Event Comment: By Command of Their Majesties. Mainpiece: Mr Colman's Last New Comedy. [He was the author of the Epilogue, which was spoken by the Dramatis Personae. In afterpiece the playbill retains Mrs H. Johnston as Malvina, but she "being indisposed, her part was performed with great effect by Madame [sic] St.Amand" (London Chronicle, 15 Mar.).] Receipts: #379 16s. (378.3; 1.13)

Event Comment: Benefit for H. Johnston. Mainpiece: 1st time at this Theatre; by Permission of Mr Colman. Morning Chronicle, 9 Apr.: Tickets to be had of H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #334 3s. 6d. (174.7.6; 1.14.0; tickets: 158.2.0)

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Event Comment: On 23 Nov. 1659 John Page, the Treasurer of the Middle Temple, entered in his records: Music, four nights at 30s., and acting The Clown four nights at 10s. (See A Calendar of the Middle Temple Records, ed. Hopwood, p. 167. See also Bentley, Jacobean and Caroline Stage, V, 1314.

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Event Comment: A draft of a proposed order, i Hotson, Commonwealth and Restoration Stage, p. 201, specifies the companies acting at this time: Forasmuch as wee are advertis'd, that divers persons, and Companies have assembled, and doe dayly assemble themselves together at the Play-Houses called the red bull, in St. Johns Street, the cockpit in Drury Lane, and a certaine Play-House in Salisbury Court, and at other places within our Citty of London and County of Middlesex, without the least Colour of Authority, and doe there act, performe and shew in publique, Comedies, Tragedies, and other Entertainments of the Stage

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to John Dennis, in the Dedication to The Comical Gallant (1702), when this play was revived in the times of Charles II, Wintershall acted Slender

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Event Comment: According to the diary of the Reverend John Ward, ed. Charles Severn (London, 1839), Ward saw The Alchymist at this time. The Folger MS V.a. 292, of Ward's journal, gives it as performed between 1 and 25 Sept. 1662. See Shakespeare Quarterly, XI (1961), 336. See also Dec. 1660

Event Comment: Sixtus Petri Arnoldinus saw bear-baiting and bull-baiting at "the playhouse standing in St John's Street." See 16 Aug.; Zwager, p. 288

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. John Wright (Historia Histrionica [1699], p. 3): [Hart] Acted the Dutchess in the Tragedy of The Cardinal, which was the first Part that gave him Reputation

Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Event Comment: Pepys, Diary: Thence to Islington, and so to St John's to the Red Bull, and there saw the latter part of a rude prize fought

Event Comment: A facsimile of a bill announcing A Trial of Skill at this playhouse, 30 May 1664, is in Rariora, ed. John Eliot Hodgkin (London, n.d.), III, 53-54. See also William VanLennep, The Death of the Red Bull, Theatre Notebook, XVI (1962), 133-34

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Event Comment: In April or May 1667, probably, John Dryden's The Wild Gallant may have been revived, perhaps because of the success of Secret Love. The 1667 edition of The Wild Gallant, which was entered in the Stationers' Register, 7 Aug. 1667, contains: A Prologue to The Wild Gallant revived. An Epilogue to The Wild Gallant revived

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Event Comment: Pepys, Diary: I met Rolt and Sir John Chichly, and Harris, the player, and there we talked of many things, and particularly of Catiline, which is to be suddenly acted at the King's house; and there all agree that it cannot be well done at that house, there not being good actors enow: and Burt acts Cicero, which they all conclude he will not be able to do well. The King gives them #500 for robes, there being, as they say, to be sixteen scarlett robes. Thence home for dinner, and would have had Harris home with me, but it was too late for him to get to the playhouse after it

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo