SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Ogden"/1) | (@(roleclean,performerclean) "Mr John Ogden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9843 matches on Author, 5147 matches on Event Comments, 3064 matches on Performance Comments, 1174 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: Falstaff-Love; King-Powell, first time; Prince of Wales-Holland; Archbishop of York-Havard; Shallow-Yates; Pistol-King; Hostess-Mrs Bradshaw; Dol Tearsheet-Mrs Lee; Poins-Jackson; Justice Silence-Rooker; Gloster-Miss Plym; Davy-Weston; Prince John-Lee; Clarence-Mas. Burton; Chief Justice-Bransby; Westmorland-Burton; Page-Miss Rogers; Hastings-Ackman; Mowbray-Stevens; Feeble-Vaughan; Shadow-Parsons; Mouldy-Moody.
Cast
Role: Prince John Actor: Lee
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedict-Garrick; Dogberry-Parsons; Verges-Hartry; Conrade-Strange; Sexton-Clough; Leonato-Aickin; Claudio-Cautherly; Don John-Bransby; Pedro-Packer; Balthazar-Vernon; Antonio-Hurst; Borachio-Ackman; Town Clerk-Baddeley; Margaret-Mrs Bradshaw; Ursula-Mrs Hippisley; Hero-Mrs Baddeley; Beatrice-Miss Pope;in Act II, a Masquerade Dance proper to the Play,-Grimaldi; to conclude with a Country Dance-.
Cast
Role: Don John Actor: Bransby
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Harlequin's Invasion

Cast
Role: Mrs Trumbel Actor: Johnston
Role: Mrs Harslet Actor: Mrs Johnston

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Parts-King, Reddish, Palmer, Aickin, Wrighten, Watkins, Cautherly, Miss Younge, Miss Platt, Mrs Baddeley, Mrs Jeffries, Mrs Barry. Prologue-King; Epilogue-Mrs Barry; Capt. Dormer-Palmer; Sir George Hastings-King; Sir John Dormer-Reddish; Willoughby-Aickin; Villars-Cautherly; Miss Montague-Mrs Barry; Miss Dormer-Miss Younge; Miss Willoughby-Mrs Baddeley; Mrs Willoughby-Mrs Jeffries; Footmen-Wrighten, Watkins; Lucy-Miss Platt; Jenny-Mrs Smith (Genest, V, 232).
Cast
Role: Sir John Dormer Actor: Reddish

Afterpiece Title: Hob in the Well

Related Works
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17721116, but Sir John-Aickin.
Cast
Role: Sir John Actor: Aickin.
Role: Sir John Melville Actor: J. Aickin

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Beverly-Cautherly; Sir William Belmont-Wright; Blandford-Bransby; Belmont-Packer; Robert-Waldron; Brush-Burton; Lady Restless-Mrs Hopkins; Clarissa-Miss Ambrose; Tippet-Mrs Millidge; Tattle-Mrs Bradshaw; Belinda-Mrs Abington.
Cast
Role: Sir John Restless Actor: King

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir John Melvil-Brereton; Flower-Bransby; Sterling-Parsons, first time; Lovewell-Cautherly; Traverse-Keen; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Betty-Mrs Love; Chambermaid-Mrs Davies; Mrs Heidelberg-Mrs Hopkins; Fanny-Mrs Baddeley, first time in three years in that character; Miss Sterling-Miss Pope.
Cast
Role: Sir John Melvil Actor: Brereton

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Performance Comment: Parts by King, Packer, Davies, Everard, Vernon, Mrs Siddons and Mrs Wrighten. Young Dormer-King; Moody-Vernon; Sir John Murray-Packer; Col. Murrary-Davies; Maria-Mrs Siddons; Feather-Mrs Wrighten (Genest, V, 494); Prologue-King; a Cantata Epilogue-Vernon, Mrs Wrighten.
Cast
Role: Sir John Murray Actor: Packer

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Duchess of York Actor: Mrs Johnston

Afterpiece Title: The Devil to Pay

Performance Comment: As17751205, but Sir John Loverule-Vernon.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): John Hawkesworth

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: The United Company. The date of the first performance is not known, but the play was licensed 6 April 1687 in the Stationers' Register, 24 May 1687. The play was probably given first in March, as the Prologue refers to the speaking head, which was mentioned in the Newdigate newsletters (Folger Shakespeare Library), 26 March 1687: A Country man haveing invented a head & soe contrived it that whatever language or tune you speak in the Mouth of it it Repeated distinctly and Audibly. [I owe this reference to Professor John Harold Wilson]

Performances

Mainpiece Title: The Emperour Of The Moon

Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Event Comment: Benefit the Author, Mr Johnson of Chesire. Never Acted before. [See Remains of John Byrom, Vol. I, Part II, pp. 349-50.

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.
Cast
Role: Lord Flame Actor: Johnson
Related Works
Related Work: Hurlothrumbo; or, News from Terra Australis Incognita: With the Whimsical Flights of My Lord Flame Author(s): Samuel Johnson
Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): John Burgoyne

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham
Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: The Relapse

Performance Comment: As17331006, but Sir John Bull, Page omitted .
Cast
Role: Coupler Actor: Johnson
Role: Sir John Actor: Ridout
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540330 but Dogberry-Taswell; Don John-Bransby; Antonio, Verges-_.
Cast
Role: Don John Actor: Bransby
Role: Don John Actor: Davies
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Grumbler

Dance: II: Masquerade Dance-

Event Comment: Receipts: #58 4s. Paid for sundries for Mr Ross, viz.: a hat at #1 1s. and a pair of shoes at 14 shillings for Essex; a pair of black shoes at 14 shillings and a pair of black shammy shoes at 10s. 6d. for Hamlet (Account Book). [See Hamlet in Shammy Shoes, by John Yoklavitch, Shakespear Quarterly, III (1952), pp. 209-18.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Arthur; Tom-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phillis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Indiana-Mrs Hamilton; with Singing-Lowe.
Cast
Role: Sir John Actor: Gibson

Afterpiece Title: Merlin (Harlequin Skeleton)

Dance: JJovial Coopers, as17571107

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Related Works
Related Work: The Relation of His Majesties Entertainment Passing Through the City of London, to His Coronation: With a Description of the Triumphal Arches, and Solemnity Author(s): John Ogilby
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.
Cast
Role: Sir John Dorilant Actor: Reddish

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that it was entered in the Term Catalogues in February 1679@80 suggests a first production in December 1679 or January 1680. A song, Tell my Strephon that I die, with music by John Blow, is in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Loyal General

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Performances

Mainpiece Title: Europe's Revels For The Peace