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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr King"/1) | (@(roleclean,performerclean) "Mr King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10439 results for: Keyword - Mr King
We found 5481 matches on Event Comments, 3632 matches on Performance Comments, 3145 matches on Performance Title, 43 matches on Author, and 6 matches on Roles/Actors.

9576
09 December 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: Whos the Dupe

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Danby, Brown, Fisher, Evans, Phillimore, Ms Leak, Ms Arne, Ms Wentworth, Ms Butler, Ms Jackson, Ms Benson, Ms Menage, Ms Roffey, Ms Gaudry

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss Dufour

9577
09 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

9578
31 March 1798 @ Covent Garden

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft or Both Sides of the Water

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon

9579
23 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Raymond and Agnes

Dance: In III: Hornpipe in Fetters, as17971025; Afterpiece to conclude: Spanish Fandango-; Finale- as17971009

9580
06 June 1798 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Afterpiece Title: The Round Tower

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

9581
14 March 1799 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Oscar and Malvina

Song: As17990309

9582
19 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

9583
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son in Law

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

9584
14 May 1799 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Tars of Old England or Humours of Greenwich Fair

Afterpiece Title: The Adopted Child

Dance: End 1st piece: The Highland Lovers, as17990423; Del Caro's Hornpipe-Miss Brugier

Song: 1st piece: Vocal Parts, as17981215, but Miss Waters, Mrs +Atkins, _Gray, Miss _Leserve, Miss _Gray; In 3rd piece: +The Tower Song-Mrs Atkins

Entertainment: Monologue. After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton

9585
01 June 1799 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmaskd

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

9586
28 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Mock Doctor

Song: Vocal Parts, as17991213, but _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Jacobs, Ms _Butler, Ms _Saunders, Ms _Gawdry, Ms _Benson, Ms _Coates

9587
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Lodoiska

9588
24 May 1800 @ Covent Garden

Event Comment: Benefit for Mrs Trevor [who had 1st appeared at this theatre, as a chorus singer, on 16 Jan. 1800]. "A settled, preconcerted plan was evidently laid to injure the lady who came forward in double capacity, not merely as a candidate for public favour, but in the responsible situation of a performer taking a benefit...The moment the lady made her appearance on the boards, before she even opened her mouth, before a single note furnished an opportunished an opportunity of appreciating her abilities, opposition began to manifest itself in all the various forms which malice on such occcsions is wont to resort to. The Hisses grew louder and louder,...the theatre absolutely assumed the appearance of a riot, rather than that of a civilized company, assembled for the purpose of amusement" (Dramatic Censor, II, 212-13). Morning Chronicle, 19 May: Tickets to be had of Mrs Trevor, sister to Mr Kelly of Drury-lane Theatre, No. 31, Bedford-street, Covent Garden. Receipts: #268 12s. (124.13; 4.8; tickets: 139.11)

Performances

Mainpiece Title: Ramah Droog

Performance Comment: As18000204, but in Indians: Zelma-Mrs Trevor (1st appearance on any stage [i.e. in a speaking part]); [from Indians Soldiers-_.

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

9589
01 September 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

9590
29 May 1660 @ no theater listed

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

9591
07 August 1660 @ no theater listed

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

9592
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

9593
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

9594
06 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Traitor

9595
08 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (Killigrew's), now removed from the red bull to Gibbons' Tennis Court in Vere Street. Probably Clun acted Falstaff. (See An Elegy Upon the Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31.

Performances

Mainpiece Title: Henry The Fourthe Part I

9596
09 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to John Dennis, in the Dedication to The Comical Gallant (1702), when this play was revived in the times of Charles II, Wintershall acted Slender

Performances

Mainpiece Title: The Merry Wives Of Windsor

9597
10 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Silent Woman

9598
12 November 1660 @ Theatre in Vere Street

Event Comment: According to M. Summers (A Bibliography of Restoration Drama, p. 13) Love's Mystery was entered into but erased from Herbert's original manuscript under his date. (See Herbert, Dramatic Records, p. 116.) The King's Company

Performances

9599
13 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: Love Lies A Bleeding

9600
15 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to Wright, Historia Histrionica, 1699, Mohun played Bellamante shortly after the Restoration

Performances

Mainpiece Title: Loves Cruelty