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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Oldham"/1) | (@(roleclean,performerclean) "Mr John Oldham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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15881 results for: Keyword - Mr John Oldham
We found 9843 matches on Author, 5139 matches on Event Comments, 2734 matches on Performance Comments, 844 matches on Performance Title, and 0 matches on Roles/Actors.

15601
24 February 1710 @ Couch's Drawing Room

Event Comment: Benefit James Graves and John Garee. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Several Eminent Masters

15602
11 January 1711 @ Stationer's Hall

Event Comment: Benefit John Geree. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-several Eminent Masters

15603
25 April 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis

15604
07 February 1712 @ Stationer's Hall

Event Comment: Benefit John Geree. Postponed from 25 Jan

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

15605
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): John Mottley

Afterpiece Title: Thomyris (the famous Scene only)

15606
18 December 1714 @ Lincoln's Inn Fields

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

15607
19 March 1715 @ Lincoln's Inn Fields

Event Comment: Benefit John Leigh. Receipts: #103 12s. 6d

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Walking Statue

Dance: As17150314

Song: As17150310

15608
09 February 1716 @ Lincoln's Inn Fields

Event Comment: Benefit John and Chr. Rich. At 6 p.m. Notice concerning scenes and machines essentially as 3 Dec. 1715. Receipts: money #35 10s. and tickets #45 16s

Performances

Mainpiece Title: The Fatal Vision

15609
27 February 1717 @ Stationer's Hall

Event Comment: The first of Twelve Grand Concerts. In Daily Courant, 9 Jan., proposals had been issued for setting up by subscription a monthly concert for the first Wednesday of each month. There were never to be fewer than three of the best singers and nineteen performers in all. Each subscriber was to pay to Trustees John Shipton and Thomas Ives one guinea for a year. The concerts were to begin when there were 350 subscribers. On this date 100 subscriptions had been received

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

15610
06 December 1717 @ Lincoln's Inn Fields

Event Comment: Benefit John Rich. Receipts. #71 9s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Dance: Dupre, Moreau, Boval, Thurmond Jr, Tully, Cook Sr, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mrs Schoolding, Mlle Gautier, Mlle Corail, Miss Smith, Miss Schoolding Jr; particularly Dupre's Harlequin-Dupre, Mlle Gautier; and a new French Peasant-Moreau, Mrs Bullock

15611
06 March 1718 @ Drury Lane Theatre

Event Comment: Afterpiece: [By John Weaver.] A new Dramatick Entertainment of Dancing after the Manner of the Ancient Pantomimes. With proper Scenes and Habits. Mainpiece: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Orpheus and Eurydice

15612
26 March 1719 @ no theater listed

Event Comment: See a letter from John Dennis to Sir Richard Steele for comments upon dl, Dennis' Coriolanus, All for Love, Caesar Borgia, The Masquerade in Dennis, II, 162-65

Performances

15613
02 April 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Knight. Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Dance: As17190209

15614
06 July 1719 @ Richmond

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

15615
11 November 1719 @ Drury Lane Theatre

Event Comment: [By John Dennis.] Never Acted before. [See the Dedication of the 1720 edition for Dennis' grievances in the presentation of his play. The receipts this night, he states, were: near a hundred Pound.

Performances

Mainpiece Title: The Invader Of His Country; Or, The Fatal Resentment

Performance Comment: Edition of 1720 lists: Caius Martius Coriolanus-Booth; Ausidius-Mills; Menenius-Corey; Cominius-Thurmond; Sicinius-W. Wilks; Brutus-Walker; 1st Citizen-Bickerstaff; 2d Citizen-Penkethman; 3d Citizen-Johnson; 4th Citizen-Miller; 1st Citizen of Sempronius Party-Norris; 2d Citizen of Sempronius Party-Cross; 1st Servant-Penkethman; 2d Servant-Norris; 3d Servant-Miller; Volumnia-Mrs Porter; Virgilia-Mrs Thurmond; Prologue-Mills; Epilogue written by Cibber-Mrs Oldfield.
Cast
Role: 3d Citizen Actor: Johnson
Related Works
Related Work: The Invader of His Country: or, The Fatal Resentment Author(s): John Dennis
Related Work: Coriolanus; or, The Roman Matron Author(s): John Philip Kemble

15616
30 March 1721 @ Lincoln's Inn Fields

Event Comment: Benefit John Rich, Author of the Afterpiece. At the particular Desire of several Ladies of Quality. Receipts: money #113 6s. 6d.; tickets #10 8s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Magician

Related Works
Related Work: The Magician; or, Harlequin a Director Author(s): John Rich

15617
12 April 1721 @ Lincoln's Inn Fields

Event Comment: Benefit John Rich. Receipts: #34 17s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Magician

Related Works
Related Work: The Magician; or, Harlequin a Director Author(s): John Rich

15618
13 April 1721 @ Lincoln's Inn Fields

Event Comment: [By John Mottley.] A new Tragedy. Receipts: #11 12s

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): John Mottley

15619
22 April 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Spiller. Afterpiece: Written by Sir John Vanbrugh. Receipts: money #29 1s.; tickets #38 16s

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Dance:

15620
09 November 1721 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Dance: As17211023

15621
18 December 1721 @ Lincoln's Inn Fields

Event Comment: Not Acted these Fifteen Years. At the Desire of several Ladies of Quality. All the Characters being new dress'd. Benefit John Rich. Receipts: money #79 11s. 6d.; tickets #21 7s

Performances

Mainpiece Title: Injur'd Love; Or, The Ladies Satisfaction

Song: Singing in Italian and English-Mrs Bower, who never appear'd on the Stage before

15622
12 January 1722 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Escapes of Harlequin

15623
22 January 1722 @ Lincoln's Inn Fields

Event Comment: [By John Sturmy.] Receipts: #40 15s

Performances

Mainpiece Title: Love And Duty; Or The Distress'd Bride

Related Works
Related Work: Love and Duty Author(s): John Slade
Related Work: Love and Duty; or, The Distress'd Bride Author(s): John Sturmy

15624
15 December 1722 @ Lincoln's Inn Fields

Event Comment: [By John Sturmy.] Receipts: #70 1Os. 6d

Performances

Mainpiece Title: The Compromise; Or, Faults On Both Sides

Related Works
Related Work: The Compromise: or, Faults on both Sides Author(s): John Sturmy

15625
02 February 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. See also London Journal, 2 Feb., and John Gay to Jonathan Swift, 3 Feb

Performances

Mainpiece Title: Otho