Event Comment: Benefit for Reinhold. Prices 3s

Event Comment: Benefit for Miss Cantrell. Price 2s

Event Comment: Benefit for Mrs Thompson. Prices 3s. The Musical Piece from the Italian of Goldoni, and adapted to the original Music of Galuppi by Storace, compiler of La Serva Padrona

Event Comment: Benefit for Storace. Prices 3s

Event Comment: Benefit for Hook. Prices 3s

Event Comment: Benefit for Piguenit (treasurer). Price 3s

Event Comment: Benefit for the Doorkeepers. Prices 2s. 6d

Event Comment: Mainpiece: Not acted these 2 years. [See 18 May 1770.] Paid Cipriani (painter) #63 (Account Book). [Apparently his price for painting the taking of the Bohemian Standard at the battle of Cressyv. See 20 Jan.] Receipts: #163 16s. 6d. (Account Book)

Event Comment: Mainpiece: By Desire. Gave King's Footmen by Hough #2 2s., his Chairmen, by Roberts, #2 2s.; Queen's Footmen by Ballintine #2 2s., her Chairmen by Price, #2 2s. (Account Book). [Those who actually paid over these gratuities are listed every time. Apparently for accounting purposes?] Receipts: #120 3s. (Account Book)

Event Comment: Benefit for Ansell and Green (Box-keepers). Charges #81 5s. Deficit to Box-Keepers #27 1s. 3d. apiece, cover'd by income from tickets: Ansell #122 2s. (Box 310; Pit 248; Gallery 74); Green #128 3s. (Box 420; Pit 115; Gallery 59) (Account Book). [Since box capacity seems to have been about 560 places, it would seem that several rows of the pit had been sold at box prices by these Boxkeepers. See 22 May 1767.] Receipts: #27 2s. 6d. (Account Book)

Event Comment: Paid Hopkins's bill for licenses #5 5s.; Miss Younge for cloaths #10 10s. (Treasurer's Book). Full Prices (Winston MS 10). Receipts: #157 16s. 6d. (Treasurer's Book)

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Event Comment: Benefit for Miss Macklin. Each piece for only time this season. [But see 24 May.] Part of Pit will be laid in Boxes. Mainpiece: By Particular Desire. Charges #64 10s. Profit to Miss Macklin #87 10s. 6d., plus #131 from 524 Box and Pit tickets sold at Box prices (Account Book). [The payroll this night is the highest for the season, #613 11s., due largely to the fact that Ross appears on it for what seems to be a whole season's pay in one sum: #255 15s.] Receipts: #152 6s

Event Comment: As 14 April, still rehearsed. Prices half a Guinea each. At Hickford's Room in Brewer St.

Event Comment: House (Hopkins Diary). Mainpiece: For the 4th and last time this season. Afterpiece: By Desire, the 36th night. Full Prices. Receipts: #224 13s. (Treasurer's Book)

Event Comment: Paid for 2 extra Flutes & Guitars (29 ultimo incl.) #2 5s. (Treasurer's Book). [This month was published Bell's edition of Shakespeare's acting plays, 'as performed at the Theatres Royal in London, requlated from the Prompt Books of each House, by permission of the managers, with notes critical and illustrative by the author of the Dramatic Censors, 5 vols. 12 mo. Price 15s."] Receipts: #246 6s. (Treasurer's Book)

Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Event Comment: A drunken man and a livery servant were both very troublesome in the first gallery [according to an account in the Morning Chronicle, 11 Dec., which continued]: It is a very great insult to respectable citizens and gentlemen of moderate fortunes, who from principles of economy choose to sit in the first gallery, that they admit too men in liveries. Their prices of admission have been raised within these thirty years, and every art practised for interest of the managers; and in these times, when every necessary and convenience of life is considerably enhanced, it is a matter of prudence in persons of the middle rank of life to prefer the gallery to the pit. But this is no reason why livery servants should be allowed to place themselves by the wives and daughters of private gentlemen and reputable tradesmen, to whom they often behave with great insolence and indecency. [It is desirable] to know why a constable does not make his appearance in the back row of the first, as well as the second, gallery, being frequently as much wanted in the one as the other (John Hampden Diary, p. 122)

Event Comment: Benefit for Mattocks. [Interest in this Wild Beast in the masquerade in the afterpiece seems to have lasted only throught the second performance.] Full Prices

Event Comment: Nothing under the Full Prices will be taken

Event Comment: Benefit for Mrs Mattocks. N.B. HALF PRICE will be taken to the latter account [i.e., for those who came to see the pantomime only]

Event Comment: Benefit for Mattocks. N.B. Half Price will be taken to the latter account [see 25 March]. Being positively the last time of performing the Mainpiece this season

Event Comment: Benefit for Leoni. Last Time of performing the Mainpiece this season. N.B. Half Price will be taken to the latter Account

Event Comment: Benefit for Hull. N.B. Half Price will be taken to the latter account

Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)