speedily by plain Matters of Fact, to set the whole affair in a just and clear Light. [See 4 June for a statement by the Patentees.

Performances

Mainpiece Title: The Rehearsal

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

Event Comment: Benefit Leveridge. Tickets to be had at his lodgings in Hanover Street, the third door on the right hand from Long Acre, and of Page at the stage door of the theatre. The Man in the Moon, about nine at night Will wait you all home, with his fullness of light

Performances

Mainpiece Title: The Miser

Song: I: A new song The Cure for all Grief-Leveridge; III: The Favourite song in Il Penseroso, beginning The Trumpet's Loud Clangor excites us to Arms by $Handel-Beard; IV: The Miser's Passport-Leveridge; V:A New song call'd Advice to all Britons-Leveridge; followed with To Arms, Britons Strike Home-Beard, Reinhold

Dance: II: Serious Dance-Cooke, Mlle Bonneval; V: Grand Ballet, as17440404

Event Comment: A Concert, etc. Boxes 2s. 6d. Pit or First Gallery 1s 6d. 6p.m. Luna will light you home. Benefit Warner

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: To the Author of the General Advertiser. Sir: When I read the letter in your paper [see 7 Nov.] concerning Tom Harbin's intention of having a Benefit at Covent Garden, I own I was much pleas'd, as it would give me the opportunity of making him merry, who has often made me so: But I have since been in some concern to hear he was to perform himself--I would not have him appear in an Ill-Light; and as it is easy to conceive what confusion a Man unus'd to the stage must be in, to appear on it, I would in Friendship advise him to desist from that design.-If he does it from an opinion of his Capacity, I am sorry for him: but if it is only to draw people together, I think he need not have any Apprehensions on that Account:--For there ever was and ever will be in London, a number of Persons of Fortune and Generosity, sufficient to do what he wants, whenever they have an Inclination to serve a man they like.--And as he is Generally allow'd to be what is call'd a Fiddle in Company, and plays as often as anybody, it would be but right to keep him in tune: For my part I shall use my interest in his Favour and wish him success with his Acquaintance. I am &c. T. Meanwell. Lloyd's Coffee House, 14 Nov. [See 14 Dec.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales (General Advertiser). Prince & Princess of Wales & ye Children (Cross). Paid for wax lights for the Prince 15s. 7d.; Paid Mrs Reynolds for wax & Brickdust 4s. 5d.; Norton 3 chorus 15s. (Treasurer's Book). Receipts: #180 (Cross); #176 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: As17491220

Event Comment: A Concert, etc. At the Great Room, Castle Tavern. [See Comment, 5 May 1752.] To be conducted by Mrs Mary Midnight, author of the Midwife, and his Family. No admittance without Tickets, which are to be had at the Bedford Coffee House, Covent Garden. The Room will be lighted by Wax Candles. To begin at 7 p.m. Price 2s. 6d. [Time and price repeated thus for subsequent performances at the Castle Tavern.

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. 6d. [Prices repeated in subsequent Bills.] The House is well-aired and will be illuminated with Wax-Lights. Jews@Harp-a casuist

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii, Arabian Night's Entertainment

Event Comment: During the short time of Bartholomew Fair, which begins this Day, Mrs Midnight from the Haymarket, will entertain the Town with her Jubilee Concert, after the Venetian Manner at the Large Room, Swan Yard, West Smithfield. Mrs Midnight humbly entreats the Nobility and Gentry not to encore any of her Performers on account of the Shortness of the Fair. The Room to be illuminated with Wax Lights. A Flag will be hoisted, during the Fair, over the Passage leading to my Room. To begin each Day at 12 Noon. Prices 3s., 2s., 1s. Mrs Midnight Entertains, gratis, with La Je Ne Sca Quoi

Performances

Mainpiece Title: La Je Ne Sca Quoi; Or, Wooden Spoons A La Mode

Dance: LLady Pentweazle's Vagaries-; Hornpipe-Timbertoe; Kettle Drums-Woodbridge

Entertainment: Concert On Salt@Box-Signora Tatteratro

Event Comment: A concert, etc. Box 5s. Pit 3s. Gallery 2s. To begin at 7:00 p.m. [Repeated in the bills.] The House will be illuminated with Wax Lights

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: The Coup de Grace; or, The Death of Harlequin , a Burlesque Pantomime Entertainment, to be performed by Britons only

Dance: Grand Dance of Horse and Four-

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: At Dunstall@Vaughan@Warner Booth, George Inn Yard, Smithfield. An excellent band of music is provided. Care will be taken to keep the passages to the booth clean and clear, and they will be well lighted. Twelve noon to 10 p.m

Performances

Mainpiece Title: The Old Widow Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Joyous Return of the Brave British Tars from the Conquest of Cape Breton

Event Comment: The coach and footway will be properly lighted

Performances

Mainpiece Title: La Serva Padrona

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Rout

Event Comment: By children not above thirteen years of age. By Authority. Benefit for Miss Valois and Miss Burn. 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. The House will be lighted with Wax Candles

Performances

Mainpiece Title: Cleone

Song:

Dance: A Minuet-Miss Valois, Miss Burn