SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Johnson"/1) | (@(roleclean,performerclean) "Mr Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4553 matches on Event Comments, 2378 matches on Performance Comments, 533 matches on Performance Title, 300 matches on Author, and 7 matches on Roles/Actors.
Event Comment: [See Occasional Prologue spoken at cg by Mr Barry (28 Sept. 1750): @When vice and folly overruns the state,@Weak politicians lay the blame on fate...@If Shakespeare's Passion, or if Johnson's art@Can fire your fancy, or can warm your heart,@That task be ours;--but if you damn, their scenes@And heroes must give way to Harlequins.@We too can have recourse to Mime and Dance@Nay there I think we have the better chance;@And should the town grow weary of the Mute@Why--we'll produce--a Child upon the flute@ This infant piper referred to again satirically in a Guide to the Stage, 2nd ed., 1751, p. 7.] Rec'd of Mr Warner for arrears at his Benefit 16 May last, #5 14s. As this belong'd to last season's Account, I shall make an allowance, and accordingly subtract it from the sum total (Powel). Receipts: #70 (Cross); #92 12s. (Powel)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Event Comment: Afterpiece: A New Musical Entertainment in Two Interludes. The words to be sold at the theatre (General Advertiser). Some Gentlemen crowding behind ye Scenes, ye Audience resented it & ye farce was stop'd for half an hour--I drew lines with chalk, but Miss Norris applying publickly to Capt. Johnson, desiring he wou'd retire, He did & ye farce went on with great Applause. The words of this piece were by Mr Mendez, & set by Dr Boyce (Cross). Added to salary list, Mr Campioni. Paid him for cloaths #21, and for 51 days work, #42 10s. (Treasurer's Book). Receipts: #140 (Cross); #142 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Chaplet

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The East Indian

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Gardner, Wilson, Webb, Usher, Staunton, Egan, Swords, Bensley; Miss Sherry, Miss Morris, Mrs Inchbald, Mrs Poussin, Mrs Bulkley. [Cast from European Magazine, July 1782, p. 67: Colonel Errwood-Palmer; Edmonds-Bannister Jun.; Young Johnson-R. Palmer; Johnson-Gardner; Cecil-Wilson; Landlord-Webb; Simpson-Usher; Danford-Staunton; Chairman-Egan; Savage-Bensley; Mrs Cecil-Miss Sherry; Nancy Johnson-Miss Morris; Emma Cecil-Mrs Inchbald; Mrs Johnson-Mrs Poussin; Harriet Sidney-Mrs Bulkley. Swords is unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Young Johnson Actor: R. Palmer
Role: Johnson Actor: Gardner
Role: Nancy Johnson Actor: Miss Morris
Role: Mrs Johnson Actor: Mrs Poussin

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mills; Macduff-Wilks; Banquo-Booth; Lady Macbeth-Mrs Porter; Witches-Johnson, Norris, Griffin. [Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]
Cast
Role: Witches Actor: Johnson, Norris, Griffin.

Performances

Mainpiece Title: The Parracide

Performance Comment: Parts by Giffard, Johnson, Rosco, Havard, Lyon, Woodward, Mrs Roberts, Mrs Giffard, Mrs Hamilton; but edition of 1736 lists: Cantelmi-Rosco; Altamar-Johnson; Montesini-Havard; Mirzabdi-Giffard; Hassan-Lyon; Issouf-Woodward; Melania-Mrs Roberts; Beleyda-Mrs Giffard; Amanthe-Mrs Hamilton. Prologue spoken by Johnson. Epilogue spoken by Mrs Giffard .

Afterpiece Title: The Ch1mney Sweeper

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.
Cast
Role: Albert Actor: H. Johnson
Role: Adelaide Actor: Mrs Johnson

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Event Comment: Benefit Husband. With all the Original Musick, Scenes, Machines, Habits and Dances proper to the Play. N.B. That Night (only) the Front of the Gallery will be adorn'd with the Original Pictures of several of our most celebrated Poetsv, particularly those who have been most excellent in the Dramatick Way, as Shakespear, Ben. Johnson, Fletcher, Dryden, &c. together with that of our English Orpheus, the late Mr Henry Purcell. Receipts: money #52 9s.; tickets #43 16s. See also The Censor, No. 73 (9 April) and No. 75 (13 April)

Performances

Mainpiece Title: The Prophetess

Event Comment: Taken from Plautus and Moliere by the late Mr Dryden. Daily Advertiser, 12 Dec: We hear the Company ... are now rehearsing the three celebrated Plays of Ben Johnson, viz. the Fox, the Alchymist, and the Silent Woman

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Music: Select Pieces

Dance: Scaramouch by Janno. Tambourine by Miss Robinson. Harlequin by Nivelon

Event Comment: Benefit for the Widow of the Late Chapman. Tickets deliver'd out by the Widow Johnson and Mrs Wallis will be taken. Yesterday Morning died Mr John Laguerre, an eminent Painter belonging to the Theatre Royal in Covent Garden; a facetious companion, universally esteemed in every Scene of Life! (General Advertiser)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

Event Comment: Tomorrow will be publish'd, at 1s. 6d. Irene. A Tragedy, acted at the Theatre Royal Drury Lane, by Mr Samuel Johnson, Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row. [In 1749 was published an Essay on Tragedy, with a Critical Examen of Mahomet and Irene (T. P. Barton@Collection, Boston Public Library).

Performances

Mainpiece Title: None

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Paid B. Johnson's Head a bill #2 18s. 6d.; Paid Mr Johnston's bill for gilt leather #23 7s. 11d. (Treasurer's Book). Receipts: #204 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: BB. Johnson's Head bill #3 9s. 11d. Rec'd Mr Heath's rent one year to Xmas last #10 (Treasurer's Book). Receipts: #224 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Queen Mab

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire. Pit and Boxes will be laid together, where servants will be admitted to keep places. Ladies desired to send servants by 3 o'clock. Rec'd from Mr Stevens 1 yrs. rent due at Xmas #10; Paid Locke (hatter) for Garrick #1 4s. 6d.; Re-paid Garrick the cash advanced by Monet for Guidetti #21; Paid B. Johnson's Head bill #3 17s. 11d. (Treasurer's Book). Receipts: #98 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life Below Stairs

Dance: End: The Jealous Peasant, as17661111

Event Comment: ["The Lord Ogleby of (The Clandestine Marriage) raised Mr King to the summit of comic excellence, which his more recent great character, Sir Peter Teazle in The School for Scandal, has established him in the unrivalled possession of" (Johnson, ed. Waldron, 169).] Receipts: #245 (211.9; 33.6; 0.5)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Romp

Performances

Mainpiece Title: The Women's Conquest

Performance Comment: Edition of 1671: The First Prologue. Enter-Angel, Underhill, . Enter Noakes; The Second Prologue-personated like Ben Johnson rising from below.; The Third Prologue-; Tysamnes-Harris; Bassanes-Young; Foscaris-William? Smith; Andrages-Crosby; Toxaris-Standford; Alvanes-Cademan; Araxis-Norris; Draxanes-Adams; Eumenes-Westwood; Parisatis-Mrs Betterton; Mandana-Mrs Long; Statyra-Mrs Johnson; Clarina-Mrs Shadwell; Melvissa-Mrs Dixon; Doranthe-Mrs Lee; Cydanene-Mrs Lilborne; Renone-Mrs Wright; Epilogue-the Queen of Amazons.

Performances

Mainpiece Title: All For The Better; Or, The Infallible Cure

Performance Comment: Edition of 1702 lists: Mendez-Simpson; Young Mendez-Fairbank; Antonio-Bickerstaff; Manuel-Toms; Don Alphonso-Husbands; Lopez-Johnson; Woodvil-Wilks; Johnson-Mills; Donna Theresa-Mrs Powel; Isabella-Mrs Rogers; Henrietta-Mrs Wilkins; Daria-Mrs Kent; Elvira-Mrs Moor; Clora-Mrs Lucas; Nurse-Norris; Prologue written by Farquhar-Wilks; Epilogue-.
Cast
Role: Lopez Actor: Johnson
Role: Johnson Actor: Mills

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Johnson Actor: Booth.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Estcourt; Johnson-Wilks; Smith-Mills; Prettyman-Powell; Volscius-Cibber; comical parts-Johnson, Penkethman, Bullock, Norris, Leigh, Fairbank.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Estcourt; Smith-Mills; Johnson-Wilks; Kings of Brentford-Bullock, Bowen; Physician-Cross; Gentleman Usher-Penkethman; Tom Thimble-Dogget; Thunder-Johnson.
Cast
Role: Johnson Actor: Wilks
Role: Thunder Actor: Johnson.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Estcourt; Johnson-Wilks; Smith-Mills; Prettyman-Powell; Volscius-Cibber; Kings of Brentford-Bullock, Bowen; Gentleman Usher-Pinkethman; Physician-Cross; Thimble-Dogget; Fisherman-Johnson; Hey Ho!-Norris.
Cast
Role: Johnson Actor: Wilks
Role: Fisherman Actor: Johnson

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Estcourt; Johnson-Wilks; Smith-Mills; Prettyman-Powell; Volscius-Cibber; Kings of Brentford-Bullock, Bowen; Gentleman Usher-Penkethman; Physician-Cross; Thimble-Dogget; Fisherman-Johnson; Pallas-Bullock; Hey Ho-Norris.
Cast
Role: Johnson Actor: Wilks
Role: Fisherman Actor: Johnson