SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Kemble"/1) | (@(roleclean,performerclean) "Mr Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4608 matches on Event Comments, 2039 matches on Performance Comments, 533 matches on Performance Title, 283 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 26 years. [See 13 April 1748.] Dressed in The Habits of the Times (playbill). This play is altered by Mr G was well perform'd a New Prologue & Epilogue all receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs sligntly in wording.] Paid Properties #1 11s. 11d.; Housekeeper's bill #4 13s. Receipts: #153 13s. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Afterpiece Title: The Wedding Ring

Event Comment: The Bills were posted for the School for Wives but Mr King sent word about Eleven o'clock that he was so ill he could not play & fresh bills were put up for Zara. Mrs Barry being out of Town Miss Younge play'd Zara & was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Chorus 2 nights (this incl.) #4 1s. Receipts: #195 10s. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Deserter

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter

Dance: III: The Sailors Revels, as17740920

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan or A Peep into the Seraglio

Event Comment: The play went off with Great Applause and the Opera till begining of the Second Act. when they hiss'd very much and a very great Noise ensued and with very great difficulty we got to the end of the Farce (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Hurst (by order) on Note #13 13s. Receipts: #109 2s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Blackamoor

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Event Comment: Mainpiece: By Particular Desire. [MacMillan notes from Kemble: "The Spleen, or Islington Spa was not acted tonight. The Jubilee was perform'd instead of it." The Spleen, tho' advertised was deferred on account of King's illness.] Paid 4 days salary list at #104 1s. 1d. per diem #416 4s. 4d.; Mr Short for attending Jubilee 17 nights #4 5s. Receipts: #212 14s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: A Peep behind the Curtain

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: [Mainpiece in place of Semiramis, announced on playbill of 21 Dec.] Mrs Yates sent Word last Night that her Cold continued--she could not play in Semiramis to-night. [Note added by J. P. Kemble: I have not yet found the rest of Mr. Hopkins Diary for the Year] (Hopkins Diary). Receipts: #185 17s. 6d. (160.18.0; 24.2.6; 0.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Selima and Azor

Dance: As17761218

Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

Event Comment: Benefit for Baddeley. Kemble Mem.: I believe this is a Farce of Mr Baddeley's writing [which it was]. Morning Herald, 21 Mar.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #356 12s. (113.3.6; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne, with the new Airs and Chorusses by the late Mr Linley Jun. Receipts: #120 9s. 6d. (82.18.6; 29.0.0; 8.11.0)

Performances

Mainpiece Title: At Kings The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Prisoner

Song: Vocal Parts-Kelly, Dignum, Danby [Public Advertiser: Caulfield], Cooke, Mrs Bland, Miss DeCamp, Mrs Edwards, Mrs Shaw

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Mrs Edwards

Event Comment: Mainpiece: With Additions (by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Mr Linley Jun

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: WHOs THE DUPE

Song: Mainpiece: Vocal Parts by Dignum, Sedgwick, Caulfield, Cooke, Lyons, Dorion Sen. and Jun., Dibble, Willoughby, Walker, Brown, Saunders, Welsh, Burden//Mrs Bland, Miss De Camp, Mrs Stuart, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale. In Act V the Masque of Neptune and Amphitrite. Neptune-Sedgwick//Amphitrite-Mrs Stuart

Performances

Mainpiece Title: Julia Or The Italian Lover

Performance Comment: Principal Characters-Palmer, Bensley, Aickin, Whitfield, Packer, Chaplin, Benson, Kemble, Mrs Brereton, Mrs Ward, Miss Tidswell, Mrs Siddons. Cast from text (Charles Dilly, 1787): Marcellus-Palmer; Durazzo-Bensley; Manoa-Aickin; Camillo-Whitfield; Duke of Genoa-Packer; Mentevole-Kemble; Olympia-Mrs Brereton; Fulvia-Mrs Ward; Nerina-Miss Tidswell; Julia-Mrs Siddons; Chaplin, Benson are unassigned; Prologue-Kemble; Epilogue-Mrs Siddons.

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-C. Kemble; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Benson; Waiter-Evans; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard.
Cast
Role: Beverley Actor: Kemble
Role: Lewson Actor: C. Kemble
Role: Charlotte Actor: Mrs Kemble

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: Julia Or Such Things Were

Performance Comment: Duke of Monmouth-C. Kemble; General Kirk-Caulfield; Edward Clifford-Kemble; Dudley-Wroughton; Montague-Whitfield; Allan-Aickin; Ferguson-Wentworth; Officers-Trueman, Webb; Julia-Mrs Siddons; Prologue-C. Kemble.
Cast
Role: Duke of Monmouth Actor: C. Kemble
Role: Edward Clifford Actor: Kemble
Role: Prologue Actor: C. Kemble.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Mahmoud

Performance Comment: As17960430, but Mahmoud-C. Kemble In place of Kemble; Abdoul Cassan-Wathen in place of Bannister Jun; Desra-Miss DeCamp in place of Mrs Bland; General Chorus-Miss _Arne.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Queen Of Carthage

Performance Comment: Characters-Barrymore, Palmer, Caulfield, Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Mrs Siddons, Miss Stuart, Miss Heard. Partial cast from European Magazine, May 1797, p. 341: Aeneas-Barrymore; Narbal-Palmer; Iopas-Caulfield; Dido-Mrs Siddons; Characters-Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Miss Stuart, Miss Heard; [Text (Longman [et al], 1808) lists the other parts: Bitias, Achates, Gyas, Cloanthus, Sergestus, Adoam, Barce, Anna Prologue-C. Kemble.

Afterpiece Title: The Spoild Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Performances

Mainpiece Title: Rosina

Afterpiece Title: The Heir at Law

Performance Comment: [Characters by Suett, Palmer, Fawcett, C. Kemble, Aickin, Munden, Johnstone, Abbot, Chippendale, Waldron Jun., Mrs Davenport, Miss DeCamp, Mrs Gibbs. Cast from text (Longman [et al], 1808): Daniel Dowlas[, alias Baron Duberly-Suett; Dick Dowlas-Palmer; Doctor Pangloss-Fawcett; Henry Morland-C. Kemble; Stedfast-Aickin; Zekiel Homespun-Munden; Kenrick-Johnstone; John-Abbot; Waiter (at the Hotel)-Chippendale; Waiter (at the Blur Boar)-Waldron Jun.; Deborah Dowlas[, alias Lady Duberly-Mrs Davenport; Caroline Dormer-Miss DeCamp; Cicely Homespun-Mrs Gibbs; Prologue-C. Kemble; Epilogue-the Dramatis Personae.
Cast
Role: Henry Morland Actor: C. Kemble
Role: Prologue Actor: C. Kemble

Performances

Mainpiece Title: Cheap Living

Performance Comment: Characters by Mrs Jordan, Suett, C. Kemble, Palmer, Bannister Jun., Dowton, Trueman, Evans, Fisher, Webb, Maddocks, Miss Pope, Miss DeCamp, Miss Stuart. [Cast from Text (G. G. and J. Robinson, 1797): Sir Edward Bloomly-Mrs Jordan; Old Woodland-Suett; Young Woodland-C. Kemble; Scatter-Palmer; Spunge-Bannister Jun.; Farmer Cole-Dowton; William-Trueman; Mrs Scatter-Miss Pope; Elinor Bloomly-Miss DeCamp; Stella-Miss Stuart; unassigned-Evans, Fisher, Webb, Maddocks; Prologue-C. Kemble; Epilogue-Miss DeCamp. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Young Woodland Actor: C. Kemble
Role: Prologue Actor: C. Kemble

Afterpiece Title: The Irish Widow

Entertainment: Entertainment.As17971019