SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lane"/1) | (@(roleclean,performerclean) "Mr Lane")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4672 matches on Event Comments, 1220 matches on Performance Comments, 538 matches on Performance Title, 18 matches on Author, and 1 matches on Roles/Actors.
Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: No Wit Like a Woman's

Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Thomasand Sally

Performance Comment: As17681013, but Sally-Miss Young [from Drury Lane].from Drury Lane].

Dance: End: A Minuet-Fishar, Mrs Thompson; End Act I of the Afterpiece: The Irish Lilt, as17680930

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Englishman in Paris

Performance Comment: As17681021, but Buck-King (from Drury Lane); Subtle-Lewis.

Dance: End: The Wapping Landlady, with Double Hornpipe, as17690408

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17690307 but Patty-Mrs Baddeley (from Drury Lane); Theodosia-Miss Valois.

Afterpiece Title: The Knights

Dance: End: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: As17681029, but Alwin-Bensley, 1st time; Raymond-Packer (from Drury Lane); LaRoches-Davis.

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Performance Comment: As17690414 but Sally-Miss Young (from Drury Lane.)

Dance: I: (By Particular Desire) a Minuet-Aldridge, Mrs Bulkley; III: The Tambourine, as17690314 End: A New Dance call'd the Whim-Aldridge, Sga Manesiere

Event Comment: This day Publish'd Price 6d. Three Old Women Weatherwise: an Interlude, as performed with great applause at the Theatre Royal in Drury Lane. Printed for S. Bladon

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Mistake

Performance Comment: Don Carlos-Jones; Don Alvarez-young Gentleman; Don Felix-Booth; Don Lorenzo-Perkins; Lopez-Hall; Sancho-Smith; Isabella-Miss Vincent; Jacinta-Mrs Smith; Leonora-Miss Fairlamb; Camillo (with a Song in Character)-Mrs Forbes (who play'd Arbaces in Artaxerses at Drury Lane).

Afterpiece Title: The Padlock

Music: End: Concerto on Flute-Palmer

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Author

Performance Comment: As17710319 but Cadwallader-Bannister (from Drury Lane); Mrs Cadwallader-Mrs Gardner; Poet-_; Printer's Devil-_; Robin-_.

Dance: I: The Tartars, as17701003; I Farce: (By Desire) An Allemande-Aldridge, Mrs Bulkley (playbill)

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: [The play bill of the day noted that Baddeley from Drury Lane would play Polonius for Shuter who had sprained his ankle (Hogan).] Receipts: #207 6s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Midas

Performances

Mainpiece Title: Hamlet

Performance Comment: As17710925, but King-Clarke, 1st time; Laertes-Davis; Polonius-Baddeley (from Drury Lane); Ophelia-Mrs Lessingham; 1st time. Rosencraus-_; Guildenstern-_.

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Performance Comment: Vocal parts-Dibdin (of Drury Lane), Phillips, Mrs Barthelemon.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Davies; Sycamore-Parsons; Giles-[Fearon]; Ralph-Dibdin; Merwin-J. Aickin; Fairfield-Aickin; Patty-Mrs Hunt; Theodosia-Mrs Scott; Fanny-Mrs Wrighten (from Drury Lane); first time; Lady Sycamore-Mrs Williams[, first time., first time.

Afterpiece Title: The Mock Doctor

Monologue: 1773 9 20 Interlude. Piety in Pattens. As 23 Aug

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.

Afterpiece Title: The Musical Lady

Event Comment: [Before the performance this evening Macklin came to the audience in person with a sheaf of newsclippings in his hand and belabored his detractors, falsely accusing Reddish and Sparks from Drury Lane as leading a planned coalition against him. The play went on with applause, but affidavits sworn under oath by both Sparks and Reddish the following day, brought the dispute to such a head in the newspaper that a riot occured the night of 18 Nov., when Macklin did Shylock (since Colman would not risk Macbeth after 13 Nov.) and announcement was made by Colman that Macklin had been dismissed. See 23 Oct.] Receipts: #152 11s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Buckingham-Wroughton; Cranmer-Hull; Cromwell-Whitefield; Sands-Quick; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Miss Dayes; Queen Catherine-Mrs Hartley; In I, The Banquet-; Dancing-Daguville, Helm, Sga Vidini; IV the Procession from the Abbey-at the Coronation of Anne Bullen.

Afterpiece Title: The Golden Pippin

Event Comment: A New Serious Opera. The Music by several eminent composers under the direction of Giordani. Dances under the direction of Lany. New Scenes by Colomba, with magnificent Dresses and Decorations for the Opera and Dances. Tickets Pit and Boxes put together at Half a Guinea. Gallery 5s. Second Gallery 3s. By Command of their Majesties no person whatsoever to be admitted behind the scenes or into the Orchestra. Doors to be opened at 6, to begin at 7:00 p.m. Vivant Rex et Regina. In order to prevent inconveniencies to the ladies in getting to and from their carriages, they are requested to order their coachmen to set down with their horses heads towards Pall Mall, and to take up with their heads towards Picadilly. The door in Market Lane and the King's door for Chairs only

Performances

Mainpiece Title: Armida

Dance: I: Grand Ballet Pirhame et Thisbe-Simonin Vallouis, Mad. Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera

Ballet: II: A Grand Ballet Le Baillet de Fleur. La Rose-Mlle Bacelli; Le Zephir-Lany; Boree-Fay; with an Entree-Simonin Vallouis, Mad. Vallouis

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17741031, but Phocian-Aickin(from Drury Lane).

Afterpiece Title: The Druids

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17750330 but Phocian-Wroughton; Philotas-Cautherly (from Drury Lane).

Afterpiece Title: The Druids

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.

Afterpiece Title: Thomasand Sally

Dance: The Medley-

Event Comment: The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'isola D'amore

Dance: End Overture: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli