SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Christopher Pepusch"/1) | (@(roleclean,performerclean) "Mr John Christopher Pepusch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 11282 matches on Author, 5167 matches on Event Comments, 2800 matches on Performance Comments, 860 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: The Honest Yorksh1re man

Dance: As17350926

Performances

Mainpiece Title: Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: The Honest Yorkshireman

Dance: V: Passacaille by Mrs Bullock

Song: II: Rise, Glory by Miss Jones. IV: In Italian by Mrs Chambers

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert

Dance: As17540815

Event Comment: [Mainpiece: Author unknown. Never Acted before. Afterpiece: By Christopher Bullock. Never Acted before.] The Prince of Wales present. Receipts: #34 19s

Performances

Mainpiece Title: The Lucky Prodigal Or Wit At A Pinch

Afterpiece Title: A Womans Revenge or A Match in Newgate

Related Works
Related Work: A Woman's Revenge Author(s): Christopher Bullock
Related Work: The Dutch Courtezan Author(s): John Marston

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-

Event Comment: Afterpiece: [By Christopher Bullock]. A New Farce of one Act. Receipts: #26 19s. 6d. In the preface Bullock states that he began the farce on Friday 20, finished it on Saturday 21, acted it on Tuesday 24

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Cobler of Preston

Related Works
Related Work: The Cobler of Preston Author(s): Christopher Bullock

Dance: As17151029

Event Comment: Afterpiece: [By Christopher Bullock.] A New Farce of One Act. Benefit Bullock Sr. At the particular Desire of several Ladies of Quality. Receipts: #69 16s

Performances

Mainpiece Title: A Sea Voyage

Related Works
Related Work: The Storm Author(s): John Fletcher
Related Work: The Sea Voyage Author(s): John Fletcher

Afterpiece Title: The Adventures of Half an Hour

Related Works
Related Work: The Adventures of Half an Hour Author(s): Christopher Bullock

Song: As17160317

Dance: As17151104

Event Comment: [By Christopher Bullock.] Never Acted before. Receipts: #65 11s

Performances

Mainpiece Title: A Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Dance: As17161027

Event Comment: Mainpiece: [By Christopher Bullock.] A New Farce. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Perjuror

Related Works
Related Work: The Perjuror Author(s): Christopher Bullock

Afterpiece Title: Womans Revenge

Afterpiece Title: The Jealous Doctor

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Song: Mrs Barbier; particularly Around Her See Cupids Flying-Mrs Barbier

Dance: As17171022; French Peasant-Moreau, Mrs Bullock

Event Comment: [Revised by Christopher Bullock.] Not Acted these Twenty Years. Reviv'd, with several Alterations. The whole Play to be new dress'd

Performances

Mainpiece Title: The Traytor

Related Works
Related Work: The Traytor Author(s): Christopher Bullock

Dance: A new Dance proper to the Play by Moreau-Moreau, Mrs Moreau

Song: Singing In Italian and English-Mrs Barbier

Event Comment: Benefit Christopher Bullock. At the Desire of several Ladies of Quality. And no Persons to be admitted into the Boxes but by printed Tickets, which will be deliver'd at the Box Door

Performances

Mainpiece Title: Womans A Riddle

Dance:

Event Comment: Mainpiece [by Christopher Bullock]: Not acted these 20 years. [See 9 Feb. 1737.

Performances

Mainpiece Title: Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: Miss in Her Teens

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley
Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher

Dance: As17040124

Song: As17040129

Event Comment: Benefit John Rich. At the particular Desire of several Ladies of Quality. Receipts: #70. Rich's Register: Recd of Lady Rochester 4-0-0

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit John Rich. Receipts: money #33 12s.; tickets #18 18s

Performances

Mainpiece Title: The Traytor

Related Works
Related Work: The Traytor Author(s): Christopher Bullock

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit John Rich. Afterpiece: With all the Scenes, Machines, Flyings, and other Decorations proper to the Play. Receipts: money #66 3s. 6d.; tickets #20 8s

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Amadis or The Loves of Harlequin and Colombine

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Song: Leveridge, Mrs Fletcher; Leveridge's new song The Tippling Philosophers-Leveridge

Dance: As17200120

Event Comment: Benefit Chr. M. Rich. At the particular Desire of several Persons of Quality. Middlepiece: Written by Sir John Vanbrugh. Receipts: money #38 6s.; tickets #54 9s

Performances

Mainpiece Title: Cartouche

Afterpiece Title: The Country House

Related Works
Related Work: The Country House Author(s): John Vanbrugh

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Afterpiece: Written by Sir John Vanbrugh. Receipts: #25 13s

Performances

Mainpiece Title: A Womans Revenge Or A Match In Newgate

Related Works
Related Work: A Woman's Revenge Author(s): Christopher Bullock
Related Work: The Dutch Courtezan Author(s): John Marston

Afterpiece Title: The Country House

Related Works
Related Work: The Country House Author(s): John Vanbrugh

Dance:

Event Comment: Benefit Mines, Maine, and Keene's Widow. Second Piece: Written by the late Sir John Vanbrugh. Receipts: money #20 14s.; tickets #120 12s

Performances

Mainpiece Title: A Womans Revenge

Afterpiece Title: The Country House

Related Works
Related Work: The Country House Author(s): John Vanbrugh

Afterpiece Title: Flora

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Dance: HHighlander and Mistress-Salle, Mrs Legar; Fingalian-Newhouse, Mrs Ogden; Dutch Skipper-Moreau, Mrs Bullock; Comic Dance-Young Tench, Lilliputian Filch

Event Comment: Benefit Lynam. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #39 2s.; tickets #113 7s

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Cobler of Preston

Related Works
Related Work: The Cobler of Preston Author(s): Christopher Bullock

Dance: SScottish Dance-Mrs Bullock; Sicilians-Glover, Mrs Pelling; Hornpipe-Jones, Mrs Ogden

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Shipwreck; or, Perseus and Andromeda Author(s): J.C. PepuschJohn Weaver
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): John Galliard
Event Comment: The United Company. The date of the first performance is not known; It is one of several plays which may have been acted in or near December, for three were entered in the Term Catalogues at approximately the same time. Of the three, The Mistakes was given first near Christmas 1690; the other two may have come earlier in the month. A song, When Sylvia was kind, the music composed by John Eccles, is in Joyful Cuckoldom, ca. 1695. In the text of the play is a song, Corinna in the bloom of youth, sung by Mrs Botoler

Performances

Mainpiece Title: Alphonso King Of Naples

Performance Comment: Edition of 1691: The Prologue-Mr Powell by Mr John Haynes; Alphonso-Bowman; Ferdinand-Powell; Cesario-Mountfort; Tachmas-Hodgson; Vincentio-Bridges; Sigismond-Cibber; Oswell-Freeman; Fabio-Bowen; Attendant-Kirkham; Urania-Mrs Bracegirdle; Ardelia-Mrs Richardson; Epilogue-Mrs Knight by Mr D'Urfey.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Loves A Jest

Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love Or The World Well Lost

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: The Blackamoor