SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Christopher Smith"/1) | (@(roleclean,performerclean) "Mr John Christopher Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 10008 matches on Author, 5400 matches on Event Comments, 4472 matches on Performance Comments, 1075 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: [Mrs Knipp] tells me how Smith, of the Duke's house, hath killed a man upon a quarrel in play; which makes every body sorry, he being a good actor, and, they say, a good man, however this happens. The ladies of the Court do much bemoan him, she says

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: The King's Company. The date of the first performance is not known, but the premiere probably occurred during this month. The Preface states: This Play, as it was wrote in less than a moneth, and was the last Play that was Acted at the King's Theatre in Covent-Garden, before the fatal Fire there. [The Preface may mean that this was the last new play acted before the fire.] Two songs for this play, with music by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Performance Comment: Edition of 1673: Prologue-; Camillo-Samford; Pacheco-Ant. Leigh; Tutor-Underhil; Antonio-Harris; Pedro-Cademan; Leandro-Cosby [Crosby (?)]; Lysander-Medbourne; Mariana-Mrs Caff [Clough (?)]; Ismena-Mrs Johnson; Juliana-Mrs Batterton; Lelia-Mrs Osborn; AEmilia-Mrs Lee; Nurse-Mrs Norris.
Cast
Role: Ismena Actor: Mrs Johnson
Related Works
Related Work: The Reformation Author(s): Joseph Arrowsmith
Event Comment: Langhans, New Restoration Theatre Accounts, pp. 123-24, believes that acting resumed on 9 Oct. 1682 and continued to 14 July 1683, followed by 14 acting days between 16 July and 6 Oct. 1683.. Betterton and Smith managed the company for the proprietor

Performances

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308-the regular company at Drury Lane resumed acting (after the summer vacation) on 11 Oct. 1696 and acted 200 times to 7 July 1697, after which the young actors played 58 days to 7 Oct. 1697

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: Benefit Smith and Isaac. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Event Comment: [By Edmund Smith.] Never Acted before

Performances

Mainpiece Title: Phaedra And Hippolitus

Event Comment: Benefit Smith. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Fatal Marriage

Event Comment: Benefit Mrs Smith. At the Desire of several Ladies of Quality. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: The first Masters of the Opera

Event Comment: Benefit Smith. At the Desire of several Ladies of Quality. Receipts: #103 12s

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Song: Leveridge, Rawlins, Cook, New Boy

Related Works
Related Work: Jupiter and Europa; or, The Intrigues of Harlequin Author(s): John Rich

Dance: As17150425 Also Dutch Skipper-delaGarde, Miss Russell; Harlequin and Two Punches-duPre, Moreau, Bovil

Event Comment: As 4 Feb.; Dutch Skipper-Thurmond Jr, Miss Smith

Performances

Mainpiece Title: The London Cuckolds

Event Comment: Benefit Smith. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Cory and Miss Smith

Performances

Mainpiece Title: Sir Courtly Nice

Cast
Role: Testimony Actor: Johnson
Related Works
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne

Dance:

Event Comment: Benefit Smith, Morgan, Giles. Being the last Time of the Company's Acting this Season. Receipts: money #20 3s. 6d.; tickets #92 10s

Performances

Mainpiece Title: The Fair Quaker Of Deal

Dance: Lally, Mrs Rogier; Hornpipe-Jones

Event Comment: Benefit Smith. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Mrs Peppet and Mrs Bryars, Boxkeepers to the Opera, and Betty Smith

Performances

Mainpiece Title: The Anatomist; Or, Sham Doctor

Afterpiece Title: The School Boy

Dance: James, Mrs Ratcliff

Related Works
Related Work: The Traytor Author(s): Christopher Bullock
Related Work: The Night Walker; or, The Little Thief Author(s): John Fletcher

Performances

Mainpiece Title: The Roman Maid

Performance Comment: Walker, Ogden, Leigh, Smith, Huddy, Hulett, Mrs Moffett, Mrs Morgam, Mrs Plomer, Mrs Cantrell; but edition of 1725 lists: Dioclesian-Ogden; Galerius Caesar-Walker; Carus-Hulett; Maximus-Huddy; Paulinas-Boheme; Christian Hermit-Lee; Serena-Mrs Plomer; Paulina-Mrs Moffet; Camilla-Mrs Parker; Lucilla-Mrs Butcher; Prologue-Boheme; Epilogue-Mrs Moffet.
Event Comment: Benefit Smith. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Bryan and Betty Smith. At 6 p.m

Performances

Mainpiece Title: Concert

Music: The best Hands of the Opera