SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Frederick Lampe"/1) | (@(roleclean,performerclean) "Mr John Frederick Lampe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10322 matches on Author, 5242 matches on Event Comments, 3394 matches on Performance Comments, 875 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: Bonduca Author(s): John Fletcher

Afterpiece Title: He Wou'd be a Soldier

Related Works
Related Work: He Wou'd be a Soldier Author(s): Frederick Pilon

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortune's Fool

Related Works
Related Work: Fortune's Fool Author(s): Frederick Reynolds

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

Performance Comment: Parrots-Johnstone; Cypress-Munden; Colin-Fawcett; Capt. Clifford-Macready; Harry-Farley; Porter-Thompson; Miss Melcomb-Mrs Davenport; Julia-Mrs Lee.
Related Works
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe
Event Comment: [As afterpiece the playbill announces Olympus in an Uproar, but it "was obliged to be postponed, on account of the sudden indisposition of Mrs Martyr. The change was announced in bills published at a late hour, and the door-keepers were ordered to acquaint the audience as they entered of the change. This information ought to have been given from the stage; but instead of that decent ceremony the curtain drew up on Rosina. John Bull resented this want of respect, and made a tremendous clamour, which Incledon and Townsend in vain attempted, by repeated apologies, to allay. At last, however, the storm gradually subsided, and Rosina was suffered to warble her mellifluous tones" (True Briton, 14 Nov.).] Receipts: #199 4s. (193.6; 5.18)

Performances

Mainpiece Title: Fortune's Fool

Related Works
Related Work: Fortune's Fool Author(s): Frederick Reynolds

Afterpiece Title: Rosina

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Related Works
Related Work: Laugh when You Can Author(s): Frederick Reynolds

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Related Works
Related Work: Laugh when You Can Author(s): Frederick Reynolds

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Related Works
Related Work: How to Grow Rich Author(s): Frederick Reynolds

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully

Performances

Mainpiece Title: The She Gallant; Or, Once A Lover And Always A Lover

Performance Comment: Sir John Airy-Macklin; Sir Toby Tickle-Yates; Vaunter-Neale; Monsieur-Blakes; Lady Dorimen-Mrs Macklin; Lucinda-Mrs Clive; Constantia with a New occasional Epilogue, in men's Clothes-Mrs Woffington; Miranda-Miss Edwards; Bellamour-Havard; Philabel-Mills; Frederick-Winstone; Courtall-Usher; Mons. Frisure-Blakes; Angelica-Mrs Bennet; Diana-Miss Minors; Melissa-Miss Pitt; Dorinda-Miss Cole; Placket-Mrs Cross; Mrs Japan-Mrs King; Mrs Lawn-Miss Royer.
Cast
Role: Sir John Airy Actor: Macklin
Role: Frederick Actor: Winstone
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: The Wild Gallant Author(s): John Dryden
Related Work: The She Gallant Author(s): John O'Keeffe
Related Work: The Amorous Gallant; or, Love in Fashion Author(s): John Bulteel
Related Work: The Positive Man Author(s): John O'Keeffe

Afterpiece Title: Three Hours after Marriage

Related Works
Related Work: Three Hours after Marriage Author(s): John GayJohn Arbuthnot

Dance: Muilment, the Mechels

Performances

Mainpiece Title: The Orphan

Afterpiece Title: A Duke and no Duke

Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond

Ballet: SSavoyard Travellers. As17500118

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Related Works
Related Work: The Court of Alexander Author(s): John A. Fisher

Performances

Mainpiece Title: Alonzo

Related Works
Related Work: Alonzo Author(s): John Home

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith, first time; Ventidius-Palmer, first time; Dolabella-Brereton, first time; Alexas-Wheeler; Mysis-Keen; Serapion-Bransby; Romans-Griffiths, Norris; Cleopatra-Miss Younge; Octavia-Mrs Greville, first time; Charmion-Mrs Johnston; Iris-Miss Platt.
Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Performance Comment: Jobson-Harper; Nell-Miss Raftor; Sir John-Stoppelaer; Lady Loverule-Mrs Grace; And a new Prologue to the Memory of the late Mr Wilks-.
Cast
Role: Sir John Actor: Stoppelaer
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: new Scots Dance-Houghton, Mrs Walter

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Lying Valet

Dance: III: Savoyards, as17471215; IV: Pastoral Dance-Cooke, Janneton Auretti[, as17480320

Event Comment: Receipts: #115 9s. Paid Blackmore for the following Cloaths: A Blue velvet Coat & Breeches, with white sattin waistcoat emb. with gold, #18; a Light cloath coat & waistcoat (yellow) emb. with silver #12; A Blue & Silver stuff suit, #8; a crimson velt suit #6; a black velvet suit #4 10s.; a scarlet cloath suit trimm'd with black, #1 10s.; Paid into the hands of Mr Forrest [attorney] by John Rich #200. Mr Austin advanc'd 6d. each acting night form 29 Oct. for snuffing the candles

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: Miss in Her Teens

Dance: As17591012 End II: a New Comic Dance-Granier, Miss Hillard; Hornpipe-Miss Dawson

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Deserter

Event Comment: Benefit for Mrs Abington. Mainpiece: Not acted these 3 years. [See 12 April 1771.] Afterpiece: Taken from Sir John Vanbrugh. Boxes and Pit are laid together. Paid Mr Loutherbourg on acct (per Mr Johnston) #41 13s. 4d.; The Author of the Fair Quaker (vide 23 Nov. last) #78 8s. (Treasurer's Book). Receipts: #276 15s. 6d. Charges: #65. Profit to Mrs Abingston: #211 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Related Works
Related Work: The Man of Quality Author(s): John Lee

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Truemore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Capt. Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom (1st appearance this season); Peggy-Mrs Wrighten; Sophia-Miss Farren .
Cast
Role: Sir John Contrast Actor: Parsons
Related Works
Related Work: The Lord of the Manor Author(s): John Burgoyne

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Simson; Miss Tittup-Miss Farren .
Cast
Role: Sir John Trotley Actor: King

Dance: End of mainpiece, as17811004

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Rashly-Bannister; Sir John Contrast-Parsons; Le Nippe-Dodd; Rental-Aickin; Truemore-Barry more; Captain Trapan-Baddeley; Huntsman-Williames; Crimp-R. Palmer; Snap-Phillimore; Contrast-Palmer; Moll Flaggon-Mr Suett; Annette-Miss George; Peggy-Mrs Wrighten; Sophia-Mrs Crouch .
Cast
Role: Sir John Contrast Actor: Parsons
Related Works
Related Work: The Lord of the Manor Author(s): John Burgoyne

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Sir John Contrast-Parsons; Le Nippe-Dodd; Truemore-Kelly; Rashly-Dignum; Rental-Aickin; Huntsman-Williames; Crimp-R. Palmer; Snap-Phillimore; Contrast-Bannister Jun.; Flaggon-Mr Suett; Annette-Miss Romanzini; Peggy-Mrs Edwards; Sophia-Mrs Crouch.
Cast
Role: Sir John Contrast Actor: Parsons
Related Works
Related Work: The Lord of the Manor Author(s): John Burgoyne

Afterpiece Title: The Divorce

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wronghead-Parsons; Squire Richard-Burton; John Moody-Moody [sic]; Count Basset-Dodd; James-Benson; Poundage-Fawcett; Constable-Maddocks; Servant-Lyons; Lady Townly-Miss Farren; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Collins; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard [Kemble playbill erroneously lists Miss Hagley].Kemble playbill erroneously lists Miss Hagley].
Cast
Role: John Moody Actor: Moody
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Frederick Actor: Packer
Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne