SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Hall"/1) | (@(roleclean,performerclean) "Mr John Hall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9875 matches on Author, 5283 matches on Event Comments, 3132 matches on Performance Comments, 867 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #22 4s. 6d

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Boheme; Felix-Hall; Carlos-Ryan; Lorenzo-Walker; Metaphrastus-Ogden; Sancho-Hippisley; Lopez-Chapman; Leonora-Mrs Younger; Camillo-Mrs Bullock; Isabella-Mrs Berriman; Jacinta-Mrs Egleton.
Cast
Role: Felix Actor: Hall
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: Harlequin a Sorcerer

Event Comment: Benefit Miss Hollyday. By Command of His Royal Highness. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #35 4s. 6d.; tickets #70 19s

Performances

Mainpiece Title: The Confederacy

Performance Comment: Flippanta-Mrs Younger; Gripe-Hall; Moneytrap-Hippisley; Dick-Walker; Brass-Chapman; Clarrissa-Mrs Bullock; Araminta-Mrs Vincent; Corinna-Miss Hollyday; Mrs Amlet-Mrs Egleton.
Cast
Role: Gripe Actor: Hall
Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Comical Rivals

Dance: End V: Grand Comic Dance in Camilla-Nivelon, Pelling, Mrs Pelling, Mrs Ogden, Miss LaTour; End I of School Boy: French Peasant-Poitier; End of Farce: Two Pierrots-Poitier, Nivelon

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, Receipts: #93 2s. 6d

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Boheme; Felix-Hall; Carlos-Ryan; Lorenzo-Walker; Metaphrastus-Ogden; Sancho-Hippisley; Lopez-Chapman; Harlequin-Rainton Younger; Camillo-Mrs Bullock; Isabella-Mrs Berriman; Jacinta-Mrs Egleton.
Cast
Role: Felix Actor: Hall
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: The Necromancer

Related Works
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #54 4s. 6d

Performances

Mainpiece Title: The Confederacy

Performance Comment: Gripe-Hall; Moneytrap-Hippisley; Dick-Walker; Brass-Chapman; Clarissa-Mrs Bullock; Araminta-Mrs Vincent; Corinna-Mrs Legar; Mrs Amlet-Mrs Egleton; Flippanta-Mrs Younger.
Cast
Role: Gripe Actor: Hall
Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: Apollo and Daphne Author(s): John Hughes
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond

Dance: HHornpipe-Jones

Event Comment: Written by the late Sir John Vanbrugh. Receipts: #34 7s. 6d

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Milward; Felix-Hall; Carlos-Ryan; Lorenzo-Walker; Metaphrastus-Ogden; Sancho-Hippisley; Lopez-Chapman; Leonora-Mrs Younger; Camillo-Mrs Bullock; Isabella-Mrs Hallam; Jacinta-Mrs Egleton.
Cast
Role: Felix Actor: Hall
Role: Isabella Actor: Mrs Hallam
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: The Country House

Related Works
Related Work: The Country House Author(s): John Vanbrugh

Dance: As17320122

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #26 15s

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Milward; Felix-Hall; Carlos-Ryan; Lorenzo-Walker; Metaphrastus-Paget; Sancho-Hippisley; Lopez-Chapman; Leonora-Mrs Younger; Camillo-Mrs Bullock; Isabella-Mrs Templer; Jacinta-Mrs Egleton.
Cast
Role: Felix Actor: Hall
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: Apollo and Daphne Author(s): John Hughes
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Event Comment: Written by the late Sir John Vanbrugh. Receipts: #59 11s. 6d

Performances

Mainpiece Title: The Confederacy

Performance Comment: As at lif, 2 Oct. 1732, but Clarissa-Mrs Bullock; Gripe-Hall; Corinna-Miss Holliday.
Cast
Role: Gripe Actor: Hall
Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Dance: III: French Peasant-Poitier, Miss LaTour; V: Scottish Dance, as17330123

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Performance Comment: Gripe-Hall; Moneytrap-Hippisley; Dick-Walker; Brass-Chapman; Clarissa-Mrs Bullock; Araminta-Mrs Vincent; Corinna-Mrs Laguerre; Flippanta-Mrs Younger; Mrs Amlet-Mrs Martin; Mrs Cloggit-Mrs Cook .
Cast
Role: Gripe Actor: Hall
Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: Apollo and Daphne Author(s): John Hughes
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Aston; Felix-Hall; Carlos-Ryan; Lorenzo-Walker; Metaphrastus-Neale; Sancho-Hippisley; Lopez-Chapman; Leonora-Mrs Younger; Camillo-Mrs Buchanan; Isabella-Mrs Templer; Jacinta-Mrs Stevens .
Cast
Role: Felix Actor: Hall
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: The Mock Lawyer

Cast
Role: Lovelaw Actor: Hall

Dance: A single Dance by Mlle Salle. Scotish Dance, as17331004 French Sailor and his Lass by Malter and Mlle Salle

Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Related Works
Related Work: Harlequin and Quixotte; or, The Magic Arm Author(s): John Cartwright Cross

Performances

Mainpiece Title: The Distrest Wife

Performance Comment: Parts by Ryan, Quin, Neal, Chapman, Aston, Salway, Morgan, Hall, Mrs Younger, Mrs Buchanan, Miss Binks, Miss Norsa, Mrs Stevens, Mrs Younger, Mrs Lacy, Mrs Forrester .
Related Works
Related Work: The Distrest Wife Author(s): John Gay

Dance: By Maker and Mlle Salle

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher
Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.
Related Works
Related Work: A Divertisement Author(s): John Cartwright Cross
Related Work: The New Divertisement Author(s): John Cartwright Cross

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.
Related Works
Related Work: A Divertisement Author(s): John Cartwright Cross
Related Work: The New Divertisement Author(s): John Cartwright Cross

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Related Works
Related Work: Calisto; or, The Chaste Nimph Author(s): John Crowne

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir John Swallow Actor: Smith
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Related Works
Related Work: The Husband His Own Cuckold Author(s): John Dryden Jr.
Event Comment: The Feast of St Cecilia was celebrated Yearly, and the performance was usually held in Stationers' Hall, but the edition in 1687 of A Song for St Cecilia's Day does not specify the place of performance

Performances

Mainpiece Title: A Song For St Cecilia's Day

Performance Comment: The Music by John Baptist Draghi.
Related Works
Related Work: A Song for St Cecilia's Day Author(s): John Dryden
Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Performance Comment: As17980331Principal Characters-Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .
Related Works
Related Work: The Raft; or, Both Sides of the Water Author(s): John Cartwright Cross

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Related Works
Related Work: Harlequin's Return Author(s): John Cartwright Cross
Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver
Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Event Comment: 2nd piece [1st time; F 1, by John Rose; in Town and Country Magazine, Aug. 1788, p. 374, said to be translated from a French farce]. "Edwin was too ill to sing, but went through the part [in Peeping Tom; see 16 Aug.]" (Public Advertiser, 4 Aug.)

Performances

Mainpiece Title: Ways And Means

Cast
Role: unassigned Actor: Johnson

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Performance Comment: Principal Characters by Aickin, R. Palmer, Kemble, Davies, Phillimore, Abbot, Williamson, Mrs Brooks. Cast from text (W. Lowndes, 1788): Mr Plainwell-Aickin; Lord Simper-R. Palmer; Sir William Wealthy-Kemble; Col. Modish-Davies; John-Phillimore; William-Abbot; Mr Level-Williamson; Mrs Level-Mrs Brooks.
Cast
Role: John Actor: Phillimore
Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): John O'Keeffe
Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Related Works
Related Work: The Fugitive Author(s): John O'Keeffe

Afterpiece Title: All the World's a Stage