SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr L"/1) | (@(roleclean,performerclean) "Mr L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4620 matches on Event Comments, 1272 matches on Performance Comments, 551 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Desire. Mr Ross advanc'd [i.e., received a raise in salary] from 22 Sept. 3s. 4d. per day. Mr Leppy enter'd this day at 8s. 10d. per day; Mrs Leppy enter'd at 5s. per day; Mrs Viviez enter'd at 6s. 8d. per Day. Paid Boys and Girls attendance in the Opera 10s. Memo: Walker enter'd as Constable the 6th instant inclusive in place of Mr Barnes who resign'd (Account Book). [Only #28 5s. 6d. in the Boxes (Account Book). This charge of 10s. for children supers in the Beggar's Opera, occurs regularly throughout the remainder of the season.] Receipts: #114 16s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Knights

Dance: As17600924; The Pedlar Trick'd, as17601010-Sg and Sga Maranesi

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: High Life below Stairs

Entertainment: M$Mr Foote's Epilogue to the Minor-Master Summers, a child 4 years old

Event Comment: Benefit for Bennett and Legg. No Building on Stage; Tickets sold at Doors not admitted. Tickets and places to be had of Mr Bennett at the Antigallican Coffee-House behind the Change; of Mr Legg, at the Crown and Anchor Tavern in the Strand, and of Mr Sarjant at the Stage Door

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Performances

Mainpiece Title: Morning Lectures

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

Event Comment: Mainpiece: By Particular Desire. Mr Love & Mr Sanderson's Night. as Authors of ye Pantomime (Hopkins). Benefit for Compo[ser]s Panto (Cross Diary). Mr Powell played much better than the first night. Princess Augusta married to the Hereditary Prince of Brunswick (Hopkins Diary-MacMillan). Receipts: #233 8s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Fairy Tale

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Performances

Mainpiece Title: Samson

Music: As17660214

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer. House charges #84. [Deficit to beneficiaries #50 6s.] Bower's and Veal's deficiency of benefit received #61 5s. 6d. Rec'd from Mr Rowland 1 year's rent to Lady Day last (taxes and bills deducted) #30 6s. 1d. Paid Ridley Dorman for attending practices #10 10s.; Mr Larbor for attending Guidetti #2 2s. Mr Williams for 2 nights in Musical Lady #1 1s. (Treasurer's Book). Receipts: #33 14s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Register Office

Dance: End: Double Hornpipe-Walker, Miss Tetley

Entertainment: BBucks Have at Ye All-J. Palmer

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance-Hamoir, Miss Hamoir (their 1st appearance this stage); III: The Piedmontese Mountaineer, as17681103

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Ode