Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr John Hall"/1) | (@(roleclean,performerclean) "Mr John Hall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
17185 results for: Keyword - Mr John Hall
We found 11084 matches on Author, 5285 matches on Event Comments, 3132 matches on Performance Comments, 867 matches on Performance Title, and 0 matches on Roles/Actors.

11701
16 January 1734 @ Bloomsbury

Performances

Mainpiece Title: Tony Astons Medley

11702
06 September 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

11703
01 April 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

11704
25 September 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Related Works
Related Work: The Maid in the Mill Author(s): John Fletcher

Afterpiece Title: A Trip to Scotland

Dance: I: A Dance-Daigville, Sga Vidini

11705
27 January 1772 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Fairy Prince

11706
11 January 1773 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Monologue: Before the Play: (By desire) New Occasional Prelude. As 27 Oct. 1772

11707
17 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Musical Lady

Cast
Role: Lady Scrape Actor: Mrs Johnston

11708
24 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

11709
22 September 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith, first appearance there; King Henry VI-J. Aickin; Richmond-Palmer; Buckingham-Jefferson; Lord Mayor-Ackman; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Tressel-Cautherly; Lord Stanly-Bransby; Norfolk-Hurst; Ratcliff-Wright; Lieutenant-Fawcett; Catesby-Packer; Lady Anne-Miss Younge; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Duchess of York Actor: Mrs Johnston
Related Works
Related Work: The English Princess; or, The Death of Richard the Third Author(s): John Caryll
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll

Afterpiece Title: The Meeting of the Company

Afterpiece Title: Miss in Her Teens

11710
11 October 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Sysigambis Actor: Mrs Johnston
Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: The Court of Alexander Author(s): John A. Fisher
Related Work: Alexander the Great Author(s): John Philip Kemble

Afterpiece Title: The Deserter

11711
06 March 1775 @ Drury Lane Theatre

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequins Jacket

Dance: II: Grand Provencalle Dance, as17750202

11712
17 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

11713
19 October 1775 @ Drury Lane Theatre

Event Comment: Mr Grist did not play better than the first night (Hopkins Diary). Paid for Women's cloaths #12; Johnston's Music Bill #15 9s. Receipts: #114 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Dance: II: The Merry Peasants, as17751018

11714
25 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rival Candidates

11715
21 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-the young Gentleman who perform'd Othello; Heli-Hurst; Perez-Norris; Garcia-Davies; King-Aickin; Gonzales-Packer; Zara-Miss Younge; Almeria-Mrs Yates; Selim-Fawcett; Alonzo-Wrighten; Leonora-Mrs Johnston.
Cast
Role: Leonora Actor: Mrs Johnston.

Afterpiece Title: May Day

Dance: II: The Merry Peasants, as17751018

11716
08 December 1775 @ Covent Garden

Performances

Mainpiece Title: The Roman Father with Alterations

Afterpiece Title: Orpheus and Eurydice

11717
10 February 1789 @ King's Theatre

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

11718
15 December 1798 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Turner (1st appearance on any recte theLondon stage; Macduff-Pope; Duncan-Hull; Banquo-Murray; Malcolm-Clarke; Lenox-Whitfield; Donalbaine-Simmons; Doctor-Waddy; Seward-Davenport; Seyton-Thompson; Fleance-Master Rees; Officer-Klanert; Murderers-Claremont, Abbot; Witches-Munden, Emery, Rees; Hecate-Townsend; Waiting Gentlewoman-Mrs Platt; Lady Macbeth-Mrs Johnson (1st appearance in that character).
Cast
Role: Lady Macbeth Actor: Mrs Johnson
Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: Albert and Adelaide

Cast
Role: Principal Characters Actor: Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb
Role: Albert Actor: H. Johnson
Role: Adelaide Actor: Mrs Johnson

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

11719
26 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: As17990529

11720
29 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Ballet: The Scotch Ghost. As17990628

Cast
Role: Villagers Actor: Roffey, Garman, Wells, Gauron, Goodman, Johnston, Bisan, Ms Brigg, Ms Byrne, Ms Daniels, Ms Vining, Ms Luciet, Ms Riches, Ms Drake.

Song: As17990628

11721
December 1664 @ The (first) Drury Lane Theatre

Event Comment: John Lacy's The Old Troop; or, Monsieur Raggou was probably acted by this time. Not published until 1672, it was, however, referred to in the Epilogue to The Vestal Virgin (which was entered in the Stationers' Register, 7 March 1664@5): @If nothing pleases but Variety,@I'll turn Ragou into a Tragedy.@When Lacy, like a whining Lover dies.

Performances

11722
09 February 1665 @ no theater listed

Event Comment: John Evelyn, writing to Viscount Cornbury this day, protested the frequency of theatrical performances during the Lenten "Indiction" after hearing that there was to be "no Lent indicted this year." He wondered if Fridays and Saturdays could not be spared from the licentiousness of plays. (See Diary and Correspondence, ed. Bray III, 150-52.

Performances

11723
26 October 1671 @ no theater listed

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

11724
July 1674 @ Oxford University

Event Comment: John Dryden wrote a Prologue to the University of Oxford and an Epilogue to the University of Oxford in 1674. The Prologue was apparently spoken by Hart, the Epilogue by Mrs Marshall. See also Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, Review of English Studies, XIX (1943), 368

Performances

11725
22 April 1675 @ Whitehall or St. James's

Event Comment: John Verney to Sir Ralph Verney, 25 April 1675: The King on Saturday night sent for the keys from the Earl of Clarendon--'tis said the reason is, that last Thursday a play was acted at court, and after orders given that no more should be let in, his lordship came to the door, which the guard refused to open, tho' he told them who he was, on which he broke it open and struck a yeoman of the guard. Some say a chamberlain was never before turned out for beating a yeoman of the guard (HMC, 7th Report, Appendix, [1879], p. 464)

Performances