SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Mills"/1) | (@(roleclean,performerclean) "Mr John Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9843 matches on Author, 5262 matches on Event Comments, 4898 matches on Performance Comments, 1109 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: King John Actor: Redman
Role: Pembroke Actor: Johnson

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: [By John Dennis. Date of premiere unknown. Published 19 May.] Dedication: Falstaffe 's part...was by no means acted to the satisfaction of the Audience, upon which several fell from disliking the Action to disapproving the Play

Performances

Mainpiece Title: The Comical Gallant; Or, The Amours Of Sir John Falstaffe

Performance Comment: Edition of 1702 lists none of the actors. Epilogue written by Burnaby-Sir John Falstaffe.
Cast
Role: Burnaby Actor: Sir John Falstaffe.
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Powell; Pembroke-Davis; Prince Henry-Lewes; Essex-Gardner; Salisbury-Perry; Bastard-Smith; Faulconbridge-Weller; Austria-Morris; Hubert-Bensley, 1st time; King of France-Clarke; Dauphin-Dyer; Chatillon-Hull; Governor of Angiers-Wignell; Pandulph-Gibson; Queen Elinor-Mrs Vincent; Prince Arthur-Miss Ford; Lady Blanch-Mrs DuBellamy; Lady Faulconbridge-Mrs Ferguson; Constance-Mrs Bellamy.
Cast
Role: King John Actor: Powell

Afterpiece Title: The Coronation

Related Works
Related Work: The Relation of His Majesties Entertainment Passing Through the City of London, to His Coronation: With a Description of the Triumphal Arches, and Solemnity Author(s): John Ogilby
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble (1st appearance in that character [in London]); Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; The Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Chatilion-Farren; Austria-Wrighten; Citizen-Fawcett; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Faulconbridge-Mrs Hedges; Constance-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton
Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time: F 2, by Edmund John Eyre. Text (Shrewsbury: P. Sandford, 1791) correctly assigns Prolix to Wilson. Prologue by John Wolcot (see text)]. Morning Chronicle, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #318 4s. (153.3; 2.5; tickets: 162.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Performance Comment: The Principal Characters (positively for that night only) will be revers'd. Apollo-Mrs Martyr; Sileno-Davies; Damaetus-Rock; Pan-Cubitt; Jupiter-Williamson; Midas-Wilson; Daphne-Mr Munden; Mysis-Mr Johnstone; Nysa-Mr Blanchard.
Cast
Role: Mysis Actor: Mr Johnstone

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: John Actor: Rock
Related Works
Related Work: The Dreamer Awake; or, The Pugilist Matched Author(s): Edmund John Eyre

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-Bland; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Fauconbridge-Palmer; R. Faulconbridge-Waldron; English Herald-Trueman; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins.
Cast
Role: King John Actor: Kemble

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony-Milward; Cleopatra-Mrs Heron; Ventidius-Mills; Octavia-Mrs Butler; Dolabella-A. Hallam; Alexas-W. Mills. With a Prologue written by the late Sir Richard Steele, upon the Revival of the Play in the Year 1716, to be spoke by Mr Cibber .
Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Performance Comment: Edition of 1697: Prologue-Mr Verbruggen; The Epilogue written and-Mr Haynes in the Habit of a Horse Officer, mounted on an Ass; Alphonso, King of Naples-Verbruggen; Frederick-Harland; Valerio-Williams; Sorano-Disney; Pisano-Mills; Petruchio-Hill; Pedro-Newth; Evanthe-Mrs Rogers; Queen Mother-Mrs Powel.
Cast
Role: Pisano Actor: Mills
Related Works
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): John Fletcher
Event Comment: Benefit for Matthews and James. Rec'd Cash #44 9s., plus #116 12s. from tickets. Total #161 1s. Paid Mr Barsanti for music by order of Garrick #1 11s. 6d. Paid Mr Williams 1!2 year's rent K: passage #11 15s. (Treasurer's Book). Mr Mills bury'd at St Marks [Cross). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sir John Actor: Winstone

Afterpiece Title: A Duke and no Duke

Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performance Comment: Edition of 1696: Prologue-Mr Powel; Suetonius-Verbruggen; Petilius-Harland; Junius-Hill; Decius-Eldred; Macer-Mic. Lee; Caratach-Powel Jr; Venutius-Horden; Hengo-Miss Allison; Nennius-Mills; Macquaire-Simpson; Bonduca-Mrs Knight; Claudia-Mrs Rogers; Bonvica-Miss Cross; Epilogue-Miss Dennychock (But Six Years Old).
Cast
Role: Nennius Actor: Mills
Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Bonduca Author(s): John Fletcher

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Cast
Role: Vitellius Actor: Mills
Related Works
Related Work: Caligula Author(s): John Crowne

Performances

Mainpiece Title: The Grove; Or, Love's Paradice

Performance Comment: Edition of 1700: Arcadius-Mills; Eudosius-Powel; Adrastus-Tomms; Parmenio-Cibber; Nicias-Thomas; Aurelia-Mrs Rogers; Phylante-Mrs Temple; Sylvia-Mrs Oldfield; Prologue-; Epilogue by Mr Farquhar-.
Cast
Role: Arcadius Actor: Mills
Related Works
Related Work: The Grove; or, Love's Paradice Author(s): John Oldmixon

Performances

Mainpiece Title: The Indian Emperor

Performance Comment: Daily Post missing, but Genest, III, 367, lists: Montezuma-Mills; Cortez-Bridgwater; Almeria-Mr Butler; Alibech-Mrs Horton; Cydaria-Miss Raftor.
Cast
Role: Montezuma Actor: Mills
Related Works
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden

Afterpiece Title: Cephalus and Procris

Event Comment: Benefit the Daughter of the late Mr Mills. Mainpiece: Written by the late $J. Hughes, Esq.

Performances

Mainpiece Title: The Siege Of Damascus

Cast
Role: Abudah Actor: Mills
Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Virgin Unmask'd

Dance: EEnglish Maggot-Villeneuve, Mrs Walter; Drunken Peasant-Philips; Russian Sailor-Denoyer

Performances

Mainpiece Title: The Maid Of The Oaks

Related Works
Related Work: The Maid of the Oaks Author(s): John Burgoyne

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Sir John Actor: Garrick, 1st time
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: Muilment

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.
Event Comment: Benefit W. Mills and Mrs Mills. At the Desire of several Persons of Quality. Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Actor: Cibber
Role: Heartfree Actor: W. Mills
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Music: Between the acts: Select Pieces-

Dance: Essex, Lally, Thurmond, Haughton, Mrs Walter, Mrs D'Lorme, Miss Robinson; V: Chacone-Mrs Booth

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: Harlequin Sheppard Author(s): John Thurmond
Related Work: A Duke and No Duke Author(s): John Thurmond
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond
Related Work: The Dumb Farce Author(s): John Thurmond
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Related Work: Harlequin's Triumph Author(s): John Thurmond

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Quin; Constant-Milward; Heartfree-Mills; Rake-Winstone; Razor-Macklin; Justice-Havard; Bully-Beard; Taylor-Raftor; Lady Brute-Mrs Butler; Belinda-Mrs Mills; Mademoiselle-Mrs Chetwood; Lady Fanciful-Mrs Clive.
Cast
Role: Sir John Actor: Quin
Role: Heartfree Actor: Mills
Role: Belinda Actor: Mrs Mills
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Fall of Phaeton

Song: III: As17391024

Dance: IV: Grand Ballet-Denoyer, Mlle Chateauneuf

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Macklin; Lady Brute-Mrs Woffington; Constant-Milward; Heartfree-Mills; Lady Fanciful-Mrs Clive; Belinda-Mrs Mills; Mademoiselle-Mrs Macklin; Razor-Neale; Lord Rake-Winstone; Justice-Havard; Constable-Ray; Taylor-Raftor; Col Bully-Beard; in which character will be introduc'd songs proper to the play-.
Cast
Role: Sir John Brute Actor: Macklin
Role: Heartfree Actor: Mills
Role: Belinda Actor: Mrs Mills
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: LLe Boufon, as17411030; Les Masons et Les Sabotiers, as17411103, but Desse

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Cibber Sen.; Razor-Neale; Lady Brute-Mrs Woffington; Lady Fanciful-Mrs Giffard; Mademoiselle-Mrs Chetwood; Constant-Havard; Heartfree-Mills; Col Bully-Blakes; Lord Rake-Winstone; Justice-Woodburn; Constable-Ray; Belinda-Mrs Mills.
Cast
Role: Sir John Brute Actor: Cibber Sen.
Role: Heartfree Actor: Mills
Role: Belinda Actor: Mrs Mills.
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: Columbine Courtezan

Event Comment: Benefit Mrs Mills and Mrs Shaw. Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

Song:

Dance:

Event Comment: Benefit Mills. By His Royal Highness's Command. Written by the late Mr Otway. [The Prince present.

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Dance: Pastoral Dance of Myrtillo-

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Edition of 1697: First Prologue-Mrs Cross; Prologue on the Third Day-Mrs Verbruggen; Epilogue-Lord Foppington; Sir Novelty Fashion-Cibber; Young Fashion-Mrs Kent; Loveless-Verbruggen; Worthy-Powell; Sir Tunbelly Clumsey-Bullock; Sir John Friendly-Mills; Coupler-Johnson; Bull-Simson; Serringe-Haynes; Lory-Dogget; Amanda-Mrs Rogers; Berinthia-Mrs Verbruggen; Hoyden-Mrs Cross; Nurse-Mrs Powell.
Cast
Role: Sir John Friendly Actor: Mills
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh