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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr John Frederick Lampe"/1) | (@(roleclean,performerclean) "Mr John Frederick Lampe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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17771 results for: Keyword - Mr John-Frederick Lampe
We found 11578 matches on Author, 5242 matches on Event Comments, 3394 matches on Performance Comments, 875 matches on Performance Title, and 0 matches on Roles/Actors.

12226
06 March 1775 @ Drury Lane Theatre

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequins Jacket

Dance: II: Grand Provencalle Dance, as17750202

12227
17 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

12228
19 October 1775 @ Drury Lane Theatre

Event Comment: Mr Grist did not play better than the first night (Hopkins Diary). Paid for Women's cloaths #12; Johnston's Music Bill #15 9s. Receipts: #114 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Dance: II: The Merry Peasants, as17751018

12229
25 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rival Candidates

12230
21 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-the young Gentleman who perform'd Othello; Heli-Hurst; Perez-Norris; Garcia-Davies; King-Aickin; Gonzales-Packer; Zara-Miss Younge; Almeria-Mrs Yates; Selim-Fawcett; Alonzo-Wrighten; Leonora-Mrs Johnston.

Afterpiece Title: May Day

Dance: II: The Merry Peasants, as17751018

12231
08 December 1775 @ Covent Garden

Performances

Mainpiece Title: The Roman Father with Alterations

Afterpiece Title: Orpheus and Eurydice

12232
10 February 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

12233
15 December 1798 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Turner (1st appearance on any recte theLondon stage; Macduff-Pope; Duncan-Hull; Banquo-Murray; Malcolm-Clarke; Lenox-Whitfield; Donalbaine-Simmons; Doctor-Waddy; Seward-Davenport; Seyton-Thompson; Fleance-Master Rees; Officer-Klanert; Murderers-Claremont, Abbot; Witches-Munden, Emery, Rees; Hecate-Townsend; Waiting Gentlewoman-Mrs Platt; Lady Macbeth-Mrs Johnson (1st appearance in that character).
Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

12234
26 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: As17990529

12235
29 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Ballet: The Scotch Ghost. As17990628

Song: As17990628

12236
December 1664 @ The (first) Drury Lane Theatre

Event Comment: John Lacy's The Old Troop; or, Monsieur Raggou was probably acted by this time. Not published until 1672, it was, however, referred to in the Epilogue to The Vestal Virgin (which was entered in the Stationers' Register, 7 March 1664@5): @If nothing pleases but Variety,@I'll turn Ragou into a Tragedy.@When Lacy, like a whining Lover dies.

Performances

12237
09 February 1665 @ no theater listed

Event Comment: John Evelyn, writing to Viscount Cornbury this day, protested the frequency of theatrical performances during the Lenten "Indiction" after hearing that there was to be "no Lent indicted this year." He wondered if Fridays and Saturdays could not be spared from the licentiousness of plays. (See Diary and Correspondence, ed. Bray III, 150-52.

Performances

12238
26 October 1671 @ no theater listed

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

12239
July 1674 @ Oxford University

Event Comment: John Dryden wrote a Prologue to the University of Oxford and an Epilogue to the University of Oxford in 1674. The Prologue was apparently spoken by Hart, the Epilogue by Mrs Marshall. See also Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, Review of English Studies, XIX (1943), 368

Performances

12240
22 April 1675 @ Whitehall or St. James's

Event Comment: John Verney to Sir Ralph Verney, 25 April 1675: The King on Saturday night sent for the keys from the Earl of Clarendon--'tis said the reason is, that last Thursday a play was acted at court, and after orders given that no more should be let in, his lordship came to the door, which the guard refused to open, tho' he told them who he was, on which he broke it open and struck a yeoman of the guard. Some say a chamberlain was never before turned out for beating a yeoman of the guard (HMC, 7th Report, Appendix, [1879], p. 464)

Performances

12241
31 August 1680 @ Bartholomew Fair

Event Comment: John Perin paid #1 10s. for a booth at the Fair in 1680. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Mainpiece Title: Entertainments

12242
06 March 1704 @ Drury Lane Theatre

Event Comment: [John Banks's The Island Queens (1684) altered.] And by reason of the extraordinary Charge in the Decoration of it, the Prices will be rais'd, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. At 5:30 p.m

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scotland

Related Works
Related Work: The Island Queens; or, The Death of Mary, Queen of Scotland Author(s): John Banks

12243
18 February 1720 @ King's Theatre

Event Comment: John Vanbrugh to Jacob Tonson (Vanbrugh, Works, IV, 125): The Opera will begin about the 10th of March under the Academy of Musick. It will be a very good one this year, and a better the next. They having engag'd the best Singers in Italy, at a great Price. Such as I believe will bring the Expences to about twice as much as the Receipts. But the fund Subscribed being about #20000, may probably Support it, till Musick takes such root, as to Subsist with less aid. The King gives a #1000 a year to it

Performances

12244
10 March 1758 @ Covent Garden

Event Comment: [John Baker, Diary, p. 106: "Went apres midi con Uxor in chariot to 'Messiah', could not get seat in Upper Gallery, sat in lower."

Performances

Mainpiece Title: The Messiah

12245
12 January 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham

12246
October 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham

12247
22 March 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Related Works
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

Music: As17150312

12248
29 March 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

12249
31 March 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

12250
07 April 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

Song: A new English cantata, The Britannia Compos'd on the Occasion of his Majesty's Happy Arrival in his Dominions-

Music: Several new Pieces of Instrumental Musick-

Dance: