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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr King"/1) | (@(roleclean,performerclean) "Mr King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10439 results for: Keyword - Mr King
We found 5481 matches on Event Comments, 3632 matches on Performance Comments, 3145 matches on Performance Title, 43 matches on Author, and 6 matches on Roles/Actors.

9501
14 March 1780 @ Covent Garden

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

9502
21 April 1780 @ Covent Garden

Performances

Mainpiece Title: A Gazette Extraordinary Or The Illumination

Afterpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas King

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

9503
31 May 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Copper Captain Actor: King

Afterpiece Title: The Miniature Picture

Dance: End II afterpiece: As17791122

9504
01 December 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequins Invasion

9505
15 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Copper Captain Actor: King

Afterpiece Title: Robinson Crusoe

Dance: As17810203

9506
07 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmers Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis or Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.
Cast
Role: King Actor: Quick

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

9507
01 September 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

9508
29 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

9509
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti Or Loves Labyrinth

Afterpiece Title: The Apprentice

9510
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

9511
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

9512
28 September 1784 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

9513
09 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Cast
Role: Sir John Trotley Actor: King

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

9514
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee Or The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

9515
18 April 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

9516
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

9517
08 November 1785 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

9518
25 February 1786 @ Covent Garden

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Three Weeks after Marriage

9519
08 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

9520
27 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Richard Coeur de Lion

9521
31 January 1787 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

9522
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer Or The Mistakes Of A Night

Afterpiece Title: Bon Ton or High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

9523
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Lasts Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

9524
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

9525
12 January 1788 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208